Posts Tagged ‘Sahir Ludhianvi’

Rafi fest – Birthday Special (I)

December 27, 2011

Dharmendra (8th), Dilip Kumar (11th), Raj Kapoor (15th, 14th), Biswajeet (15th), Naushad (24th, 25th), Rafi (24th), Rajesh Khanna (29th) – This post and the ones that will follow are dedicated to all these birthday boys.

My initial plan was to do one song with lyrics per day, whole of this month. But work demanded more of me, so couldn’t stick to the original plan.

I wont say all the songs that I’m posting here today are the ones that I have come across recently. They are just relatively less heard of. And some of them are songs which I’ve heard pretty often but noticed only now.

1. Na jaane kyun hamare dil ko tumne dil nahin samjha (Mohabbat Zindagi Hai, 1966) : I had first heard this song long long ago (dont remember where exactly, either we had a cassette/LP record at home or had heard it on radio) but had first seen it’s video when I had read the review of this movie on memsaab’s blog. And then had completely forgotten about it until I heard it on radio couple of weeks back. And now all of a sudden it’s pouring in everywhere! I dont know how I could forget such a great song in the first place! Though I wouldn’t call the video great, the song itself is amazing -with all chhed-chhad, haseen gile-shikwe wala lyrics and music. S.H Bihari is the lyricist and O.P Nayyar the music director. And all the songs featuring here this month are sung by Rafi! So that doesn’t even need to be explicitly mentioned.
Totally love  Tumhi ne jaan le li aur tumhe qaatil nahin samjha – the way it’s sung and picturized!

2. Tumhari mulaquat se (Mohabbat Zindagi Hai, 1966) : A more subdued one but so highly romantic!  If Dharam was trying to force himself too much on her in the previous song, in this he appears to have fallen for her at the very first sight. It’s such a beautifully written song – The way it describes the realization of one’s own emotions on meeting someone is so sweet. And it has more of happiness and acceptance to it than awe, making not just Dharmendra but even the one watching the song feel so good about him finding his love. He’s following her everywhere, holding her handbag and even sandals! His antics are really cute and adorable 🙂
Dharam looks even more garam in his shorts! Love Rafi’s restrained rendition inspite of all the paagalpan that goes on in the song, even the ‘hoye’ is sung with so much of control.

3. Yakeen karlo mujhe mohabbat hai tumse (Yakeen, 1969) : Sounds more like a Shammi Kapoor/Joy Mukherjee type song. This time around it’s our glam queen in shorts and uff her adas and nakhras! It’s as though Dharam is on patao-the-heroine spree. Watching the video makes me feel like they are playing catch-me-if-you-can!  But he does get lucky in this one towards the end. Like harvey mentioned, Dharmila jodi is so awesome! They share such a cute chemistry! Apart from being fun,  it’s such a catchy song. The magic of Rafi, Shankar-Jaikishan and Hasrat Jaipuri! I love the rise and fall of notes especially in ‘Tumhari tasveer hai nazar mein, charag jaise ho rehguzar mein‘…the way mein part suddenly drops down.

4. Baharon ki baarat aa gayi (Yakeen, 1969) : No, I wasn’t actually planning to do Ek Hi Film se, but it just sort of happened. Though I had heard both these songs before, I had never paid much attention to them. I heard Gar tum bhoola na doge from this movie on radio sometime back and then checked it out on youtube. I had no idea it was picturized on Dharmila. And I found these in the related links section. Surprisingly these two songs didnt gain the popularity of Gar tum bhoola na doge. This song does remind me of Kaun hai jo sapno mein aaya (Jhuk Gaya Aasmaan) and Chala jaata hoon kisi ki dhoon mein (Mere Jeevan Saathi). Must be the picturization but am wondering if Dharam too meets with an accident after the song. I didnt quite like this song when I saw  it the first time but it has grown on me. I really like the way ‘Suno toh mere dil, suno toh meri jaan, hothon pe dil ki baaaaaat aa gayi‘ is sung. The type puncture sequence is funny. The last antara is different in video and audio. Audio version has –
Honge muthi mein dono jahaan, jis ghadi main unhe paunga
Chaand suraj ke dole mein phir, apne ghar par unhe launga

5. Dil kahe ruk ja re ruk ja (Mann Ki Aankhen, 1970) : I heard this on radio few days ago and instantly fell in love with it. It wasn’t the first time I had heard it. I find it so strange that there are some songs which I have  heard all my life but never noticed. And one fine day, I hear it on radio and suddenly realize how good it is and get addicted to it. Wonder if the mood that I’m in has anything to do with it. But I saw the video for the first time last week. It reminded me a little of Suhana safar aur yeh mausam haseen and a little of Yeh kaun chitrakaar haiThis lovely song is written by Sahir and composed by Laxmikant-Pyarelal.
Ruk ja re ruk ja makes me want to stop doing whatever I’m doing and just let the song take over.

Songs picturized on other actors (birthday boys) will come up in a day or two, as and when time permits.

Ten of my Favourite Madan Mohan Songs

July 14, 2010

Madan’s music was characterized by his immense ability to meld elements of Indian and Western classical music into a new style of Hindi filmi song. He had a keen and sensitive ear for the nuances of Indian classical tunes, and combined them with elements of Western music such as harmonies to produce a style of music that could be appreciated by both classical music aficionados and the common person alike.

As this day, 14th July 2010,  marks 35th Death Anniversary of this Music Director, here are some songs of his that I adore the most. Majority of Madan Mohan’s songs were sung by Lata mangeshkar and all these songs have a certain magic and sweetness to them that few music directors, if any, have been able to recreate. And though I am more of an Asha fan (not that I don’t like Lata, it’s just that I like Asha more), I love all the songs of Madan-Lata duo. 

1. Hoke majhboor mujhe usne bhulaya hoga (Haqeeqat, 1964) : It’s such a beautiful composition – touching lyrics by Kaifi Azmi, haunting music, amazing rendition and  picturization that would bring tears into your eyes. A true masterpiece!  This song also happens to be the only song in which four top-rated male playback singers – Rafi, Talat, Manna Dey, and Bhupendra have put their voices together.  Bhupendra appeared on the screen in this song as well for the first time. This song is believed to be the inspiration behind another Bollywood hit, Sandese aate hai from the film Border. Each song of this movie is a beauty in itself – Kar chale hum fida, Masti mein chhedke tarana, Zara si aahat hoti hai but Hoke majhboor remains the most special one.

2. Lag jaa gale ke phir yeh haseen raat ho na ho (Woh Kaun Thi, 1964) : Madan Mohan’s most successful venture was Raj Khosla’s Desi version of Woman in White, titled Woh Kaun Thi?. This film has three Lata solos Naina barse rim jhim rim jhim, Lag ja gale and Jo humne daastaan apni sunayi and a duet, all of which have transcended time and are still heard and applauded with the same enthusiasm today. This is such a divine song – awesome lyrics, mesmerizing music and beautiful voice. Truly amazing! And then Sadhna and Manoj Kumar. I have always  loved Sadhna but I feel  she looks her best here – stunning and enticing. Sadhna, to me, is the epitome of beauty, charm and grace. She is my all-time favorite actress. And Manoj Kumar in the movies prior to the patriotic era has a different appeal altogether…a very handsome man!

3. Main toh tum sang nain milake (Man Mauji, 1962) : This is one of my dad’s favourite songs. When I watched this movie I had no clue as to what songs it had. I had heard the songs but never knew the name of the movie. So I was delighted to hear Zaroorat hai zaroorat hai, Chanda ja re ja and Main toh tum song. I don’t remember the story but I had liked it back then just because of the songs and Sadhna! Personally I like Chanda ja re jaa (it’s such a beautifully executed song) much better but this one’s for dad. 

4. Maine rang li aaj chunariya (Dulhan Ek Raat Ki, 1967) : Being an ardent Rafi fan, I  love Ek haseen shaam ko the best from this movie but I had already included that in Dharmendra special post. So here’s another lovely number from the same movie, this time in Lata’s voice. Nutan’s another favourite actresses of mine. I had seen this movie (not the full movie though) long ago and I had read Thomas Hardy’s Tess also almost over a decade ago, so don’t remember much of both but ever since I read yves’s take on it and the parallels drawn between the movie and the book, I’m dying to re-read the book and re-watch the movie. I actually don’t remember seeing this song while watching the movie. But as always I later on heard it on Vividh Bharati and liked it. It’s a very cutely composed song. Though it goes little beyond my liking lyrically with charano mein piya tere swarg basaye teri daasi part, I love this song for it’s music and vocal delivery and then the rest of the lyrics.

5. Betaab dil ki tamanna (Hanste Zakhm, 1973) : This is another movie with nice songs. Be it Aaj socha toh aansu bhar aaye, Beetab dil ki, Tum jo mil gaye ho, Yeh mana meri jaan – all are very different from one another but they share one thing in common that they all are very beautifully written, composed and sung. Inspite of the rather funny green outfits that both Priya Ranvansh and Navin Nischal are wearig and Priya’s  gold jewellery that doesn’t quite go along with her costume, I like this song a lot. There’s something very mystic and haunting about it. Hanste hanste rode hum itna bhi toh hansao na – is my favourite line.

6. Nainon mein badra chhaye (Mera Saya, 1966) : Jhumka gira re, Tu jahan jahan chalega, Nainon mein badra chhaye, Aap ke pehloo mein aa kar …. each song is a timeless classic, each with a charm of its own. This song is eeirie yet soothing and calm but yet can give you goose bumps. What a beautiful beginning and the magic just continues throughout!!! And it’s so beautifully shot. This film was unique because of Madan Mohan’s  music, Lata’s divine voice and Raja Mehdi Ali Khan’s phenomenal lyrics. Madan’s favourite lyricists were Raja Mehdi Ali Khan, Kaifi Azmi, and Rajinder Krishan, but Sahir Ludhianvi and Majrooh Sultanpuri also collaborated with him on a few movies. The Madan-Raja pairing in particular produced the classic Aap Ki Nazron Ne Samjha from the movie Anpadh. Among the many admirers of the song was the legendary Naushad who reportedly said, “Let me have this ghazal and take all my compositions in return” upon hearing it.

7. Milo na tum toh (Heer Ranjha, 1970) : The film is unique in the fact that the entire film and its dialogue is in verse, Kaifi Azmi, the man behind the verse dialogue. But somehow I didn’t like the movie much. May be it’s because I had heard so much about it that I had set my expectations too high. I find other movies of Chetan Anand more remarkable (read Haqeeqat and Aakhri Khat). But I like this song a lot – the sweetness and innocence clubbed with the Punjabi flavour – amazing combo and not to forget Raaj Kumar’s dance!

8. Yehi hai tamanna (Aap Ki Parchhayian, 1964) : This is another movie I want to watch again. When I first saw it as a kid, I hadn’t heard any of the songs before, so I didn’t really care for it. And back then there was no youtube to explore the songs. But now that I have fallen in love with all the songs, I want to see the movie again. Even if the story isn’t all that great, I would be happy just looking at Dharmendra. Again, I had included Main nigahen tere chehre se for Dharmendra special post. Hence it’s another song this time. This has a Lata number too – Agar mujhse mohabbat but I love Dharmendra’s dance in Yehi hai tamanna…it’s  so very cute that I couldn’t resist myself from choosing this and it’s Rafi singing for Dharmendra! There’s another peppy and cute song in this movie – Kabhi ithlake chalti ho which is a Rafi-Asha duet.

9. Har koi chahta hai (Ek muthi Asmaan, 1973) : Madan did not usually employ Kishore Kumar, as his tunes were complex classical-based compositions and Kishoreda had a singing style of his own. But there are few songs they have done together and this is one of them. This song appears 3-4 times in the movie. One part of it is picturised on legendary Pran saab and that happens to be my favourite part. Vijay Arora spoils it for me. He’s cute to look at but the way he jumps around and tries to dance to this song is pathetic. If only he could emote and act a little better! It’s a very sweet song and philosophical at the same time. It never fails to soothe me. By the way, how many songs did Pran get to lip-sync? I can only think of Hum bolega toh bologe ki bolta hai, Yaari hai imaan mera and this at the moment.

10. Do pal ruka (Veer Zara, 2004) :  In 2004, Madan’s unused tunes were recreated by his son, Sanjeev Kohli, for the Yash Chopra blockbuster Veer-Zaara. The lyrics were written by Javed Akhtar, and Lata Mangeshkar was invited to once again sing the majority of the melodies composed by her dear friend. Not that I ran out of oldies but I am including this song just to show that Madan Mohan’s music, composed more than 30 years ago is accepted and applauded by the crowd with the same enthusiasm even today.

Madan Mohan was also called the King of Ghazals. If any composer had utilised the ghazal andaz of Mohammad Rafi to the best of his potentiality it is Madanmohan.  Aap ke pehloo mein aa kar, Teri aankhon ki siwa duniya mein, Ek haseen shaam ko, Tumhari zulf ki saaye mein shaam kar lunga etc are the few among them. But for a change I concentrated more of songs sung by Lata today. Saving Rafi’s gems for some other day 🙂

He aspired to becoming an actor but ended up directing music! Hats off to this great man for the lovely tunes he composed. May his soul rest in peace.

Today also happens to be the Birth Anniversary of Roshan. It’s already too late to do another post now. So here are few songs of his that I can think of at the moment – Ek toh surat pyaari, Jo baat tujh mein hai teri tasveer mein nahin, Paao choo lene do, Zindagi bhar nahin bhoolegi woh barsaat ki raat, Baaharon ki manzil rahen, Laaga chunri mein daag. Oh re taal mile nadi ke jal mein, Rahe na rahe hum.

 

Ten of my Favourite Manna Dey Songs

May 1, 2010

I’ve been away from the blogworld for quite sometime now. Lots of other things kept me extremely occupied – I was looking for a change in job, so to start with, I was busy attending interviews. When I got a new job, I resigned from my previous company and was serving notice period for a month, and that just flew away in giving trainings. And now that I have finally joined the new place, I’m trying to get used to the atmosphere here.

So, I hardly had time to watch movies or post something here for the last one month. Now that life has come back to normal again, when the weekend approached I was glad that I could watch movies and get back to blogging again. Thanks to Vividh Bharati that I came to knnow it’s Manna Dey’s birthday today. So here I am with some of my favourite Manna Dey songs.

Born on 1 May 1919, Prabodh Chandra Dey is better known by his nickname, Manna Dey. As he celebrates his 91st birthday today, here’s wishing him a very very happy birthday and a wonderful year ahead!

1. Laaga chunri mein daag (Dil hi toh hai, 1963) :  This is a real masterpiece, one of my all time favourites and one of the most popular Manna Dey songs. Roshan’s music, Sahir Ludhianvi’s lyrics, Manna Dey’s voice, Priyadarshini’s dance and Raj Kapoor’s screen presence – everything is just so superb. And this song has such a spiritual feel to it.

2. Yeh raat bhegi bheegi (Chori Chori, 1956) : Along with Mukesh, Manna Dey was also Raj Kapoor’s voice in many movies. And this movie is one of my favourite Raj Kapoor films. Raj Kapoor is undoubtedly one of the finest actors we’ve ever had and a great director too, with an amazing sense of music – all his films have such lovely songs. But his movies are usually so socially awakening that they leave me emotionally, morally and socially depressed. So I don’t re-watch many of his movies but this is an exception. It’s such a fun movie and has wonderful songs (Hasrat Jaipuri’s lyrics and Shankar-Jaikishan’s music) – be it Jahan mein jaati hoon, Aaja sanam or Panchhi banoo udti phiroon.

3.  Gori tori baanki (Aadhi Raat Ke Baad, 1965) : Manna Dey had a very strong classical base and was usually roped in to sing semi-classical songs. And this song, penned by Prem Dhawan and composed by Chitragupta is a semi-classical song set on Western music – a fun number picturised on Aagha where he tries to impress girls with his magic tricks.

4. Ae bhai zara dekh ke chalo (Mera naam Joker, 1970)  : One more Manna-Raj duo and Manna Dey won the Filmfare best Playback singer award for this song.  This movie marks the debut of Rishi Kapoor. Raj Kapoor spent so much of his own fortune in making this movie, that when it flopped at the box office, Raj came close to being totally bankrupt. I had watched this film on Doordarshan during my school days but they had to cut it short to fit in the allocated 3 hours. But my dad says that this was almost 5 hours long and when he had watched it in a theater, it had 2 intervals.

5. Yeh dosti hum nahin todenge (Sholay 1975) : IMDB’s tagline for Sholay reads : “The greatest star cast ever assembled…….The greatest story ever told”. I doubt if there’s any Bollywood fan who has not seen this movie but I wont get into the details of the movie, let Raju Shrivastav do that. This Manna Dey-Kishore Kumar duet is one of the most popular songs on dosti – be it any occasion/event…this song is always played/sung.

6. Ek chatur naar karke (Padosan, 1968) :  A musical battle where both Mehmood and Sunil Dutt lip-sync to Manna Dey and Kishore Kumar respectively as they try to win over Saira Banu. The singing by both the artist is sheer madness at its best.

As per wiki –  “Reportedly the song ‘Ek Chatur Naar’ (a duet by Kishore Kumar and Manna Dey) was partly improvised by Kishore Kumar at the time of recording and Manna Day, determined to show Kishore Kumar how he would sing the duet better (since Kishore had not been trained classically), got into the mood of the song and immortalized ‘Ek Chatur Naar’. Legend also has it that Manna Dey was upset by the fact that in the picturisation of the song, the singing competition between the two heroes (Dutt and Mehmood) was won by Dutt, for whom the background singing was done by Kishore. Dey didn’t like the fact that a classically trained singer like himself would have to lose, though only on-screen, to an un-trained singer (Kishore). In the song, at a couple of times Mehmood had to say “sur gadbad jee” against Sunil Dutt where Kishore was singing hence Dey refused to say those words so Mehmood gave his own voice for the same.”

But this is what Manna Dey had to say about this song in – “Memories Come Alive: An Autobiography” :
“I was especially cautious when asked to sing for Mehmood in Ek chatur naar with Kishore Kumar. The latter had a unique and unaffected style of singing which tended to eclipse the subtleties of classical music, and place his singing partner, in a duet, at a disadvantage. To be put in the shade by Kishore’s flamboyant style of singing was a distinct possibility and, to counter the risk, I decided to work with Pancham, striving to build on my strengths and find a way of holding my own.”
“On the day we were to record Ek chatur naar, the entire staff at the studio stood outside the glass-door to watch Kishore and me sing. For the two of us, the session had taken on the magnitude of a duel. It took us 12 hours – the recording started at 9 am and ended at 9 pm – to complete it, and I must admit, Kishore was in his element that day. Out of this tough battle to outshine one another, would emerge a new star in the world of music.”

7. Ae meri zohra zabeen (Waqt, 1965) : Another gem of a song – picturised on one of my favourite actors, Balraj Sahni;  sung by one of my favourite singers, Manna Dey and from one of my favourite movies. This is just amazing! 

8. Pyaar hua hai ikraar hua (Shree 420, 1955) : Yet another Raj Kapoor-Manna Dey duo. I think of Raj Kapoor and Nargis and this song is the first thing that comes to my mind. I think of a rain song, I think of this song. I remember reading that this song is one of the top ten romantic songs in Bollywood.

9. Tum bin jeevan kaisa jeevan (Bawarchi, 1972) : There are some songs which I just cant imagine anybody else singing, and this is one of them. Directed by Hrishikesh Mukherjee, Rajesh Khanna playing the All-rounder Bawarchi is one of my favourite films too. And this film had a different music altogether, not the usual romantic numbers, as per the prevailing trend.

10.  Jhanak jhanak tori baje payaliya (Mere huzoor, 1968) : Its a great song, great composition and great singing by Manna Dey – simply superb.

And there I go as usual, I was just getting into the flow and I have reached 10 songs already. There are so many other songs of his – Chalat musafir (Teesri Kasam), Jeewan chalne ka naam (Shor), Door hai kinara (Saudagar), Na maangoo sona chandi (Bobby), Kaun aaya mere mann ke dware (Dekh Kabira Roya)…….to name a few.

Ten of my Favourite Meena Kumari Songs

March 31, 2010

31st March marks the death anniversary of  Mahjabeen Bano aka Meena Kumari aka the Tragedy Queen of Hindi Film Industry, who not only portrayed tragic roles in movies, but led a tragic life in real as well. With very fond memories, here is a list of songs through which she flirts, romances and cries—just, generally, keeps me glued to the screen admiring her but wondering about her fate at the same time.

1. Ajeeb daastaan hai yeh (Dil Apna Preet Parai, 1960) : This must be one of the most popular songs even till this day.  The picture of Meena Kumari singing this lovely number when she realizes that the man she loves is committed to someone else, is forever etched into my memory. And it has gorgeous Nadira in it too 🙂

2. Koi pyaar ki dekhe jaadugari  (Kohinoor, 1960) : A romantic duet filled with excitement, thrill and magic of being in love where she lip-syncs with her Knight in Shining armour after he rescues her from the clutch of wicked Jeevan.

3. O raat ke musafir (Miss Mary, 1957) :  I saw her in a light-hearted role for the first time ever in this movie. For a change she’s showing attitude and not crying her heart out…and I personally feel that she’s enchanting in this avataar. Wish she had done more roles like this.

4. Koi bata de dil hai jahan (Main Chup Rahungi, 1962) : This is such a sweet, innocent and romantic song. As the name of the movie suggests, it’s weepy Meena again, but it had some wonderful songs – Koi bata de, Chaand jaane kahan kho gaya, Ae dil kabhi toh koi aayega. Apart from the story, which gets highly melo-dramatic at one point of time – but thankfully doesn’t get boring because of the child, this movie had such a strikingly good looking couple, amazing performance and like I said before, very melodious songs.

5. Chalte chalte yunhi koi (Pakeezah, 1972) : Though I like Yeh mausam hai aashiquana better, this song finds its place in this list because this is one of Meena’s signature songs. And apart from the songs and Meena’s performance in this movie, there’s one more thing that became very popular with this movie- Aap ke paon dekhe, bahut haseen hai. Inhe zameen par mat utariyega maile ho jayenge

In 1952, on the sets of one of her films, Meena Kumari fell in love with and married film director, Kamal Amrohi. Soon after marriage, Kamal Amrohi and Meena Kumari produced a film called Daera (1953), which was based on their love story. They also planned another film, Pakeezah. However, it took sixteen years (1956 to 1972) before Pakeezah reached the silver screen. (The scenes in Pakeezah’s popular song, Inhi logon ne, were originally filmed in black and white, and were later reshot in color.)
Initially, after its release in February 1972, Pakeezah opened to a lukewarm response from the public; however, after Meena Kumari’s death less than two months later, people flocked to see it, making it a major box-office success.

6. Na jao saiyaan (Sahib Bibi aur Ghulam, 1962) : This is another signature song of hers. There’s actually a tie between this and Piya aiso jiya mein. The role of Chhoti Bahu, an alcoholic wife, is one of her best performances ever.

Upperstall wrote about her performance in Sahib Bibi aur Ghulam :

While each of the performances are spot on, if there is one person who is the heart and soul of the film, it is Meena Kumari. Her portrayal of Chhoti Bahu is perhaps the greatest performance ever seen on the Indian Screen. The sequence where Chhoti Bahu dresses for her husband singing Piya Aiso Jiya Main is a poignant exploration of a woman’s expectations and sexual desire. And later on when she has become a desperate alcoholic, you cannot help but cry with her in the sequence where she pleads with her husband to stay with her and then angrily turns on him to tell him how she has prostituted her basic values and morals to please him. However the common factors between the actress’s life and Chhoti Bahu are too dramatic to be merely coincidental – The estranged marital relationship, the taking of alcohol, turning towards younger male company, the craving to be understood and loved – all elements evident in Meena Kumari’s own life

7. Kabhi toh milegi (Aarti, 1962) : Its such a haunting melody! Lovely composition, inspiring lyrics, great voice and Meena’s screen presence – it has such a lingering effect, it just keeps playing in my mind over and over again long after I listen to it.

This song always reminds me of Rahe na rahe hum from Mamta and vice versa…saw somebody else’s comment on youtube stating the same. I’m feeling good to know that I have a company here.

8. O chaand jahan woh jaye (Sharada, 1957) : One of my favourite Lata-Aasha duets picturized on serious Meena and playful Shyama. Love their expressions…I find Shyama more dominating here, her lines and expressions are better. But since this also features Meena, I just needed an excuse to put this song here 🙂

9. Tu ganga ki mauj main jamna ka dhara (Baiju Bawra, 1952) : Though she had done few movies as a child artist followed by some mythological movies, it was this film that gained her fame and established her as an actor.  When I had first seen this song during my school days, I almost couldn’t recognize her, she looked so young!

10. Rang aur noor ki baaraat (Gazal, 1964) : I couldn’t possibly end this post with everything happy and romantic and sweet…I had to include a number that had the sorrow factor and this tops my list! Though the song is in a male voice, Meena remains the primary focus throughout…one look at her – those eyes brimming with tears, all my heart goes out to her.

When Meena Kumari was born her family was going through a financial crisis. She was forced to act in movies at the age of 7 to support the family due to which she lost out on her carefree childhood days. Later in life she fell in love and got married to Kamal Amrohi, but that didn’t last for long and they got divorced which led her into a depression. She craved for love and care all her life and this is very evident in her poetry. She found solace in heavy drinking. Her health began deteriorating and at the age of 40 she died of liver cirrhosis.

May her soul rest in peace!!!!

I just realized that I have 2 songs referring to Chaand (O raat ke musafir, O chaand jahan woh jaaye) in my list already….and the other two with Meena-Chaand combo that come to my mind are : Chaand jaane kahan kho gaya, Ruk jaa raat theher jaa re chanda….any other songs you can think of?