Posts Tagged ‘Rafi’

Rafi fest – Birthday Special (I)

December 27, 2011

Dharmendra (8th), Dilip Kumar (11th), Raj Kapoor (15th, 14th), Biswajeet (15th), Naushad (24th, 25th), Rafi (24th), Rajesh Khanna (29th) – This post and the ones that will follow are dedicated to all these birthday boys.

My initial plan was to do one song with lyrics per day, whole of this month. But work demanded more of me, so couldn’t stick to the original plan.

I wont say all the songs that I’m posting here today are the ones that I have come across recently. They are just relatively less heard of. And some of them are songs which I’ve heard pretty often but noticed only now.

1. Na jaane kyun hamare dil ko tumne dil nahin samjha (Mohabbat Zindagi Hai, 1966) : I had first heard this song long long ago (dont remember where exactly, either we had a cassette/LP record at home or had heard it on radio) but had first seen it’s video when I had read the review of this movie on memsaab’s blog. And then had completely forgotten about it until I heard it on radio couple of weeks back. And now all of a sudden it’s pouring in everywhere! I dont know how I could forget such a great song in the first place! Though I wouldn’t call the video great, the song itself is amazing -with all chhed-chhad, haseen gile-shikwe wala lyrics and music. S.H Bihari is the lyricist and O.P Nayyar the music director. And all the songs featuring here this month are sung by Rafi! So that doesn’t even need to be explicitly mentioned.
Totally love  Tumhi ne jaan le li aur tumhe qaatil nahin samjha – the way it’s sung and picturized!

2. Tumhari mulaquat se (Mohabbat Zindagi Hai, 1966) : A more subdued one but so highly romantic!  If Dharam was trying to force himself too much on her in the previous song, in this he appears to have fallen for her at the very first sight. It’s such a beautifully written song – The way it describes the realization of one’s own emotions on meeting someone is so sweet. And it has more of happiness and acceptance to it than awe, making not just Dharmendra but even the one watching the song feel so good about him finding his love. He’s following her everywhere, holding her handbag and even sandals! His antics are really cute and adorable 🙂
Dharam looks even more garam in his shorts! Love Rafi’s restrained rendition inspite of all the paagalpan that goes on in the song, even the ‘hoye’ is sung with so much of control.

3. Yakeen karlo mujhe mohabbat hai tumse (Yakeen, 1969) : Sounds more like a Shammi Kapoor/Joy Mukherjee type song. This time around it’s our glam queen in shorts and uff her adas and nakhras! It’s as though Dharam is on patao-the-heroine spree. Watching the video makes me feel like they are playing catch-me-if-you-can!  But he does get lucky in this one towards the end. Like harvey mentioned, Dharmila jodi is so awesome! They share such a cute chemistry! Apart from being fun,  it’s such a catchy song. The magic of Rafi, Shankar-Jaikishan and Hasrat Jaipuri! I love the rise and fall of notes especially in ‘Tumhari tasveer hai nazar mein, charag jaise ho rehguzar mein‘…the way mein part suddenly drops down.

4. Baharon ki baarat aa gayi (Yakeen, 1969) : No, I wasn’t actually planning to do Ek Hi Film se, but it just sort of happened. Though I had heard both these songs before, I had never paid much attention to them. I heard Gar tum bhoola na doge from this movie on radio sometime back and then checked it out on youtube. I had no idea it was picturized on Dharmila. And I found these in the related links section. Surprisingly these two songs didnt gain the popularity of Gar tum bhoola na doge. This song does remind me of Kaun hai jo sapno mein aaya (Jhuk Gaya Aasmaan) and Chala jaata hoon kisi ki dhoon mein (Mere Jeevan Saathi). Must be the picturization but am wondering if Dharam too meets with an accident after the song. I didnt quite like this song when I saw  it the first time but it has grown on me. I really like the way ‘Suno toh mere dil, suno toh meri jaan, hothon pe dil ki baaaaaat aa gayi‘ is sung. The type puncture sequence is funny. The last antara is different in video and audio. Audio version has –
Honge muthi mein dono jahaan, jis ghadi main unhe paunga
Chaand suraj ke dole mein phir, apne ghar par unhe launga

5. Dil kahe ruk ja re ruk ja (Mann Ki Aankhen, 1970) : I heard this on radio few days ago and instantly fell in love with it. It wasn’t the first time I had heard it. I find it so strange that there are some songs which I have  heard all my life but never noticed. And one fine day, I hear it on radio and suddenly realize how good it is and get addicted to it. Wonder if the mood that I’m in has anything to do with it. But I saw the video for the first time last week. It reminded me a little of Suhana safar aur yeh mausam haseen and a little of Yeh kaun chitrakaar haiThis lovely song is written by Sahir and composed by Laxmikant-Pyarelal.
Ruk ja re ruk ja makes me want to stop doing whatever I’m doing and just let the song take over.

Songs picturized on other actors (birthday boys) will come up in a day or two, as and when time permits.

Rafi Fest – Tere aaghe bolna dushwaar ho gaya

December 7, 2011

Couldn’t have enough of Shammi Kapoor in yesterday’s post. So here’s one more song picturised on him.  Though I had heard this song a couple of times on radio, I saw it only recently when a friend had sent me the youtube link.

I find this song very entertaining! It’s so much fun to both listen and watch. Fast and lively music (OP Nayyar), fun-filled lyrics (Majrooh Sultanpuri), masti bhara andaaz of gaayeki and pehskash. Handsome Shammi, charming Nalini and Rafi’s addictive voice…what more could I ask for.

(Tere aaghe bolna dushwaar ho gaya
Haye mujhe pe pe pe pe pyaar ho gaya) – 2
Tere aaghe bolna dushwaar ho gaya

(Dil dhadakta hai kadam badhte nahin aaghe
Tu woh qatil hai ke aashiq door se bhaage) – 2
Ban gaye fande magar yeh zulf ke dhaage
Tere aaghe bolna dushwaar ho gaya
Haye mujhe pe pe pe pe pyaar ho gaya
Tere aaghe bolna dushwaar ho gaya…..

(Tere honthon ka yeh rass, aakhon ka yeh jaadoo
Oho yeh kya keh gaya main hoke bekaabu ) – 2
Ho bada achha agar kuch bhi na samjhe tu
Tere aaghe bolna dushwaar ho gaya
Haye mujhe pe pe pe pe pyaar ho gaya
Tere aaghe bolna dushwaar ho gaya…..

(De de dekho yeh haalat ho gayi ab toh
Qa qa qa qayamat ho gayi ab toh) – 2
Mo mo mo mohabbat ho gayi ab toh
Tere aaghe bolna dushwaar ho gaya
Haye mujhe pe pe pe pe pyaar ho gaya
Tere aaghe bolna dushwaar ho gaya…..

Tere aaghe bolna dushwaar ho gaya
Haye mujhe pppppyaar ho gaya
Tere aaghe bolna dushwaar ho gaya…..

Rafi fest – Ek nazar ek ada keemat-e-dil

December 6, 2011

I had mentioned about Rafi-Shammi jodi in yesterday’s post, so couldn’t resist posting one of their songs. But I had started this series to share some songs which are not very popular and the ones that I’ve come across only in the recent past.So, that rules out most of the famous Rafi-Shammi songs.

I came across this song just a few days ago on youtube. Though this song doesnt have the lethal effect that most of their other songs have,   it’s still a good song. Something with Rafi and Shammi in it can never be bad! (I cant vouch for the movie…but the songs, yes):-)

I find a striking resemblance in the picturisation of Yun toh humne lakh haseen dekhe hai and this, but it lacks the chemistry between the lead actors of the former and is not as spicy. There’s something missing in it, it feels incomplete. If only Jabeen Jaleel was little more expressive here and her response was a little karara….

It’s a great song to listen to and it’s always a pleasure to watch Shammi but  it’s picturisation fails to keep me glued to it. So, for me this one’s more of Rafi song than a Rafi-Shammi song.

When I first heard the prelude, I thought it was so OP Nayyarish, with the signature tonga beats and all. But checked and found out that it was Bipin-Babul’s composition. It was written by Vishwamitra Adil.

Shammi Kapoor rose to fame with Tumsa Nahin Dekha and most of his movies after that are very popular. It looks like this one just got lost somewhere. Since, it’s so rarely talked about, I always thought it was one of his pre-1957 films.

Aa ah ah ha ha ha ha ha ha ha ho ho ho
Ek nazzar ek ada, keemat-e- dil aur hai kya
Ha ha… ek nazar ek ada, keemat-e-dil aur hai kya
Ho ho ek nazar….

(Gaal surk hai, chup zubaan hai
Ho na ho koi meherbaan hai) – 2
Kaun hai woh kaho jaane jigar
Ha ha ek nazar ek ada, keemat dil aur hai kya
Ha ha ek nazzar….

Waha waha…

(Uljhi saans kyun dil pe haath kyun
Dil diya toh aisi baat kyun) – 2
Aankh ladegi toh hoga asar
Ek nazar ek ada, keemat-e- dil aur hai kya
Haan  ek nazar

Zulfon mein hai kya, arey gaal par hai kya
Kho  gayi hai jo, woh nazar hai kya
Ha ha ha ha ha ha…chhed chaad ka kaam kar gayi
Hoth khil gaye latt bikhar gayi
Lena ji ab zara apni khabar
Ek nazar ek ada, keemat-e-dil aur hai kya
Ha ha… ek nazar

(Chhodo in adaaon mein dum nahin
Tum haseen ho hum bhi kum nahin ) – 2
Ho na yahin (?) pe milao nazar
Haye…ek nazar ek ada, keemat-e-dil aur hai kya
Ha ha… ek nazar ek ada, keemat-e-dil aur hai kya

Rafi Fest – Us paar iss deewar ke jo rehte hai

December 3, 2011

I was introduced to this song not as recently as the last two songs, but a couple of months ago. I saw and heard it first when Nasir saab had shared it on his wall on facebook. And for me it was love at first sight. I was completely floored by it! I must have listened to it non-stop for 10-15 times.

It’s from 1951 film Saiyan, composed by Sajjad Hussain and written by D.N Madhok. It’s picturized on Sajjan and Madhubala. Madhubala has a raw and rustic appeal, and she looks so beautiful, as always. But it’s Sajjan who steals the show!  I haven’t seen much of Sajjan in movies, but I instantly fell in love with him in this song.  His dance, expressions, the way he’s carried himself throughout the song….is just wow! The energy level, style and attitude in Rafi’s voice and Sajjan’s onscreen antics is simply superb!!!  Each word is crisp and to the point and unlike most of the songs where picturization doesn’t live upto the greatness of the song, this, I feel is one complete entertainment package – awesome lyrics, amazing music, flawless singing, beautifully picturized – over all,  very well delivered! Though I keep wondering what he’s upto at 1:54, it just adds to the craziness of the song.

And this song never fails to bring a smile on my face.

Us paar iss deewar ke jo rehte hai – 2
Koi kehde unse jaake jo hum kehte hai
Oh oh oh oh….

Us paar iss deewar ke jo rehte hai
Koi kehde unse jaake jo hum kehte hai
Oh oh oh oh….

Barbaad jawani na kijiye
Dil le lijiye dil de dijiye
Yeh din aur tanhayi haye – 2
Haye re kaun yeh samjhay
Nis rahi na rahe yeh jawani hum sach kehte hai

Koi kehde unse jaake jo hum kehte hai
Oh oh oh oh….

Us paar iss deewar ke jo rehte hai
Koi kehde unse jaake jo hum kehte hai
Oh oh oh oh…..

Aawaaz jawani deti hai
Dekho angdaai leti hai
Ghut ke mar jayenge armaan -2
Kahe ki jhijhak hai aao yahan
Nis rahi na rahe yeh jawani hum sach kehte hai
Koi kehde unse jaake jo hum kehte hai
Oh oh oh oh….

Us paar iss deewar ke jo rehte hai
Koi kehde unse jaake jo hum kehte hai
Oh oh oh oh…..

(Yeh husn diya jisne tumko
Poochega woh ek din yeh sunlo)  – 2
Bande pe mere kyun zulm kiya – 2
Ek jhalak dikhla ke maar diya
Lajja mein doob maroge hum sach kehte hai
Koi kehde unse jaake jo hum kehte hai
Oh oh oh oh….

Us paar iss deewar ke jo rehte hai
Koi kehde unse jaake jo hum kehte hai
Oh oh oh oh…..

Rafi Fest – Baharon ne chheda khushi ka taraana

December 3, 2011

This is one of those songs that I had randomly come across on youtube one fine day. The first time I heard it, it reminded me of Aaj unse pehle mulaqat hogi from Paraya Dhan. All thanks to the lyrics  – Meri aaj unse mulaquat hogi!

This song is from a movie named Majboori. And as per the discussion on hamaraforums and comments on youtube, it was released in 1985. There’s one link on youtube which says this song’s from an unreleased film called Aansoo. I have neither seen the movie nor the video of this song. So, I have no clue as to who it was picturized on or the situation in which it was sung. Tried searching on google about the film, but couldn’t find much. Anyways, who cares! Half the time videos of great songs turn out to be disasters. And at the moment I am just happy listening to the song.

It’s composed by Roshan Lal and penned by Aish Kanwal.  Music is catchy and lyrics is amusing but for me it’s Rafi who has woven  anticipation, anxiety and excitement of meeting someone so beautifully in the song.

Baharon ne chheda khushi ka taraana – 2
Meri aaj unse mulaquat hogi – 2
Baharon ne chheda khushi ka taraana

Salaam-e-mohabbat main unse kahoonga – 2
Tarana wafa ka sunake rahunga
Dil ko yakeen woh baat meri maan jaayenge – 2
Baharon ne chheda khushi ka taraana – 2

Mohabbat ki raahon mein jeene se pehle – 2
Lagaunga unko main seene se pehle
Woh pyaar ke ikraar ko pechchaan jayenge – 2
Baharon ne chheda khushi ka taraana – 2

Muqqadar se aaye mulaquat ke din…
Aha…
Muqqadar se aaye mulaquat ke din
Yeh din bhi hai unke inayat ke din
Hum aaj banke husn ke mehmaan jaayenge – 2

Baharon ne chheda khushi ka taraana – 2
Meri aaj unse mulaquat hogi – 2
Baharon ne chheda khushi ka taraana

Rafi Fest – Jinki tasveer nigahon mein liye phirta hoon

December 1, 2011

With Rafi’s Birth Anniversary going on, there’s Rafi fest going on everywhere – groups on facebook, Rafi Foundation Hyderabad Chapter.

I was listening to one song today, and found the lyrics so interesting that I thought of sharing it here. But with the fest already in air, I thought of starting a series here as well. I will post one song (along with it’s lyrics) by Rafi everyday whole of this month. It’s a herculean task to pick up just one song a day, but I’m restricting myself to songs that I’ve come across only in the recent past, songs which are new to me.

Though I mentioned about a song with funny lyrics above, it’ll feature sometime later here. For today, the song is Jinki tasveer nigahon mein liye phirta hoon from Husn Aur Ishq (1966).

How I came across it – I was listening to radio few weeks ago and heard Hum tere bin jee na sakenge sanam from Thakur Jarnail Singh composed by Ganesh. With all the posts on Shrota Biradari on lesser known composers and dustedoff’s post on Celebrating the Uncelebrated, I have started paying extra attention to lyricist and music composers while listening to songs these days. So, I started searching for all songs composed by Ganesh and came across this. Though Hum tere bin jee na sakenge sanam is quite popular and I had heard few songs from Smuggler, the other compositions of his were relatively new to me.

And ever since I’v heard and seen this song, it’s kind of stayed with me.  Be it Rafi’s ‘Haye’, Sanjeev Kumar’s mad act or it’s catchy tune – I just love it all!

This lovely song is penned by Ashad Bhopali, composed by Ganesh and picturised on Sanjeev Kumar and L.Vijayalakshmi.  It’s romantic, has little ‘Aawara’ quotient to it and is full of pyaar and masti. As always, Rafi has rendered it so beautifully, has put life and emotions to the lyrics. I  especially love the way ‘Dekho badli hawaein zamane ki and Dekho maangi dua jinhe paane ki‘ parts are sung.

So, here it goes –

Chal hatt  aawara kahin ka…

Jinki tasveer nigahon mein liye phirta hoon – 2
Woh yeh kehte hai aawaara hai, deewana hai
Jinki tasveer nigahon mein liye phirta hoon
Woh yeh kehte hai aawaara hai, deewana hai

Phoolon sa chehra hai, sharmili aankhen hai
Nukili palke, ‘haye’…..
Dil ko tarsi hai, bechain balkhai
Yeh kali zulfen
Dekho badli hawaein zamaane ki
Yeh sazaa hai suno dil lagaane ki

Jinki tasveer nigahon mein liye phirta hoon – 2
Woh yeh kehte hai aawaara hai, deewana hai

Dilruba, yeh haseen, chaand bhi dhal gaya
Yeh baahein tarse,
Saason ki garmi se, tan badan jal gaya
Yeh aankhen barse
Dekho maangi dua jinhe paane ki
Wohi baatein kare hai jalaane ki

Jinki tasveer nigahon mein liye phirta hoon – 2
Woh yeh kehte hai aawaara hai, deewana hai

Ten of my favourite Shyama songs

June 11, 2011

Shyama was one of the most beautiful actresses to have graced the screen. She was charming, gorgeous, lively, expressive and there was something very refreshing about her.

It was her birthday on 7th June. Though a little late, here’s wishing her a very Happy Birthday!!!

Her real name was Khurshid Akhtar. Shyama, her screen name, was given to her by Guru Dutt.

I haven’t seen many movies of hers, apart from Bhabhi. Chhoti Behen and Sharda (And she has a bit of grey shade to her character in all these movies). But I love most of the songs picturized on her.

Shyama and Geeta Dutt  – This is one deadly combination. Geeta’s voice suited Shyama’s vivacious-ness so well. Not that I am restricting my list only to this jodi but couldn’t help mentioning it.

1. Ae dil mujhe bata de (Bhai Bhai, 1956) : I didn’t want to include this song in this list as it had already featured in my Geeta Dutt special post. But I couldn’t help it, simply couldn’t move ahead without this one. It’ one of my all time favourites! Ae dil mujhe bata de tu kispe aa gaya hai, woh kaun hai jo aakar khwabon pe chha gaya hai…They say you are in love when kuch kuch hota hai… Hmmm, let me rephrase that – they say you are in love when somebody walks into your life, starts being a part of your every dream, when your every thought begins revolving around him/her and changes your life forever without you even realizing it and you dont mind when you do. And it’s also believed that love makes life beautiful. Filmy symptoms of being in love – You don’t feel hungry, you turn into an insomniac, you’ll suddenly start finding friends in stars and the moon, you smile to yourself, you day dream, you sing songs and dance like noone’s watching.  Well, this song has all of these ingredients and a lot more. The joy of feeling that attraction towards somebody…a tug at the heartstrings is so beautifully expressed in this song. Shyama, bright and glowing, her expressive eyes dreamy and dancing along with her – her happiness  so obvious. Geeta sounds equally happy, even in her plight of not knowing who exactly has taken over her heart. They are in such perfect sync with each other.  I thoroughly love listening to this song and watching it. And Ashok Kumar’s amused expressions are to die for!

2. Dekho woh chaand chhup ke (Shart, 1954) : This movie had very nice songs. After debating over Na yeh chaand hoga and this, I finally chose this one. Very very romantic. Shyama and Deepak pledging their love for each other under the moonlight. Though the video is little melo-dramatic, especially the beginning where Deepak is so nervous,  the song is very sweet – Hemant Da’s voice renders the soothing and subtle effect to it. I love the way Lata sings “Hum ho gaye tumhare….” and Shyama’s response to “Aisa naa ho ke humko raste mein chhod jao, Jaa kar kahin kisi ki duniya nayee basao” …her denial, the brief shake of her head, so brief that one would almost miss it and the smile that follows with the last antaraa. …

3. Lehraaye jiya balkhaye jiya (Shaarda,1957) : Well, Shyama was definitely very fond of dancing all around the house. She uses the space (covers the stage) very well while dancing and I find her pretty graceful as a dancer. She in fact flows with the song…in a state of joyful exuberance.  She’s singing with joy when she gets to know that she’s getting married to Raj Kapoor, who she’s always been in love with. I think I am not wrong about the plot. I went into a shock after watching this movie, so dont remember things very clearly. It’s Asha singing for her here to Chitalkar’s composition.  Shyama also won Filmfare Best Supporting Actress Award for her role in this movie.

4. Yeh  lo mai haari piya (Aar Paar, 1954) : Though Shyama is confined to a car here and can’t dance,  her priceless expressions and her eyes do such complete justice to the picturization of this timeless classic and Geeta Dutt’s flawless rendition. Guru Dutt is great playing hard to get…but for how long can he resist the magic?  It was so difficult to choose just one song from this movie…it’s a true musical treasure house.  I almost chose Jaa jaa jaa bewafaa, though sad it’s such a beautiful song. But finally I settled for this one. It’s very entertaining and one of it’s kind. All of them – OP Nayyar, Geeta Dutt and Shyama are at their stunning best!

5.  Do naina tumhare pyaare pyaare (Shrimati ji, 1952) : Here we have dashing Nasir Khan and young Shyama dancing to a peppy and a romantic duet. I recently came across this song and fell in love with it. Geeta Dutt and Hemant Kumar sound so good together in this. And Jimmy’s composition is awesome  – it’s a simple, sweet and a catchy song. Geeta Dutt’s singing suits Shyama’s chulbulapan so perfectly.

6.  Achha ji maaf kardo (Musafir Khana, 1955) : OP Nayyar’s composition again, rendered by Rafi saab and Geeta Dutt for Karan Diwan and Shyama. Shyama is dancing again in the garden, doing her trademark steps. I especially like the way she actually counts on her fingers to  “Dil par jo teer chalaye unka hisaab kardo” at 1:20 and the way she pats his arms to the same line at 2:56. The last antara would have been so much fun to watch if Karan had shown little more attitude. Everytime I see this song, how I keep wishing it had Shammi Kapoor or Dev Anand or Guru Dutt in it. There’s one more track in the movie Dil de daala which I am very fond of.

6. Mujhe mil gaya bahana teri deed ka (Barsaat Ki Raat, 1960) : Simple and a delightful song. Shyama dancing yet again singing her gratitude to the moon for bringing her so much happiness. She looks so radiant, like a chaand-ka-tukda herself. I had seen this movie very long ago, during the good old Doordarshan days. I don’t remember much of the story, apart from Zindagi bhar nahin bhoolenge and a part of Madhubala-Bharat Bhushan love story. I need to watch this movie again, at least for its songs and for Shyama and Madhubala. Phew, there are so many movies to watch and so many to re-watch!

7.  Saiyan pyaara hai apna milan (Do Behne, 1959) : A very beautiful romantic song picturized on Shyama and Rajendra Kumar. I love the sets, it’s such a beautiful room. And Rajendra Kumar and Shyama make a very wonderful couple. The song, it’s picturization is so serene. And it somehow reminds me of Chhupa kar meri aankhon ko and Ek tera saath hum ko do jahan se pyaara hai.

8. Tumse hi meri zindagi (Apna Ghar, 1960) : Pretty Shyama and handsome Premnath pledging their love for each other. Geeta Dutt and Mukesh sing for them. The prelude is pretty fast and peppy but the song slows down once the mukhda begins. I just realized that all the songs so far have been extremely romantic. It wasn’t intentional but I’m a sucker for romantic songs, so can’t help it. Let me try, at least, try to end the post with two not-so-romantic songs 😉

9.  Tabiyat thik thi aur dil bhi bekraar na tha (Mirza Sahibaan, 1957) : Tabiyat thik thi aur dil bhi bekraar na tha, yeh tab ki baat hai jab kisi se pyaar na tha. Such a melodious song, though a little sad. Sardul Kwatra’s composition is awesome and Lata’s rendition flawless, as usual. For a change Shyama is not dancing with joy. This song is a true example of being helplessly in love. If only they had shown a glimpse of Shammi darling…sigh!!!!

10. Tumhe husn deke (Jabse Tumhe Dekha Hai,1964) :  I hadn’t set any rules for choosing the songs for this post, I just went with the flow –  flow of listing down which ever song came to my mind but I was still focussing on solos and duets.  And now, since I couldnt get a glimpse of Shammi Kapoor in the previous song, I had to include this one. Few days ago I had mentioned in dustedoff’s post that anything with Shammi Kapoor would qualify for my every post. So, here it goes! A terrific qawali picturized on Shyama, Kumkum, Shammi Kapoor, Shashi Kapoor, Om Prakash, Bhagwan and many more.  – one of the most flamboyant qawalis I have ever come across. Fabulous song, glamorous starcast, great dance and all wonderful people…aur kya chahiye, hai na? 🙂

Chhupa kar meri aankhon ko and Oh Chaand jahan are two of my favourite songs but they are not a part of this list as I had already included them in my earlier posts.

There’s one more song that I recently heard on radio and have been dying to get my hands on it’s video. Dil unko utha ke de diya from Baap Bete. I am head over heels in love with this song, but as the video is not available, I decided to put it in the extras. The first 2 lines of the song is sung by Madan Mohan himself and then Lata follows. I hope somebody uploads its video soon on youtube. Log kehte hai dhoondne pe toh bhagwaan bhi mil jaate hai aur hum hai ke yahan ek video ke liye taras rahe hai.

And here’s one more not-romantic performance that I couldn’t list above.

Here’s wishing her good health and lots of happiness. To one of the most stunning and vivacious actresses!

Budtameez (1966)

September 18, 2010

It was Sadhana’s birthday on 2nd September. She’s one of my favourite actresses and I keep raving so much about her. But look at the irony I couldn’t do a post on her birthday.

I was feeling bad about it but I made up for it last Sunday – saw two of her movies back-to-back. Arzoo and Budtameez.

Favourite actor, favourite actress and lots of fabulous songs – I was dying to watch this movie and it had been lying in my must-watch pile for quite sometime. And now I have finally done it! I had first seen this movie more than a decade ago. I had almost forgotten the story but some of the songs, esp the title track always remained afresh in my memory.

Shyam Kumar Saxena (Shammi Kapoor) hails from Allahbaad and lives with his younger sister Beena (Purnima) whom he lovingly call Binny and step-mother (Manorama). We are not taken to a flashback but through a series of conversation it’s revealed that Binny had met with an accident because of Shyam and she’s wheel-chair bound now. Movie begins with Shyam coming home at midnight and Binny keeping awake to wish him for his birthday. Though she’s his step-sister, she loves him dearly and the feeling is mutual.

But Manorama is not very fond of Shyam and keeps nagging him for not getting a job. So he leaves for Bombay the following day in search of a job.

A beggar asks him for some money on the streets of Bombay and when he takes out some money from his pocket a 100 rupees note falls from his pockets and goes flying into a car. He goes running behind and gets into the car in search of it. Just then the car-owner, Shanta (Sadhana) comes along with a bunch of friends and screams at him. She threatens him to get out of his car and drives away.

 Quite lost in the city, he’s just strolling around when he finds a wallet fallen on the ground and hurries behind a man to return it. Raja Bahadur (Brahm Bhardwaj) is highly impressed with Shyam’s honesty and when Shyam breaks a vase worth Rs. 100 in the store, he pays for it. Shyam is hesitant about Raja Bahadur paying for it but he tells him to return the money when he has it and gives his card before leaving.

Shyam comes across Shanta and her friends again at a swimming pool and demands for his money. They play the fool with him and sing Surat haseen lagta hai deewana. At the end of it he somehow manages to get his money back and goes to Raja Bahadur’s house to return the money.

As they converse, it turns out that Raja Bahadur was friends with Shyam’s grandfather in Allahbad. And he invites Shyam to stay with them. Shanta, Raja Bahadur’s granddaughter, is literally shocked to find him in her house. She tries her best to get him out of the house.

Raja Bahadur loves Shanta dearly and oversees her faults. Now this has made her such a spolit brat. He realizes that his affection has made her so headstrong and rude. So he has hired Rita (Laxmi Chhaya) to help him out in bringing Shanta back on track but all their efforts have been going in vain.

They sit down for breakfast the following morning. Shanta throws away the juice that her butler serves her because she doesn’t like it and half of it falls on Shyam. He argues with her saying she’s not the only one at the table and she should at least have some basic table etiquettes. They have a row over this. At the end of it, Shyam gets up, fetches a jug of water, pours it on Shanta  and walks out. Raja Bahadur and Rita look at the entire episode in awe. Shyam, guilty of his actions, goes to his room and starts packing. He wants to leave the house before Raja Bahadur throws him out for insulting his darling granddaughter.

But what follows next is quite the opposite. Raja Bahadur is highly impressed with Shyam and is convinced now that if someone can put some sense into Shanta’s head, it’s Shyam. So he hires Shyam as the Manager of the house! But before handing over the charge, he explains few things to him as to why Shanta is so aloof to everybody and why she hates men so much – Shanta’s father was a drunkard. The sight of her father getting drunk everyday and beating his wife has etched an indelible impression in her memory. One day when it gets too much to bear, her mother commits suicide. And this has turned her into a man-hater. She doesn’t believe in love and she feels all men are the same. According to her every love story/marriage would end either giving lots of pain or in a suicide. She is also the president of a Ladies Club, a club where she preaches how bad men are and all the members of the club are prohibited from falling in love.

Raja Bahadur also blames his son for all this and says he personally despises people who drink.

But now that Shyam has come into their lives, he is assured that Shanta will learn to love her life and people around her. He also reveals to Shyam his wish of getting Shanta married to him. According to him, he could never find a better guy for Shanta.

Now, there’s Devdas (Kamal Mehra) who has always dreamt of marrying Shanta. He happens to be a family friend’s son and is a little crazy. His sense of dressing is wierder than himself- one day he comes dressed as Robinhood to meet Shanta and the other day as a donkey. He’s such a joker. 

One day Shanta comes down to the hall from her room and is surprised to find the house empty except for Shyam. Shyam tells her that Raja Bahadur has gone to Khandala for some Business deal and Rita has gone with him. As she hates the sight of Shyam, she doesn’t like the idea of being home alone with him. So she decides to go to Khandala as well. She asks the driver to get the car ready.

And yes, you all guessed it right. Her chauffeur is none other than Shyam himself, in disguise of an old man. They leave for Khandala. He drives so slowly and keeps preaching so much to irritate her that after a while she takes over the wheel. 

She’s furious when she discovers that Shyam cheated on her and followed her. Like it happens in all Hindi films, their car breaks half way through. She shows attitude and starts walking. And to this attitude he sings Haseen ho tum khuda toh nahin.

Too add to Shanta’s plight, it’s already dusk, getting darker with every passing minute and it starts pouring heavily. Shyam suggests they go and look for some shelter but Shanta says she would spend the night in the car rather than go anywhere with him. So he leaves her in the car, goes behind a tree and hides. From there he starts roaring like a tiger to scare her. In less than a minute, he has Shanta running out of the car calling out for him, scared to death. They finally find the remains of an old abandoned house in the middle of the jungle and they go there to take shelter from the rain. And this is such a beautiful scene. It’s as though only the entrance of the house is intact – there’s only a space wide enough for one to stand there. Shyam, being a perfect gentleman, lets Shanta take refuge there but Shanta’s conscience doesn’t let her leave Shyam getting drenched in the rain all night. So she calls him and they try to adjust in that little available space. Shyam stands with his breath held in so that his tummy goes in and makes some space for Shanta to fit in as well. It’s so hilarious!!! And then Shanta spots a snake hanging nearby and faints in shyam’s arms. Just then, there’s a gunshot and Colonel Jung bahadur (Jagdish Raj) comes marching. He first thinks they must be lovers who have run away from their house and come and almost shoots them. But Shyam manages to convince him that they are already married and were on their way to Khandala but got stuck due to bad weather. Colonel takes pity on them and takes them to his bunglow.

What follows is a laughter riot. Shanta comes back to her sense, she gets murderous when she discovers that she’s put in the same room as Shyam. Now Shyam has to do all he can to make sure that she doesn’t come to know what he has told the colonel – that they are a married couple! He scares Shanta saying Colonel is mad. He has spent 6 months in a mental asylum and shoots anything and everything at the first opportunity he gets. He tells the same story to colonel about Shanta. He goes around the house singing Budtameez kaho ya kaho jaanwar.

When Shanta gets back home the next morning, she realizes that Raja Bahadur had never gone to Khandala. It was all his plan to get Shyam and Shanta together. She goes mad with anger. She goes to Devdas with her friends and tells him she would marry him if he helps her get Shyam out of her way. Devdas is more than eager to please her.  Remember, Raja Bahadur hates people who drink. So they make a plan to get Shyam drunk at a party and strike his name out of Raja Bahadur’s good books for good.

Devdas throws a party and everybody is invited. Shanta and Devdas give Shyam laddu’s filled with bhaang.

(Doesn’t she look like Kareena here? )

He gets drunk and sings  Apni baahon se koi kaam toh lo. The lines he recites before the song is  just awesome : Nashaa pilaa ke giraanaa toh sab ko aataa hai, Arre mazaa toh jab hai ke girton ko thaam le saaqi. Thanks Nasir, I had completely forgotten about this song until I saw saw it on your blog.  And now hardly a day passes without me listening to it.

Raja Bahadur makes his entry at the end of the song and is shocked to see Shyam stuporing. And Shanta adds to it saying he even tried misbehaving with her. But is it so easy to trap Shyam? The truth is that he already knew about Shanta’s plan and he never had the laddu in the first place! He was just acting drunk. When he tells the truth to Raja Bahadur, Shanta hits him on his head with a bottle rendering him uncounscious.

Raja Bahadur takes him home and summons a doctor. Doctor, after dressing his wounds and giving him an injection, tells Raja Bahadur that there’s a chance of Shyam getting blind. When Shyam recovers and gets up Rita enquires if he’s able to see. She then confides in him about the doctor’s fear of him losing his sight. This gives him an idea and he hides the fact that he can see. He acts blind in front of Shanta. And this makes Shanta feel guilty. He sings Dil ko na mere tadpao. But it doesn’t take her long to figure out his act. Slowly she starts falling for him. Being headstrong as she is, she’s reluctant to accept it even to herself.

And when she finally does followed by Pehla pehla pyaar hai yeh pehla pehla pyaar, a Baba comes to give news of Shyam’s death.

She almost has a nervous breakdown and goes running to the place where Shyam had dived into the river and drowned himself. Baba follows her and says Shyam had left a note behind for a girl named Shanta. When she tells him that she’s Shanta, he gives the note to her. She reads it and finds out how much Shyam loved her. She feels miserable that he died because of her. So she decides to end her life as well and jumps into the river. Baba catches her just in time and reveals his real identity. They sing Sirf tum hi toh ho jispe marte hai hum pledging their love for each other. This is where the dialogue in my earlier post comes into picture.

Raja Bahadur is delighted that Shanta has fallen in love with Shyam. He meets up with a Panditji and fixes a date for their wedding.

In the mean time, back in Allahbad, Manorama is looking for a guy for Binny. One Panditji tells Manorama that there is one eligible guy who belongs to a respectable family. But they will get their son married to Binny only if Shyam is ready to marry their widowed daughter! She knows that if she talks to Shyam about it, he wouldn’t even listen to her. So she tells Binny, without revealing the actual truth that she has found a guy for her and he has a lovely sister who would make a great match for Shyam. Happy and excited Binny immediately writes to Shyam about it and asks him to reply back to her letter immediately  if he’s ok with the proposal so that they can commit to them and begin with the preparations.

Raja Bahadur is busy with wedding preparations as well. When Devdas finds out that he’s getting Shanta married to Shyam, he tries to fight with him for Shanta. But Raja Bahadur doesn’t give a damn to him. Just then Devdas notices a letter addressed to Shyam on the table in the hall.

 He, along with his friend read the letter and reply to it. The letter never reaches Shyam! Now thinking Shyam is happy with the proposal, Manorama and Binny also start preparing for the weddings. Before you start wondering how they managed to copy Shyam’s hand-writing…they don’t write the reply back, they send a telegram instead, ruling out the possibility of getting caught! Smart guys 😛

Shyam leaves for Allahbad, with due permission from Raja Bahadur, to return with his family for the wedding. He’s in a shock to discover things at home. He has always held himself responsibile for Binny’s accident. She’s become handicapped because of him. Now there’s a good proposal come in and if he tells about Shanta and his wedding in Bombay, his sister may never get married. Who else would marry a handicapped girl, who can’t even walk??? So he quietly sacrifices his love and gets himself involved in the wedding preparations.

Shyam’s wedding card reaches Raja Bahadur in Bombay and he’s shocked to see it. He can’t believe that he made such a big mistake – He always thought of Shyam as someone who’s very reliable and responsibile. The guy who had left with a promise to marry Shanta is now getting married to somebody else!  Shanta, still unaware of Shyam’s wedding, is happily selecting jewelleries for her own wedding.

Shanta is heart-broken when she learns the truth and she becomes her old self again. Raja Bahadur is all set to cancel the invitaitons but Shanta insists that she will get married as planned but to a different guy,  Devdas. If Shyam can forget her and get married to somebody else, she argues so can she!

Will Binny get to know that Shyam had already  committed himself to Shyam before it’s too late? Will she be able to change their fate even qif she does find it out? Will Shyam ever discover that it was all Devdas’s doing? Watch Budtameez to find out.

It’s a lot like Ziddi (1964). Both are about  taming a stubborn girl but I liked this one much better. Not just because it has Shammi Kapoor in it (though that’s one of the reasons) but because the story is handled and executed better here. Sadhana is gorgeous!!! Shankar Jaikishan’s music is awesome and the songs penned by Shailendra and Hasrat Jaipuri are simply superb. Love each one of them!

The script was written for Shammi Kapoor…everything about the movie is extremely Shammi-sque. I can’t imagine anybody else doing this role. He is stylish, suave, romantic, flirty, smart, caring, funny….as always. Sadhana is amazing –  arrogant, stubborn, witty and very very beautiful. Sadhana’s Shanta was a perfect match for Shammi Kapoor’s Shyam! And they shared a great chemistry!  Apart from the lead pair, I liked all the others as well. Every character had a well-defined role.

I particularly liked Brahm Bhardwarj and Jagdish Raj!

Jagdish Kanwal’s dialogues were crisp and just perfect. I love him for that filmy dialogue alone! After an overdose of Manmohan Desais movies from the 70’s and 80’s with all lost-and-found themes (not that I don’t like them, I have seen most of them, not just once but so many times) I had almost forgotten that he had directed some great movies like this. This film just restored my faith in him.

All in all, a very entertaining film. I see myself watching it quite often – it has made its place in my favourite Shammi Kapoor films (others being : Dil Deke Dekho, Professor, Teesri Manzil, Raj Kumar…..). I thoroughly enjoyed watching the film. A great stress-buster! 🙂

I somehow missed Rajendranath in this movie. Kamal Mehra was great as Devdas but would have loved to see Rajendranath do that role.

You can watch if online if you can’t get a dvd.

Two New Discoveries

August 18, 2010

Here are two new old songs that I recently discovered.

1. Chunnu patang ko kehte hai hai kite (Zameen Ke Taare, 1960) : I listened to this lovely duet by Asha Bhosle and Sudha Malhotra and fell in love with it instantly. I had thought of including this in my Children’s Day post, but couldn’t wait for so long 🙂

My school in Bhutan was on top of a hill and we had to climb up everyday – it used to be around half an hour walk (it was quite a steep hill, so we didn’t have any conveyance and there was no proper road as well. It used to be a little path in between a pine forest). How I wish I had known this song during my school days. It would have been so much fun going to school everyday singing something like this. This song, however reminds me of Ichak daana bichak daana.

2. Chhaya hua hai kadhki ka mausam (Pick Pocket, 1962) : Composed by Sardar Malik and written by Gulshan Bawra, it’s a very entertaining duet by Rafi and Suman Kalyanpur :-). I don’t know who it is picturised on, couldn’t find anything about the movie. There’s no video available for this :-(. Would have loved to see it.

There are few other songs that I came across lately like Aaye ho bahaar banke lubha kar chale gaye rendered by Rafi and Ae mere dildar by Rafi and Geeta Dutt.  But then if I actually start thinking, I will end up sitting awake the whole night. So am off to sleep now. More songs some other day.

Am leaving for Coorg tomorrow for an extended weekend. I will be back on Tuesday. Till then Happy blogging and keep watching lots of movies and listening to lots of songs.

Preet Na Jaane Reet (1966)

August 9, 2010

I realized that it’s been so long since I saw a movie. I can’t believe myself that I could survive without a dose of vintage movie for so long. I was finally at home the whole day yesterday and I couldn’t do without watching one. I opened my DVD/VCD box and I went through them. I first took out Char Dil Char Raahein, but I was in no mood of seeing tragedy. I am not sure if it really is a tragedy but Meena Kumari and Raj Kapoor put me off, inspite of Shammi Kapoor. I wanted to watch something entertaining and fun. I picked up Teesri Manzil, Professor and Dil Deke Dekho but I have seen all these movies so many times and I wanted to watch something new. So finally decided on Preet Na Jaane Reet. Though I had the VCD for quite a long time, I somehow hadn’t come across watching it yet. Then, I came across the songs while doing Rafi Sings for Shammi and was totally floored by Teri zulfen pareshan, Yun na dekho hume baar baar and Oh jaanewale sun zara yeh dil ka maajra. Haye…Rafi and Shammi, I can never get enough of them!

Seth Karamchand (Nasir Hussain) gets a telegram. Chandu, his man servant brings it to him and Sethji is extremely happy. Seeing his happiness Chandu asks :
Chandu : Is it from Chhote Babu?
Sethji : Yes. He has reached Bombay and will be coming here tomorrow.

Chandu rushes to the market to buy baingan (brinjal) for Baingan ka bharta and other favourite vegetables of Chhote Babu. Sethji warns him that Ashok must have developed a taste for Chicken Broth, Stew, Salad etc. and may not relish Chandu Kaka’s homemade food any more. But that doesn’t dampen Chandu’s spirit. He’s very sure that Chhote Babu will still savour his Chutneys and Bharta.

The scene shifts to another house. Husband (Siddhu? Since he’s not referred by name anywhere, I will call him Jijaji) is sitting and reading newspaper. Wife, Sharda (Shammi) comes screaming into the room calling her servants but none of them seem to be around.


Sharda : Suniye, sun rahe hai aap?
Jijaji : Ji, boliye.
Sharda : Main kab se chila rahi hoon aur aap par asar hi nahin hota. chup chap akhbaar padhe jaa rahe hain. (I’ve been screaming for so long and you are here sitting quietly and reading newspaper!)
Jijaji : Aap kahe toh bhool ho gayi, main chilla ke akhbaar padna shuru kar deta hoon. (I’m sorry, I didn’t know I was to read it loud)
And he literally starts reading the paper loud. Sharda is a very dominating wife and hardly lets her husband speak. In case if he does get to voice his opinion, she screams : “Aap chup rahiye!” And he obediently replies : “Aap kahe toh bhool ho gayi!”

Sharda knows that Ashok is coming back after 5 years in Europe. He’s the only son of Seth Karamchand, the richest man around. So she feels he’s the most eligible boy in town for her sister, Kavita (Saroja Devi). Sharda wants Kavita to accompany her and go to receive Ashok at the airport but Kavita refuses because she is of a different opinion. She gives 2 reasons to justify her denial :          
1. Mujhe abhi shaadi nahin karni (I don’t want to get married now).
2. Ameer baap ke bete se mujhe saqt nafrat hai. Siwaye apne baap ke tukde todna use kuch nahin aata (I hate rich guys. They are too dependent on their father’s earnings and are not capable of standing on their own feet).
So off they go to the airport without Kavita. Sethji, Sharda and Jijaji are waiting at the airport and the plane’s landing. Sethji is very excited and says – main apne bete ko 5 baras ke baad dekhne jaa raha hoon..na jane kitna bada ho gaya hoga,  kaisa ho gaya hoga (I’m going to see my song after 5 years. Wonder how much he must have changed and grown).
Jijaji : 5 baras bada ho gaya hoga, zaroor!!! (He must have grown by 5 years now, of course! He says that as a matter of fact and with so much of enthu. I fell for him immediately.)

Everybody descends from the flight  but they can’t spot Ashok anywhere. So concluding that Ashok didn’t come by that flight, the party returns back home.

Kavita and her group of friends are on their way to college when a car passes by splashing slush on Kavita. But the gentleman, Ashok (Shammi Kapoor), behind the wheels drives back when he realizes what he has done. But before he can say anything the girls begin scolding him:
Starting with Kavita : Junglee, Jaanwar!!!
Her friends ask him : Aankhen bandh karke chalate ho? Apne baap ka sadak samajhte ho, dekha bechari ka sari kharab kar diya na? (Do you drive with your eyese closed? You think that this road is your father’s property?)
Ashok : I’m so sorry.
Kavita : Tumhare sorry keh dene se meri saari toh dhul nahin jayegi. (Your sorry wont clean my saree)
He offers to take her home where she could change and then would drop her to her college. But her friends misunderstand him and tell her : Ek number ka badmaash lagta hai. Pehle ghar dekhega, phir college aur phir naam poochega (He looks like a goon. He’ll first find out where you live, then the college where you study and thenwill ask for your name. His intentions don’t look good).
Enough is enough. He can’t take it any more. So much for his decency! So he offers her some money and tells her to get her saree dry cleaned/washed or get a new one…
She retorts : Bazaar mein akal aur tameez mile toh isi note se khareed lena thode aadmi ban jaoge! (Keep the money to yourself. Buy some wit and good manners if you come across any. That will at least make you a little human.)


Meanwhile, one of her friends punctures his car tyre.
Ashok : Oh, what do I look like now?
Kavita : Budtameez!


(How convenient na…All they have to do is to recite the names of his movies : Junglee, Jaanwar, Budtameez, Pagla Kahin Ka when they have to scold him. I have noticed this in quite a lot of movies and I just love it!)

Ashok goes to a garage (Desuza, Decruz and Fernandes Garage) and calls out for DeSuza. Somebody answers that he’s dead. Next, he calls for Decruz and the same voice replies that he’s dead too.

Finally, he calls for Fernandes and Fernandes(Johney Walker) crawls out from under a car saying : Zinda hai (he’s alive).
It turns out that Ashok and Fernandes were school buddies but Fernandes wasn’t interested in studies. So his uncle took him under his wing and taught him the trick of the trade and gave him a job in his garage.He concludes saying – Apni toh yeh life hai bhaiya aur abhi tak without wife hai (This is my life bro and I’m still without a wife). Fernandes fixes his car and off he goes.


He reaches home and his father is pretty annoyed that he didn’t inform him that he wasn’t coming by flight, knowing that he would go to the airport to recieve him. But one look of regret from his son and the father melts. Ashok explains that his friend, Shamu asked him to drive home instead of taking the flight. Hence, he took his car and came over.

They sit down to dine, on a huge dining table and they sit at opposite ends (Love the way they converse here. They can’t even see each other directly, the lamp comes in between and they keep bending on opposite sides while talking so that one is visible to the other).

Ashok tells Chandu that he missed all these delicacies so much in Europe. He went to so many restaurants hunting for proper food but he couldn’t find anything as deletable as what Chandu has prepared.
Sethji : So you just went around hunting for good food. How about work?
Ashok : I worked hard as well. You will get the reports soon, you can see it for yourself.
Sethji : Did you get to go around and see the places as well or were you burried in work all the time?
Ashok : Oh no…I did go to lots of places – Rome, Venice, Berlin, Paris, London etc
Sethji : What did you like the most there?
Ashok : Girls! (with such a casual attitude. As though he meant saying : what else did you expect?)
Then he realizes what he has just said and gets choked.
Sethji : Chandu, how old is Ashok now?
Chandu : Maalik, you shud get him married now. You were a father at his age.

The next day he goes out and sees Kavita and her friends at a petrol pump. He overhears them mention putting up at Ashok Hotel. He follows them. And they all shower him with the same gaalis again calling him Aawara, Loafer, Badmaash, Junglee etc. He accepts that he spoiled her saree that day but even they punctured his tyre, so it’s not fair to label only him a budtameez.
Ashok : Main aapko yakeen dilana chahata hoon ke main man, dharam aur karam ka bahut hi nek, pavitra aur shareef insaan hoon. Mauka aane par apni sharafat ka namuna pesh karunga. Jai Hind! (For your kind information I’m a good decent guy and will prove it to you when the time comes).
In the mean time, during the conversation he manages to poke their tyre with something, leaving them behind with a flat tyre. He drives ahead and when he realizes that they have stopped their car, he gets down and offers some suggestions but nobody wants them.


He worries them all the more by singing Yun na dekho hume baar baar.

Finally Kavita and group reach Ashok Hotel and they declare they are from Sharda college but the Manager apologizes saying he couldn’t book a room for them as all the rooms are already filled. They all get worried because it’s dark already and they don’t know the place. They request the Manager to arrange for something but he says there isn’t anything much he can do. But if they would go and talk to the owner, they might get a room if their luck favours them because there are roooms reserved for the owners.
Kavita, the leader of the group goes to speak to the owner. But when she realizes it’s Ashok she just walks out. But her friends are in no mood of going and searching for another place to spend the night. So they try convincing Ashok. They literally corner him. But he strikes a deal that he would give them a room provided their leader, Kavita comes and requests for it!
Pehle apne langoor jaisa shakal toh dekhe! Main request karoon?!!! – This is her reaction when she hears of the deal. But when her friends emotionally blackmail her into arranging an accomodation for them, she gives in and reqests Ashok to give them a room, which he immediately does.

The following morning Sethji also turns up at the hotel demanding the Manager for Book of Accounts. When he learns that Ashok’s there, he goes to his room. Kavita and group happen to be at the counter. Manager confides in them that Sethji is very short tempered. This gives her an idea to get Ashok into trouble. So she sends her friends one my one to Ashok’s room, all of them claiming to be his girlfriends. After the first one leaves, Ashok explains to his father that she’s gone crazy.


But when this continues, Sethji : Kya in sab ka dimaag kharab hai? (You mean to say all these girls have gone crazy?)
Ashok : Mumkin hai (It is possible)
Sethji : Ya phir mera dimaag kharab hai? (Or think think I’ve gone crazy to believe you?)
He orders Ashok to pack his bag immediately and leave with him.

It’s Ashok’s birthday and Sharda and Jijaji are getting ready for the party. Sharda wants Kavita to accomany them but Kavita refuses. Jijaji convinces her to join them and finally she gives in and goes with them to Sethji’s house. But the best part it she doesn’t know that her Badmaash, Junglee, Budtameez is the birthday boy. She’s quite surprised to find him even there. And ignores him as much as she can even after learning he’s Sethji’s son. Ashok is obviously hurt by her behaviour and asks her :
Ashok : What’s your problem with me?
Kavita : First impression is the last impression. You are a loafer, gunda, Roadside Romeo. The only thing you have learnt all these years is to pick on girls.
Ashok : If you stand by that, then there’s another saying that goes ‘Try try n try my boy until you succeed’. Mohabbat karengi ek din mujhse aap (you will fall in love with me someday).
Kavita : Mohabbat karegi meri juti (Fall in love with you? My foot!) I’ll fall for a guy who’s hard-working and earns a living for himself, not someone who’s used to enjoy and spend his father’s money.


Fernandes is in love with Rosy (Minoo Mumtaz), Dhumaal’s daughter. They own a small eat-joint and Fernandes usually eats there and doesn’t pay for his food. Rosy doesn’t mind but Dhumal is mad at him. So Fernandes is hiding from Dhumal because he owes him money. Fernandes and Rosy sneak away to the garage and dance to this lovely Rafi-Kamal Barot duet – Yahan bhi toh nahin hai wahan bhi toh nahin hai. Check the lyrics of this song – tu meri chevrolet hai, tu meri juliet hai…could there be a better song for a car-mechanic to sing?

Ashok wants to prove himself to Kavita. He wants to show her that even he can work hard and earn a living for himself. So he convinces Fernandes to give him a job at his garage. And he changes his name to Mohan from Ashok. One day Kavita is walking past the garage on her way back home from college, with few books in her hand. Mohan is fixing a car. Just as she crosses the car, he crawls out from beneath the car. She trips over his leg and almost falls down, the books however fall and he picks them up and gives them to her. With the impression she has of Ashok, she starts scolding him again. He claims he’s not Ashok but she doesn’t believe him. Finally when Fernandes addresses him as Mohan, she’s convinced that he’s a different man. She goes back home and realizes that one of her books is missing and is sure that it must have got misplaced when it fell at the garage. So she comes back to the garage  and goes to Mohan’s room. She sees him sitting in a small room and reading a book. Just because he’s poor she immediately develops a soft corner for him. He tells her that he’s a graduate. Just then she smells something burning. He realizes he was cooking daal. So he hurries to the kitchen. She helps him with the daal. In the mean time he narrates that he left his house because his father wanted him to get married to a  fashionable girl. But his mother always told him he should get married to girl who can cook and feed him with her hands. And he agrees with his mother. She feels shy and runs out of his room.

Kavita has a dance program in her college and invites Mohan for it. She dances to Arey o kanha bairi zamana.

Sharda is still trying to fix Kavita with Ashok. She invites Ashok home for tea. But Kavita is nowhere around and Sharda and Jijaji are feeling a little uneasy about it. But Ashok feels it’s time for some fun. So he reveals to them that Kavita is in love with a mechanic named Mohan at Desuza Decruz and Fernandes garage. He’s not at all surprised that she’s not at home. They don’t believe him but he takes them to the garage and asks Fernandes about Mohan and after a while he himself comes dressed as a Mechanic, Mohan. Sharda is mad at him. They have a very interesting argument.

Mohan : Aapne shaadi se pehle mohabbat nahin ki? (Didn’t you fall in love before getting married?)
Sharda : Ji nahin.,..hamare khandaan mein shaadi se pehle mohabbat karne ki reewaz nahin hai (We don’t have the tradition of falling in love before getting married in our family)
Jijaji : Ji haan, inke khandaan mein shaadi ke baad bhi mohabbat karne ki reewaz nahin hai (Oh yes, they don’t even have a tradition of falling in love after getting married in their family).
She warns him never to meet her sister again and goes.

One day Ashok comes home and Kavita is furious seeing him. But he tells her he’s Mohan. He’s dressed up as Ashok so that Sharda doesn’t suspect him. Sharda, thinking it’s Ashok sends Kavita with him and tells her to take him around the place. They sing this lovely song – Teri zulfen pareshaan.

Jijaji is not convinced that Ashok and Mohan are two different people. So he goes to Mohan’s room and investigates. It doesn’t take him long to find the truth. He goes back home happily only to see Sharda and Kavita quarelling over Ashok and Mohan. When he finally gets a chance to speak he tells them that Ashok’s been fooling both of them – Ashok and Mohan are not two different people but one and the same!

Kavita goes to his room at the garage to confront him. He’s humming Tumne pukara aur hum chale aaye as he’s getting dressed and exclaims : “Woh aaye ghar mein hamare khuda ke kudrat hai.Kabhi hum unko kabhi apne ghar ko dekhte hai” when he sees her. He can make out that she’s not in the best of her moods so asks her if everything’s ok.
Kavita : My family wants me to get married to this guy who I totally dislike. Main sochti hoon phir tumhara kya hoga, tum toh zehar kha loge (But more than that I am worried about you. What would happen to you if I get married to somebody else? You might kill yourself).
Mohan : Zehar khaye mere dushman, main toh baratiyon ke saath mithai khaunga, mithai. (Now, how do I translate that!) Ashok’s not as bad as you think he is….he’s a nice guy and he loves you so much. And I am not as innocent as you think. I have a secret.
Kavita : Secret? Are you married already?
Mohan : Not married but I am engaged to a very rich girl. Now if you get married to Ashok even I will get to marry her without feeling guilty about it.

She yells at him and he realizes that she has learnt the truth and tries to reason with her.
Ashok : You love one name and hate the other one, but the person is one – me. Pati hone ke liye 4 cheez hone chahiye (there are 4 qualities that guys should have to become a husband) and I have all the 4 things.
1. Main shehar ka sab se bada raheez hoon – Ashok (I’m the richest person in town)
2. Main awwal darze ka aashiq hoon – Mohan (I’m a lover boy)
3. Main bahut bada kalakaar hoon kyunki tumhe meri ek roop se mohabbat hai aur doosre se nafrat (I’m a great actor. You love one and you hate the other form of mine)
4. Main dil ka achha hoon aur shareer ka tandurust…yaani ke hamare hone wale bachche tandurust honge, mote honge, kuch tumhare jaise honge aur kuch mere jaise. (I’m good at heart and am physically fit. That means our children will be healthy and they will look a little like you and a little like me)
Kavita : Tum mujhe seedhi tarah se ghar jaane doge ya nahin (Will you let me go home?)
Ashok : Ab tum us ghar mein jaa kar kya karogi? Ladki toh parayi hoti hai. Aur yeh tumhare gharwale bhi jaante hai. Ab maan bhi jao. Tum mujhe chahe boora samjho ya achha samjho maine yeh sab tumhara pyaar jitne ke liye kiya. Yeh na kisi gareeb ka pyaar hai na kisi ameer ka, yeh ek insaan ka pyaar hai jisne tumhe apne dil se pyaar kiya (What will you do going to that house? You will anyways have to get married and leave it someday. Whether you think good of me or bad of me, I did all this to win your  love. This is neither a rich man’s love nor a poor man’s love, it’s true love and I love you from the bottom of my heart).
They sing Oh jaanewale sun zara yeh dil ka maajra and everything is settled between them.

Both their families are happy about the alliance. Sethji even engages himself  in selecting jewelleries and sarees for his bahu.
I wish the film had ended here. It was so delightful till here. But a Hindi film of 60’s just couldn’t happen without any conflict and it couldn’t end here, right? There has to be a twist. Especially when the hero has finally wooed the heroine and all is well and none of their families opposes to it, there has to be some twist to separate the two of them.
Ashok leaves for Shyamnagar to attend a friend’s wedding. Ashok and few other friends pull Shekhar’s (the groom) leg and keep worrying him. But just when the wedding ceremonies are about to begin, Shekhar’s dad takes him and leaves – the wedding is cancelled. No, it’s not for dowry. He discovers that the bride had earlier run away with someone and he feels it will be a disgrace to accept her as his daughter-in-law now. Ashok begs with Shekhar not to dishonour the girl’s family. He tries to reason with him saying everybody makes a mistake, that doesn’t mean that you behave this way and ruin somebody’s life for one mistake. But all his efforts go in vain.

Seeing the state in which bride’s father and mother are in, he offers to marry their daughter. He gets married without even seeing the girl and then takes her home and goes. But Sethji isn’t very pleased with him for what he has done. He kicks him out of the house. So Ashok goes back to the garage and lives there with his wife, Sheila (Parveen Choudhary).


Sharda and Jijaji are shocked to hear the news. Kavita blames him for cheating on her. Ashok wanders along singing Main bewafa nahin hoon tere pyaar ki kasam. But Jijaji tells her it’s not fair to reach a conclusion without knowing the entire truth.So she sets out to find the truth. She goes to Ashok’s house and meets Sheila.  And the poor soul pours her heart out  to her.

 Kavita feels guilty for accusing Ashok of infidelity. She sings O maine mana mere meet.

Kavita still loves Ashok (after finding out the truth) but Ashok comes in terms with his life. He accepts that it was not in his fate to marry Kavita and is content with what he has got. He tries his best to forget his past and to start his life afresh with Sheila. Even her past doesn’t bother him. He doesn’t blame her for coming in between him and Kavita but accepts her whole-heartedly and does his best to be a good husband. So what next???

What happens to Kavita?  Ashok and Sheila are quite happily married. What will happen to this love triangle? Will Sethji finally accept Sheila as his daughter-in-law? Will Sharda ever forgive Ashok for what he has done to Kavita?

I loved the first half of the movie. It was truly amazing! It had comedy, emoshun, romance and beautiful songs. Second half wasn’t very necessary. I felt like it was just put to make the story longer. And to show that love is all about sacrifice.

On the whole I thoroughly enjoyed the movie, except for the end. Shammi Kapoor in his Black&White days is delicious! Saroja Devi is beautiful. Johney Walker and Minoo Mumtaz’s romance is cute. Parveen Choudhary, Nasir Hussain, Dhumaal and Shammi are all great. And whoever the man playing Jijaji is (Siddhu?), I totally loved him – he was so witty and his one liners were simply awesome! Kalyanji-Anandji’s music , assisted by Laxmikant-Pyarellal is fabulous. Songs were penned by Anand Bakshi, Qamar Jalalabadi, Gulshan Bawra and Indivar and were rendered by Lata Mangeshkar, Mohammed Rafi, and Kamal Barot. Great direction from S. Bannerjee!

I would rate it 7.5/10.

P.S : He looks familiar. I haven’t seen Ek Musafir Ek Haseena yet, but I think I have seen him somewhere, may be in Dil Deke Dekho.