Posts Tagged ‘R.D Burman’

My tribute to Rafi Saab – The A to Z of Mohammed Rafi

August 3, 2010

I started this post on 31st, as I was listening to Rafi marathon on Vividh Bharati but with such lovely songs playing I couldn’t concentrate on the post. I had listed the songs even before that, but still it took me so long to complete it. I kept getting lost in the songs in between that I¬†forgot I had to come back here and finish this ūüôā

After an extremely hectic week, the best thing I could ask for is a day full of Rafi saab’s songs. Not that I didn’t listen to his songs the rest of the week. Not even a single day of mine passes without listening to him. Thanks to Vividh Bharati for that. The first thing I do every morning after I get up is to put the radio on. And they play a minimum of one Rafi song in every program of theirs. Then my collection of hundreds of his songs in my cell phone which I listen to everyday on my way to work. Other people get frustrated with the traffic and I feel good about it. The longer it takes me to reach office, the more number of songs I get to listen to and I reach office more refreshed. And when I am not in meetings and am not reading something, I continue listening to music in office as well. A big thank you to Nasir and Venkat for sharing all those rare gems…you guys have introduced me to so many songs that I had never thought even existed. And a big big thank you to entire team of Vividh Bharati – Kamal Sharma, Renu Bansal, Mamta Singh, Nimmi Mishra, Yunus Khan, Amarkant Dubey, Rajendra Tripathi, Shehnaz Akhtari and to everybody else. Had it not been for you all I wouldn’t have known even half of these songs! I owe my filmi and musical knowledge to you all!

I missed out the programs on Vividh Bharti in the morning on 31st as I got up late. But ever since I got up I was been hooked to it. They played non-stop Rafi songs. And do I even need to say that each song of his is songs is a masterpiece!

So much is written about Rafi (1924-1980) that I don‚Äôt quite know where to begin and what new to say really.¬†¬†Rafi was one of the most versatile singers…From the doleful¬†Jugnu¬† to the patriotic¬†Shaheed¬† to the classical¬†Baiju Bawra to the effervescent¬†Mr. and Mrs. 55¬† to the regal¬†Raj Hath to the poetic¬†Pyaasa¬† to the meltingly romantic¬†Barsaat Ki Raat¬†– phew! the list is endless‚ÄĒRafi sang them all. And more.

The whole week I’ve been thinking of something special to post as a tribute to this legend. It’s just impossible to list out my 10 favourite Rafi songs. I’m in love with every song that he has sung. But at the same time I couldn’t even sit without doing a post. After sifting through numerous options like – listing down some songs of Rafi alphabetically, listing out human emotions and associating a song against each emotion, defining the 7 stages of human life through his songs….but I realized that I just couldn’t move beyond the first letter.

I started thinking of his songs that start with ‘A’ and the list was so long that I could break it into 2-3 separate posts. Then I tried with the emotions. Within no time I realized that there were too many of them for instance Anger, Anxiety, Anguish, Astonishment, Attraction, Amusement, Affection, Agony. And this is just the beginning. Next I shifted to the stages of human life. I opened Shakespear’s poem and started mapping Rafi’s songs against each of the stages. But 7 were too few and then realized that I would end up counting almost everyday as a different stage! So that wasn’t much help either.

So I came up with this rule for this post…I would include –
1. Not very popular songs of Rafi as in, not the songs that would feature in every top 10 or top 20. I’m promoting some rare gems of this mastreo.
2. One song per actor and preferrably picturised on a lesser known actor (at least I’ll try avoiding the supserstars as much as possible). There are bound to be few exceptions though. But don’t be surprised if you don’t see even a single Shammi kapoor song here! (As I am doing a series of Rafi sings for Shammi, I’m trying to leave out Shammi Kapoor songs so that other songs would get a chance).
3. For a change I’m including songs from movies that I haven’t seen as well.

A : Abhi na jao chhod kar (Hum Dono, 1961) – Absolutely awesome romantic duet, superbly rendered by Rafi & Asha and¬†so convincingly picturised on Dev Anand and Sadhna.¬†¬†The charming couple, the excellent rendition, Jaidev’s superb music,ÔĽŅ Sahir Ludhyanvi’s ¬†thoughtful and yet so simple lyrics¬†¬†and the beautiful depiction of two lovers unwilling to separate¬†leave you wanting to fall in love – this is without doubt one of the best romantic song ever recorded.¬†¬†¬†When I ¬†hear this song¬†I feel like¬†I amÔĽŅ in another world, the feeling of the song is simply awesome. What a treat this is!¬† And¬†for once I wished ‘A’ was the last letter of English Alphabet. Putting this song at the end would have made much more sense.

A :¬†Ankhinyan milake zara baat karo ji (Pardes, 1950) : Striking the earlier song as I couldn’t think of any other song starting from ‘F’ other than Falsafa pyaar ka tum kya jano,¬†picturised on Dev Anand.¬†In his earlier years, before he had fully come into his own, Rafi sang for Ghulam Mohammed (Naushad‚Äôs prot√©g√©) a lovely duet with Lata. This¬†one is picturised on Rehman and Madhubala and¬†I¬†love¬†this¬† for lots of reasons: Madhubala‚Äôs striking beauty,¬†Rafi‚Äôs deep, powerful rendition, peppy music and¬†young and dashing Rehman!

¬†B : Bahut haseen hai tumhari aankhen (Aadhi Raat Ke Baad, 1965) : Very cute song…not very popular but¬†sweet and very romantic¬†nevertheless. Rafi and Suman Kalyanpur come together in this lovely track¬†picturised on Sailesh Kumar and Ragini who playfully flirt and tease each other. Chitragupt’s music is soothing and pleasant.

C : Chhupa kar meri aankhon ko (Bhabhi, 1957) : My initial choice was Chal ud jaa re panchhi but couldn’t find the Balraj Sahni version of it ¬†on youtube. I had once heard in an interview that Balraj was so sad after shooting the song. He felt he could have done it much better! It’s such a divine song. But guess I’ll go with the flow – romance and move ahead with this¬†infectiously romantic duet featuring Jawahar Kaul and Shyama. Rafi teams up with Lata here and the rendition is magical. This is one of my all time favourite Lata-Rafi duets. I had first heard this song on Vividh Bharati years ago and always felt that it must be picturised on Meena Kumari. I somehow related the feel of the song and the name of the movie¬†itself to Meena Kumari. But was pleasantly surprised to discover Shyama in it. I saw this film just because of it’s songs. Not a movie I am very fond of, but give me its music anyday and I would be more than happy. It has a variety of songs – Chal ud ja re panchhi, Chali chali¬† re patang meri chali re, Chhupa kar meri aankhon ko, Jawaan ho ya budiya, Kaa re kaa re baajra…Coming back to this song, Chitragupt’s music, Rajender Krishan’s lyrics, Lata and Rafi’s rendition¬†is truly amazing. And check out Shyama’s expressions, esp when she lip-synchs “tumhari is adaa par bhi hamare dil ko pyaar aaye“. Haye…I just love this song!


D : Dil ki tamanna (Ghyarah Hazar Ladkiyan, 1962) : It’s Vividh Bharati again where I first heard this song. And the first thing I did after the song was over is to rush to search for it on google/youtube. Initially, I could just find the audio version of it, Rafi’s solo. And I¬†have listened to it continuously for days, non-stop. What an intoxicating voice and there’s so much feel to it. I didn’t even know who it was picturised on then but just wished whoever it was –¬†may his dil ki ¬†tamanna come true! I’ve been looking for the cd/dvd of this movie ever since but with no luck. Rafi and Asha sing¬† Majrooh Sultanpoori’s lyrics for Bharat Bhushan and Mala Sinha, under the music direction of N. Dutta. It’s a classic composition.

D :¬†¬†Dil mein chhupa ke pyaar ka ( Aan, 1952) : Striking Dil ki tamanna because I just confirmed that Ghar se toh cut chuka patta is picturised on Bharat Bhushan, though it doesn’t have a video, I don’t want to break my rule.. Here’s another lovely Rafi number featuring two actors whom¬†I like a lot – Dilip Kumar and Nadira. Shakil Badayuni penned the lyrics for this lovely song and Naushad Ali composed the music. Rafi is heavenly and so is Dilip Kumar. There’s a color version of this video. But I find the B&W version more enchanting. ¬†


¬†E : Ek tera saath hum ko (Waapas, 1969) :¬† Exteremely romantic song. Music is by Laxmikant Pyarelal and ¬†lyrics¬† by¬†Majrooh Sultanpuri. It is a duet sung by Rafi and Lata picturised on¬†a newly married couple (Alka and Shekhar Purohit? Ajay?) pledging undying love and devotion to each other. I feel the essence is somehow missing in the picturisation, but just listen to it and it’s magical, such a treat to the ears!

F : Falsafaa pyaar ka tum kya jano (Duniya, 1968) : A¬†terrific song by Rafi, composed by Shankar-Jaikishan and¬†picturised on Dev Anand and Vyjayanthimala. “How would you grasp the philosophy of loving when you have never fallen in love before” – for once I kind of like the translation of the mukhda. I almost played around with Phoolon se dosti kaanton se yaari (Foolon se) but when I had a song starting with ‘F’, I thought I would rather go with it. Though Dev Anand looks wierd with that hair-cut and this song has the flavours of Badan pe sitare lapete hue, I¬†¬†still love this number…it’s so intoxicating. This is what I call a quintessential¬†Rafi song!

G : Ghar se toh cut chuka apna patta (Kal Hamara Hai, 1959) : I heard this song on radio last week and instantly fell in love with it. Unfortunately I couldn’t find the video. ¬†Though imdb lists Bharat Bhushan as the lead in this film, I somehow don’t feel this song is¬† picturised on him. It sounds so much like a Johnny Walker kind of a¬†song and I sincerely hope that it is. Something very catchy and lively about this song. Music is once again by Chitragupt. (P.S : I just confirmed that it is indeed picturised on Bharat Bhushan, so much for my guess work).


H : Hum toh hai¬†tum par¬†(Bewaqoof, 1960)¬†– This is one very cute song rendered superbly by Rafi for I.S Johar. This movie was written and directed by I.S Johar himself. Majrooh’s lyrics and S.D Burman’s composition is beautiful. And it was R.D Burman on the Mouth Organ. The modulations in Rafi’s voice match I.S Johar’s antics so perfectly. There’s something very Shammi-sque quality to this song.

I : Itni badi duniya jahan itna bada mela (Toofan Mein Pyar Kahan ,1966) : Rafi sings¬†this¬†for¬†Ashok Kumar. It’s so¬†tender and so beautiful. There’s a softness to Rafi’s voice here which is just brilliant. “Versatile Rafi¬†commendably modulates his voice to suit the great natural actor, Ashok Kumar, while singing on the pangs of loneliness” (Thanks Nasir for describing the song so beautifully). ¬†Check out the picturisation for Guzre dino ka dhundla nishaan hai baanki, dil toh¬†bujha kab se hai abh dhuaan baanki –¬†the smoky effect is¬†so amazing. Prem Dhawan’s melancholy lyrics, Chitragupt’s excellent music, Rafi’s magical rendition and Ashok Kumar’s brilliant performance – this couldn’t have got any better. My initial choice for a song beginning with ‘I’ was Itna haseen saathi itni haseen manzil from Aatma Aur Parmatma but couldn’t find a video to it. So settled for this one – another favourite of mine. Though not as romantic as I would have liked it to be, it’s a very beautiful song.

J : Jo baat tujh mein hai (Taj Mahal, 1963) : A timeless gem…one of my favourite songs.¬†This one’s picturised on Pradeep Kumar. The lyrics by Sahir Ludhianvi, music by Roshan and Rafi’s velvety voice is beyond this world – truly sublime!¬†¬†I so very badly wanted to post Jab se hum tum baharon mein from Main Shadi Karne Chala but it’s such an irony that we don’t have videos of such lovely melodies on youtube yet. And since the basic filter criteria here is one song per actor, I don’t want to go on posting just the audios. Hopefully, somebody will upload the video soon.


K : Kahin ek masoom nazuk si ladki (Shankar Hussain, 1977) : For once, I am not relating a song to Vividh Bharati. I first heard this bollywoodondemand.com, an online radio station couple of years ago. Back then AIR, Vividh Bharati didn’t have online sites. I accidentally came across bollywoodondemand.com and I used to listen to it very regularly¬†at work. One fine day, I heard this song and googled for it but couldn’t find it. Then, I came across the audio version of it after few months¬†and finally found the video last year. I was rather¬†surprised to discover Kanwaljit in it. Used to watch him in serials during my school days, Family No. 1 on Sony used to be quite popular then.¬†Kamal Amrohi’s lyrics, Khhayyam’s music and Rafi’s rendition – it’s all¬†so heavenly. Something very dreamy, fairy-tale like about this song. But the video somehow spoilt this for me. I love the song, can’t help not loving such a magnificient number but the picturisation is a spoiler. Chalo khat likhe jee mein aata toh hoga, magar ungliyan kap kapati toh hongi, kalam haath se chhut jaata toh hoga, umange kalam phir uthathi toh hongi, mera naam apni kitaabon pe likh kar, woh daanton mein ungli dabati toh hogi….kabhi subah ko shaam kehti toh hogi, kabhi raat ko din batati toh hogi…what an imagination!¬†It’s so beautifully written!! I used to imagine this scene while listening to this song, but the video didn’t have any of it! Audio version didn’t have the last antarra. I heard it for the first time when I saw the video on youtube. And it took me some time to figure out what Palate is …Palate kabhi toot jaati toh hogi….


L : Le chala jidhar yeh dil chal pade (Miss Bombay, 1957) : This is Rafi singing for Ajit. in the good old days before¬†he turned into a villian on screen. Bombay‚ÄĒthat teeming metropolis, teeming then in the 1950s just as it is teeming today‚ÄĒthe land of opportunities, sapno ka shehar‚ÄĒwas masterfully captured by lyricist Prem Dhawan to composer Hansraj Behl‚Äôs tune. I had only heard this song on Bhoole Bisre geet on Vividh Bharati. Saw the video for the first time today. Half the time I kept imagining Ajit saying “Mona Darling” in between the song. ūüôā Ajit was quite a handsome man and smart too…he realized early in his career that it’s more fun being the villian than a hero!

M : Main toh tere haseen khayalon mein kho gaya (Sangram, 1965) :¬† My my my dear from Nagina was my first choice. I didn’t want to list Mujhe dard-e-dil ka pata na tha and Madhuban mein radhika nache re. Though I love both these songs, they have already featured many times in this blog. ¬†And thanks to Richard for including all these songs in his list. I’m not feeling guilty about skipping them. So here I come with this lovely track from Sangram picturized on Randhawa (Dara Singh’s brother) and Swarna Kumari. I am so glad I decided to do songs from the movies that I haven’t watched. I had heard this song so many times on radio but it’s for the first time I am seeing it’s video and am so happy to discover Randhawa in it! Lala Asar Sattar music is very melodious and Rafi is¬†fantastic in it!


N : Na kisi ki aankh ka noor hoon (Laal Quila, 1960) : I almost included Nu tu hindu banega na musalmaan banega¬†but realized I had this song in one of my earlier posts. And this divine composition¬†by S.N Tripathi in Laal Quila came to my mind. It’s a timeless classic, a stunning nazm. Such deeply moving lyrics! Rafi’s booming voice magnificientlyÔĽŅ amplifies the poignancy and grief expressed by Bahadurshah Zafar. Truly unforgettable!


O : O phirki wali (Raja Aur Runk, 1968) : This song takes me back to my school days. We had a cassette, Best of Mohd. Rafi volume 2 which had this song. And there was a time when I was in 9-10th when I used to listen to this song at least 2-3 times a day. It’s such a masti-bhara song that it fills my heart with happiness when I listen to it. I somehow had always imagined it to be picturised on Shammi Kapoor or Dharmendra, mainly due to the fun quotient. I was pleasantly surprised to see Sanjeev Kumar singing it to Nazima. I was listening to this after so long today¬†and I still remember each and every word of it. I’m so pleased with myself. That’s Rafi’s magic! Laxmikant-Pyarelal’s foot-tapping music,¬†Anand Bakshi’s fun-filled lyrics and Rafi’s flirtatious rendition topped with Sanjeev Kumar’s awesome performance makes this song immortal. I love the way Rafi sings Jubaan se and Jarra beimaan si


P : Phir milogi kabhi (Yeh Raat Phir Na Aayegi, 1966) : Biswajeet was one lucky actor when it came to songs. He got to feature in some of the best songs ever. I am not fond of him as an actor, but his songs, each one is a masterpiece! Rafi and Asha are singing for Biswajeet and Sharmila in this 1966 thriller. O.P Nayyar’s music, S.H Bihari’s lyrics and Asha-Rafi rendition, it’s picturization…everything about this song¬†¬†is mesmerizing.¬†I feel captivated everytime I listen to this and never want it to end.¬†


Q :¬†Quismat ke likhe ko hum mita na sake¬†(Duniya, 1949) : This is a lovely Rafi-Surraiya duet composed by C. Ramachandra. It has Surraiya, Karan Dewan, Yakum, Shakeela in the leading role. I don’t know who it’s actually picturised on. I have only heard this song on Radio and couldn’t find a video as well. Listen to Rafi’s young voice…it’s so gentle and soft. Amazing song!!!

R : Roshan tumhi se duniya (Parasmani, 1963) : This time it’s Rafi singing for Mahipal in Parasmani, which marks the debut of Laxmikant-Pyarelal as Music Directors. Rafi at one of his romantic bests, extremely melodious number penned by Ashad Bhopali. Such an apt song in praise of a princess! What awesome lyrics, equally amazing music and Rafi’s voice is subhan-allah!!! One can feel the emotion and depth in his voice…the way he¬†sings “Haye”, the aalap in between and the accompanying tabla and sitar is just mindblowing. Even Mahipal and Geetanjali have expressed well. One more speciality about this film is that it’s partially color. The first half is in Black&White and the second half (if you remember, Hansta hua noorani chehra) is in color. Movie is total bakwaas but it has lovely songs.

S : Sau baar banakar maalik ne (Ek Raat, 1967) : I don’t know who this song is picturized on. Spent quite sometime searching for the video but couldn’t find. There’s hardly anything about this movie available. But I love this song so much that I just couldn’t leave it out. I was addicted to it when I heard it for the first time. Have been searching for the video for quite sometime now. It usually happens that the songs that I so desparately want to see are not as good as expected. So for the time being I am content just listening to it. Yogesh’s lyrics, Usha Khanna’s music and Rafi’s divine rendition…I get so lost in this song. Till I heard this song, I thought Chaudhvai ka chaand, Roshan tumhi se duniya, Tareef karun kya uski etc were the ultimatum when it came to praising the girl’s beauty. But now, there’s one more to the list.

T : Tum toh pyar ho (Sehra, 1963) : Ideal song on Rafi’s death anniversary would have been Tum mujhe yun bhoola na paaoge but that’s too popular and has already been discussed in this blog before. Then I thought of Tum akele toh kabhi baag mein jaaya na karo from Aao¬†Pyaar Karein.¬†¬†But again, even that doesn’t have a video available. So the next I could think of was this lovely duet by Lata and Rafi picturised on Sandhya and Prashanth. Hasrat jaipuri’s lyrics tuned beautifully by Ramlal, this is a gem of a song. And the depth in Rafi’s and Lata’s voice has taken it to a different level altogether! What a romantic duet it is!


U : Unse rippy tippy ho gayi (Agra Road, 1957) : ¬†I¬†discovered this song few months ago and fell in love it it. It’s such a cute and fun filled number sung by Rafi and Geeta Dutt. I was actually planning to include this is Geeta Dutt special post but I reached 10 before this could come up then. So here it goes! Picturised on Vijay Anand (this is his debut film as a hero) and Shakeela. He does resemble Dev Anand a bit, esp when he’s sulking. Yoddling is a quality that we generally associate with Kishore da. Felt good to hear Rafi yoddling for a change! There are few lines in Gujarati and few in Punjabi in between. Geeta and Rafi yoddling away to Roshan’s music and Prem Dhawan’s lyrics is very delightful.


V : Vo jo chahane wale hain tere (Duniya Rang Rangili, 1957) : I couldn’t figure out who was singing this song on screen…but who cares, as long as it’s sung by Rafi in real.¬†It’s¬†¬†sweet number written by Jan Nisar Akhtar and composed by O.P Nayyar. Check out Rajendra Kumar, he looks so young and handsome.¬†¬†Is the girl Chaand Usmaani?

W : Woh hum na the woh tum na the (Cha Cha Cha, 1964)¬† : Rafi here sings for Chandrashekhar. He is so dull,¬† doughy and expresssionless. I don’t like him, every time I see him I keep wondering how he became an actor. Hence I am putting Helen’s picture below. Lets forget about the movie and the actor…coming to the song, it’s an excellent track. Penned by Neeraj and composed by Iqbal Quereshi, this is a touching song brilliantly rendered by Rafi. ¬†

X : Phir aane laga yaad wohi (Yeh Dil Kisko Doon, 1963) : Ok, so this song doesnt begin with ‚ÄúX‚ÄĚ ‚Äď but then, how many songs do? I will just use this letter to insert another lovely song. And this song is specially dedicated to Nasir and Richard. We had a long discussion about this song sometime back. But due to my usual restriction of not including songs from the movies that I haven’t seen, I had left this one out in Shashi Kapoor special post. But since that’s not the case this time, here it goes to you both for reminding me of this song. Shashi Kapoor’s image below is for bollyviewer. This is one of the most melodious song, beautifully¬†picturised. Ragini’s moves are so graceful and elegant. Shashi is a darling. Rafi is magicalÔĽŅ, Qamar Jalalabadi’s lyrics and¬† Iqbal Qureshi’s composition is so mystical with Usha Khanna chanting those simple syllables Pyaar ka aalam, it infuses¬†so much feel to the song.

 
Y : Yeh¬†teri saadgi yeh tera baankpan (Shabnam, 1964)¬†: This post has been one hell of a revelation to me! I never knew Rafi had sung this song for Mehmood! Usha Khanna’s composition and¬†Javed Anwar’s lyrics are simple and sweet. And Rafi as usual is outstanding! He could convincingly slip under the skin of characters that were poles apart: he sang for the brooding Dilip Kumar in¬†Deedar with the same ease with which he lent his voice to a frolicking Johnny Walker in¬†C.I.D.¬†¬†And it is so difficult for the listener to decide where Rafi excels more and who his voice suits the best!

Z : Zara ruk jaa (Sitaron Se Aaghe, 1958) : I was feeling sad that I couldn’t include a song picturised on Johnny Walker so far. So am more than happy now for being able to do so. Apart from Rafi, I remember this song for Johnny Bhai’s cycle stunt and his friends going around puncturing everybody else’s cycle tyres. Rafi and Johnny share an amazing chemistry. Each song of this combo is special and tailor-made for them – the sync between Rafi’s voice and Johnny’s acting is always so perfect! I have a broad smile on my face everytime I see Johnny perched on a tree (he looks so comfortable there) and jumping down¬†singing Zara ruk ja

Rafi saab was the most versatile and probably had the most mellifluous voice. His voice reflected the great energy and smartness of youth and exuded great skill and craftiness. He could sing slow, fast , semi classical, Bhajans, Qawalis, taranas, Geet, romantic numbers, sad songs ‚Äď just about anything with equal zest and gusto.

Also, when I began listening to  songs of Rafi, I realized one thing Рhe enriched the compoistions that he sang for. Now this is quite  exceptional and rare because he did not require a great composition to create a a great song.

I feel like Kahin bekhayal hokar choo liya kisi ne when I listen to his songs. This is one song that I really missed putting up here along with Jo unki tamanna ho, Woh din yaad karo, Yeh jhuke jhuke naina and many more!!! Be it any song of his, even if I am listening to it for the very first time, I feel a sense of familiarity towards it.

I came across this blog while searching for few songs and since what was written there exactly described the songs and how I felt about them, I couldn’t help copying them. And I must admit that it¬†did save¬†a lot of time. Writing up about these songs do take a lot of time. And it gets quite distracting as well – I search for one song on youtube, see some other song on related link section and that leads to another song and so on (as it’s too much of a temptation to resist). So when I find few lines already written up about the song, it’s god-sent! ūüôā A big thank you to Cinema Corridor and all other fellow bloggers¬†for all your contributions and wikipedia for providing me with so much of information always! I had acknowledged everybody in my earlier post on Shammi Kapoor but somehow I forgot about this one. Could be because it took me couple of days to finish this post and by the time I reached the end, I was just happy that I had completed the post and was in a hurry to publish it.

Love you Rafi saab!!! May your soul rest in peace.

Kishore Da’s songs coming up next.¬†I should have done that today, but first things first. And that reminds me I still have my Mukesh special post pending!

Advertisements

Ajanabee (1974)

January 17, 2010

Let me come come to an end with Rajesh Khanna special week with this movie.

One night, a pretty young girl, Sonia (Yogita Bali), gets down from a Taxi and runs towards the Railway station in Deena Pur asking for a ticket to Bombay.

The train to Bombay pulls off the station before she can board.¬† She doesn’t have any place to go and decides to wait at the station for the next train, the following morning.¬†She’s carrying an attache case containing jewellery worth lakhs. She deposits it to Rohit, which he safely locks in his safe.

Since Rohit¬†feels it’s not safe for her to wait at the platform he¬†offers to drop her¬†at his quarters, near by and she¬†readily agrees to it.

It’s so obvious that she’s running away from someone and Rohit feels she must have stolen the jewellery but she denies the accusation. She tells him that she inherited them from her mother but there are goons behind her because of it.¬† And she’s escaping from them. He buys the story and assured that she’s safe and comfortable there, he goes back to the station.

Sitting on his chair in his office, he goes back in time and lives in flashback for a while thinking about how he first came across Rashmi (Jeenat Aman).

He’s riding a motorcycle on his way to his uncle’s (Asit Sen)¬†house for his cousin’s wedding. On the road he sees a car ahead of him and they have a race. After a while,¬† Rashmi’s car runs out of petrol. Attempting to help her and also not wanting to lose an oppotunity of spending some time with a lovely dame, he empties all the petrol from his motorcycle into Rahmi’s car and decides to travel along in her car. But before he can get in, she drives off. With no petrol, he gets stuck and finally manages to get a lift in a lorry.

He meets her again for his cousin, Shanta’s sangeet, – she happens to be Shanta’s friend. When forced by everybody, he sings Ek ajnabee haseena se, saying it’s a true story.

They meet a couple of times during his stay there and they fall in love.

Her father, Diwan Sardarilal (Hari Shivdasani), is looking for an assistant for Moti Babu (Prem Chopra), her brother-in-law, who has been looking after the business now. And Diwan feels Moti Babu is over-burdened with work and responsibilities. Rashmi presents Rohit to Diwan and he agrees to hire him.

Rashmi has a hunch that Moti Babu is not as honest as he appears to be and tells Rohit about it. Rohit immediately begins auditing the records and discovers that the entries are not correct and a huge sum of money has been missing.

Moti Babu, scared that the truth will come out, plots against Rohit. Since Rashmi is so fond of him, the best way to get Rohit out of his way would be to somehow make her dislike him. As a part of the plan, they have a celebration with lots of Bhaang followed a dance Satra baras ki.

And with the help of Bahadur and Bijli he manages to prove that Rohit tried to rape Bijli and has cheated on Rashmi. As per Panchayat’s decision, a punishment, he’s thrased in front of the villagers and asked to leave the place immediately.

Moti Babu is celebrating his victory with Bahadur and Bijli. Rashmi happens to witness this and is disgusted. Much against Diwan’s and Moti Babu’s wish she leaves the house and runs away with Rohit singing¬†Hum dono do premee . They go to Bombay and get married in a temple.

Two men show up at his office and they wake him up from his reverie. They introduce themselves as Inspector Tiwari and Inspector Sinha and enquire about a girl with an attache – Sonia. They tell him that she has stolen some valuables and has run away, and they are investigating the case. Though suspicious, Rohit doesn’t reveal her whereabouts. He goes to his quarters and confronts her. But she tells him she hasn’t stolen anything and gives him her mother’s letter. After reading it he’s convinced that she’s innocent.

He comes back to his office. It’s raining very heavily outside. Standing by the window he stares out and gets into a flashback mode again. This time the newly wed Rashmi and Rohit are singing Bheegi bheegi raaton mein in the rain.

Brought up the way she was, Rashmi doesn’t know much of household work. She has a tough time trying to learn how to cook. They get acquainted with Chetan Kumar (Asrani), who lives in the floor below and become friends with him. He also helps her develop her culinary skills

Rohit works for Bombay Publicity, an Ad Agency and Rashmi, on the other hand gets bored sitting at home the whole day with nothing to do. Since she has a good knowledge of colors she starts painting (inspired by Chetan) and wants to gift the painting to Rohit on his birthday. One fine day Chetan suggests her to start modelling.

Having seen how his boss, M.M. Puri (Madan Puri)¬†deals with models, Rohit’s not happy about the modelling idea.

(That’s one of the models with M.M. Puri – I found her so much like Rakhee Sawant)

But Reshmi, with a wealthy background is not used to live the way she is living and doesn’t like compromising for every little thing. And she remains adamant about her decision until Rohit gives in. Indifferences start creeping in but Rohit is understanding and does all he can to keep Rashmi happy, though his ego keeps coming in between (sounds conrtadicting?). In no time she becomes a top model and even goes on to win a beauty pageant. And she’s so thrilled about it.

Soon after, she realizes she’s expecting. She wants to pursue her career and thinks it’s not the right time to start a family and even thinks of going for an abortion. But Rohit wants the child. So she decides to keep it. One day Rohit calls and when she goes down to Chetan’s flat to answer the call, she slips and falls down the staircase. This results in a miscarriage. But Rohit feels she got an abortion done and gets mad at her. They have a row and he walks out of the house. Having realized that he over-reacted, he comes back home in the evening and apologizes but only after a while he finds out that Rashmi has left the house and gone.

He later on learns from Chetan that she had fallen down and had a miscarriage. He calls her but she desont speak to him. He resigns from Bombay Publicity and he sets out to bring her back. He¬†goes to Diwan’s house but learns that they have left the place and gone on a vacation. Noone knows when they’ll come back. Devastated, he goes to his uncle’s house. There’s a letter for him there, a legal notice asking for a divorce. Not knowing what to do next, he seeks employment and with the help of Mr. Saxena (Mama’s friend), he gets the post of a Station Master at a remote hill station, Deena Pur.

Back to present…he’s at work and Mr. Saxena comes to meet¬†him. He’s surprised to see Mr. Saxena at such a remote place. To this¬†, Mr. Saxena says he had come hunting with¬†Diwan Sardarilal, who has¬†put up¬†at a place named Karimganj, near by.


He leaves for Karimganj to meet Rashmi. But he is humiliated by Diwan and Moti Babu because he is poor. He also vows that he’ll earn enough money and get Rashmi back.

But he doesn’t know how to get so much of money. He eyes the safe with Sonia’s attache. And next, he is arrested for Sonia’s murder.

Did Rohit really kill Sonia? Why did he take Sonia to his quarters? And who was Sonia in the first¬†place? ¬†What were his intentions? Is Rohit the Ajnabee who nobody actually knows? Will he be proved guilty? What happens to Rashmi and Rohit’s relationship? Will they get back together or will Rohit be sentenced to death/life imprisonment?

Few loopholes – Though Rashmi knows what Moti Babu is upto, Diwan never gets to know about it. And she also doesn’t do anything to get him caught. What’s Chetan’s profession? It’s never expalined (or was it deleted from DVD?)¬†– he’s shown as an artist who sits at home painting, but once Rashmi decides to take up modelling, he becomes her photographer. And he’s an MC for the Beauty Pageant contest!

It’s a nice movie (though not one of my favourite Rajesh Khanna movies) –¬†Story is quite convincing,¬†but very predictable. Lovely tracks and good performance. But what I liked the most was Prem Chopra’s sidelocks ūüėČ

Agar Tum Na Hote 1983

January 1, 2010

Movie begins with Meena (Rekha) singing the title track – Hume aur jeene ki. Ashok Mehra (Rajesh Khanna) and Meena are a very-much-in-love happily married couple expecting their first child.

Ashok, a wealthy industrialist throws a huge party when Meena delivers a baby girl. He sings Sach hai yeh koi .

But shortly after giving birth, Meena suffers from post-delivery complications and dies leaving Ashok devastated and lonely.

Shakur Ahmed¬† Chacha (Madan Puri) consoles Ashok over his grief and tells him that can’t lose hope and stop living. He has a daughter to care for. And slowly Ashok goes back to work.

Ashok’s company has launched a new cosmetic range¬†of ¬†Emami products but with no proper ad campaigns, the brand remains unknown to public. So his company hires a famous photographer Raj Bedi (Raj Babbar) and gives him the charge of designing ad campaigns and publicity of the product. Ashok pays him an advance of Rs. 50,000 and says he wont interfere Raj in his work but would like to see his designs and plans ready in two months.

Raj sets out in search of a model for the campain. He spots Radha (Rekha) on a beach one morning and follows her to the orphanage where she lives. After a little convincing she agrees to model for him.

She poses in her typical-Rekha-style for Emami products and Raj is happy with the shots he has clicked. He informs Ashok that he’ll be ready with the Ad Campaign soon.

During the shooting there’s a song Dheere dheere zara zara

But Radha and Raj fall in love and they get married.

Now that Radha is his wife, Raj doesn’t want her to appear in Ads and Magazine covers. So he tells Ashok that all the photos he had taken were destroyed due to some problem in reels. Chandu (Asrani), Raj’s assistant, loses his job because he says something about Radha and Raj no longer wants to work with a person who doesn’t respect his wife.

To take revenge, Chandu goes to Ashok and tells him that Raj married his model that’s why he has refused to handover the photographs to him as per the contract. Ashok respects Raj’s feelings as a husband but as per business rules he can’t just let Raj get away for breaching the contract.

Raj sells everything he has (including his house) to pay back the contract amount to Ashok. Radha and Ashok move into a new house. There’s a song here – Kal toh sunday ki chhutti. Then he goes out searching for¬†a new job. Since he had left his earlier project incomplete he’s not able to find a proper job. But he blames Ashok for using his influence and holds that as the reason behind him not getting a job.

He finally gets a job but¬†meets with¬†an accident¬†while working on¬†an assignment, and is hospitalized. He does recover, but his legs are paralyzed and is confined to a wheechair. With no income, it starts getting difficult for Radha to run the household and provide for Raj’s treatment. So she decides to work. She’s so happy about getting a job that she bursts into tears. But when the interviewer learns that she’s in desperate search of a job because her husband is ill, he takes back the offer letter saying with her husband sick in hospital she wont be able to concentrate on her work.

Ashok’s 5 year old¬†daughter Mini ( Baby Shabana), misses her mother a lot. When she asks about her, Ashok tells her that her mother’s gone to god and lies to her that she’ll come back some day. She ties letters/messages to her mother¬†to a balloon and sends them to god.

But god doesnt send her mother back to her.¬†¬†Tired of waiting for her mother to come, she loses interest in studies and fails in all subjects.¬† Ashok doesnt know how to deal with her. Tired of Mini’s tantrums, her governess quits her job. Now he’s on a look out for new governess.

Radha sees an ad in newspaper for Governess, but the first requirement is that the governess should be unmarried. Since the pay is good and she feels she can save enough for Raj’s treatment with the money she gets as a governess, she goes for interview. Once she reaches the venue and sees the range of Emami products displayed there, she recognizes it as Ashok’s office. Aware of what had happneed between Ashok and Raj, She decides not to work for him and turns to leave. But one of the employees in office sees her and informs Shaukat chaha about her. He’s shocked to see her there. He offers for more money and hires her as the new governess.

When she goes to Ashok’s house the following morning, Ashok doesnt beleive his eyes when he sees her. He literally piches himself to make sure he’s not dreaming.

When Radha comes home to teach Mini, Ashok sings Hume aur jeene ki

Mini tries to chase Radha with her usual pranks but when Radha doesnt complain to Ashok about it and after the initial qualms they bond very well.

All are happy with this arrangement. One day when Ashok takes Mini to a beach, Radha accompanies them. When Ashok goes to get ice-cream for her, Mini sees some balloons flying and starts running behind them thinking they hold a message for her from her mother. She is almost hit by a car, Radha saves her on time and tells her the truth about her mother – that she’s dead and she will never come back again. There’s a puppet show that they go for after this,¬†and needless to say, there’s¬†a song here – Hum to hai chui mui

As time passes, Mini starts looking at Radha as a Mother-figure.

On another occasion when Mini wants to go out for lunch, Radha and Ashok take her to a restaurant and a local magazine photographer clicks their picture.

Chandu, when he learns about Raj’s accident goes to his house to see him and says he’s really sorry to see him that way. When he learns that Radha has started working and that Raj is alone at home the whole day with nothing to do, he starts coming to give him company. But as the saying goes, old habits die hard, he starts gossiping about Radha.

On the eve of Mini’s birthday, she sees Meena’s photo in Ashok’s cigarette case and¬†takes it for granted that it’s Radha. Mini’s birthday, RAdha and Raj’s wedding anniversary and Radha’s birthday are all on the same day, 15th December. Radha plans to take a day off so that she can spend her anniversary with her husband but Mini says she wont have the party without Radha. So Radha is forced to go to the party where¬†Mini announces that Radha is her mother. Radha doesn’t know how to react to it. There’s a song, a duet version of Hume aur jeene ki.

The same day Chandu tells Raj that Radha’s working for Ashok Mehra. He also shows the photo in a magazine (the one taken during lunch at restaurant with Ashok and Mini) which refers to her as Miss Radha (and not Mrs. Raj Bedi). Raj is furious and feels that Radha has cheated on him in favour of a wealthy lifestyle that Ashok can¬†afford.

When Ashok comes to drop her to her house after the party is over, he gives her a ring and proposes to her. She comes home leaving the ring in the car. Ashok follows her inside only to overhear Raj and Radha having a quarrel due to the misunderstanding created by Chandu’s gossip.

One can’t blame Ashok for asking Radha to marry him, neither can Radha be blamed for hiding the truth. Ashok is heart-broken once again when he learns that Radha is married (I simply love it when he says : Tumhe paaya ek baar, lekin khoya do baar). He doesn’t know what to do with Mini, who had started treating Radha as her mother. So admist tears he packs her off to a boarding school.

But as time passes he understands the circumstances better, and sends an amount of Rs. 5 lakhs to Radha’s house through Shaukat chahcha telling that it’s lottery prize money. With so much of money in hand, she knows she can afford for Raj’s treatment in America (As per the¬†doctor’s suggestion) ¬†and they decide to leave immediately.

But Raj sees Ashok at the airport. And when Ashok offers Raj¬† a cigarette he sees Meena’s photo in it.

How will Raj react to it? Will he ever realize and accept the fact that the photo was Meena’s and not Radha’s? Will he get to know that the money with which Radha is taking him to America is given by Ashok? What happens to Mini? Will she be able to bear the greif of separation from Radha? And last, but not the least what does Ashok do?

I thoroughly enjoyed watching this film. All of them have given such a great performance. Not a very happy-happy movie but it isn’t sad and depressing either.

A family drama with realistic and natural portrayal of characters, never over the top.¬†Rekha’s dresses and style are worth mentioning when she models for Emami. Rajesh Khanna is sooooo handsome even at 40+. Raj Babbar looks quite sexy¬†donning deep V-neck shirts and t-shirts¬†with jeans. Even his protrayal as an over-possessive, egoistic crippled husband is great. Feels so good to see Madan Puri in such good roles and baby Shabana is cute too, though a little loud at times. What’s with Asrani and his screen name as Chandu? He is named Chandu in so many movies!!!

I have seen most of RK’s earlier¬†films (60”s and 70’s) but not many of the later¬†ones. Now I think I’ll have to start watching more of his movies from the 80’s ūüėČ

Before I end the post, here’s wishing you all a very happy and a joyous new year! May all your dreams come true. God bless you! ūüôā

Red Rose 1980

December 31, 2009

Anand (Rajesh Khanna) lives a wealthy lifestyle in his palatial house in Bombay.  He has two man servants РShera (Om Shivpuri), the mali who is a very mysterious character and Chotu (actually nobody calls him by any name, so I just gave it for convinience) Рthe 16 year old bawarchi (whom Anand sends back to his village with some money for his education).

Every year on 12th October, which happens to be Anand’s birthday, he goes to the jail and distributes sweets and fruits to the inmates there.

On being asked by¬†Jailor Bhushan (Roopesh Kumar)¬†he says he comes there for humanity. There are so many people outside who are greater criminals than the ones in prison but just because they are not caught, they are termed innocent. And it’s not necessary that all those arrested are always guilty. Proofs and wintesses are not always true. Also says that his father was arrested and punished for no fault of his and he comes to meet the inmates out his his empathy for them.

Must say a pretty good-looking jailor. And the other guy is one of the prisoners who Bhushan gets introduced to Anand. Anand has a problem of remembering names. In a short conversation with Bhushan he calls him Roshan once and then Gulshan. He goes on to explain that in his line of business he comes across so many people with so many different names that he just can’t keep track of it but however he remembers people’s faces.

Anand owns and runs a business “Export India”. He’s in need of a Stenographer in office. There’s a¬† group of girls who have turned up for the itnerview. After interviewing them all he finally selects Chitra (Snehlata) for the post.

One fine day he accidentally bumps into Sharda (Poonam Dhillon) who works in Roop Saagar Clothing store. He goes to the store following her and finally buys a hand kerchief from her counter once he locates her.

He goes to the store everyday and buys a handkerchief from Sharda’s store.¬† And the looks he gives her….I had only seen the likes of Prem Chopra and Ranjeet eyeing the heriones this way. Sheila (Aruna Irani), Sharda’s friend is jealous of Sharda because she has such a good-looking customer coming to her counter everyday.

One day he comes to the store again but totally ignores Sharda¬† and goes to buy a vest from Sheila’s counter.¬† But on his way out he sees a book on Sharda’s counter, flips through the pages and sees Sheila written on the first page.

He calls the store and asks for Sheila (that’s what he thinks Poonam’s name is) and calls her to meet him at a park. When she says she doesn’t know who he is, he says he’ll be wearing a White suit with a Red Rose pinned to it. He waits for her at the park but is surprised to see Aruna there instead of Poonam.

Sheila is surprised as to who had called her there. She doesn’t come to work the following day and the Store Manager (Shammi) is worried. Since it’s her brithday Sharda says she will go to Sheila’s place and find out what happened to her.

Anand calls the the Store Manager (Shammi) to find out what time the store closes. He comes and waits outside the store just before it’s closing time and follows Sharda.

On her way to Sheila’s house, Sharda is almost hit by Anand’s car. He then offers her a lift and finds out that her name’s Sharda. She lives in¬†Mahatma Gandhi Road working girl’s hostel. And then he¬†proposes to her (must say in quite¬†a strange way) :

Anand : Raat ke sannate mein driver ke paas baithkar is tarah chup rahengi toh accident hone ka darr hai (If you sit so quiet, there’s a chance we might meet with an accident)
Sharda : Ji, main kya bolun (Hmmm….what do I say?)
Anand : Achha hum sawaal karte hian aap jawaab dijiye, thik hai? (I see. In that case I’ll ask some questions and you just answer them, ok?)
She nods her head
Anand : Hum baar baar aapke dukaan pe aate rahe, aapko bura toh nahin laga? (I kept coming to you store, didn’t you feel bad about it?)
Sharda : Ji nahin (No)
Anand : Dukaan par aane ke baad hum aaphi ke counter pe aate, rahe aapko bura toh nahin laga (I always come to your counter, don’t you feel bad about it?)
Sharda : Ji nahin (No)
Anand : Us din jaan pehchaan ke bager hi humne aapko tohfe mein rumaal diya, aapko bura toh nahin laga (That day I gifted you a hand-kerchief, didn’t you feel bad about it?)
Sharda : ji nahin (No)
Anand : Agar hum is waqt aap se yeh kehde ke hum aapse pyaar karte hai, aap ko bura toh nahin lagega? (Now if I say I love you, will you mind?)
Sharda : Ji nahin (No) It’s after she says that she realizes what he had said.
Anand : Sharda, I LOVE YOU (the tone in which he says that and the way he looks at her, I dont know what made her fall for him)

A song follows this conversation – Tere bin jeena kya

Sheila has disappeared but Sharda doesn’t seemed worried about it. She’s happy in her newly found love. When Anand is in a club one night, he thinks of how he had killed Sheila.

They go out pretty often after that and this song is in bits and pieces everytime they go out. One day while driving he’s unusually quiet and Sharda is surprised and asks him if everything is ok.


Anand : Jab insaan ki zindagi mein naya mod aata hai toh kadam uthane se pehle usse achhi tarah se soch lena chahiye (When there’s something new happening in a person’s life, he needs to think seriously about it)
Sharda : Zaroor soch lena chahiye (Definitely, one has to think)
Anand : Kisi naye kaam se pehle experience ka hona bhi zaroori hai (It’s necessary to have an experience before you start something new)
Sharda : Bahut Zaroori hai. Agar experience na ho toh bahut mushkil ho sakti hai (Ofcourse,it gets difficult without an experience)
Anand : Toh phir kahan chale. Samundar ke kinare, club, hotel ya kisi hill station (So, where do we go – Beach, club, hotel or some hill station?)
Sharda: Kya matlab? (What do you mean?)
Anand : Agle mahine hum dono shaadi kar rahe hai. Abhi se kuch experience ho jaye toh kya bura hai? (we are getting married next month. What’s wrong in it if we decide to have some experience?)
Sharda : Ji? (What?)
Anand : Nahin samjhi? (You didn’t get it?)
Sharda : Nahin (No). (Then after a while) Chheeeeeeeee….(love the way she says that) Jab dekho bas ek hi baat. Aur kuch nahin aata aapko? (Chhhhhhhhhheeeeeeeeee…That’s the only thing in your mind, don’t you know anything else?)
Anand : Aata toh bahut kuch hai lekin aap mauka de tab ta. Ek baat batao Sharda tum itne angrezi films dekhti ho, novels padhti ho, tumhe in baaton mein, mera matlab hai ke sex ki baaton mein zara sa bhi dilchasbi nahin hai?
(I do but you never give me a chance. Tell me one thing, you watch english movies, you read novels, aren’t you interested in sex at all?)

Chitra has also disappeared and her brother calls up Export India to check . But the Manager (Ram Sethi)¬†informs that she hasn’t come to work for days now.

Anand and Sharda get married at the Registrar of Marriages and he takes her home.

On the way he says :

Anand : Aaj hume jo naam pasand hai woh ek hi hai -Sharda (Today, there’s only one name that I like and that’s Sharda)
Sharda : Bhool toh nahin jayenge aap is naam ko? (Won’t you forget this name?)
Anand : Arey hum aapko bhool sakte hai, aapke naam ko nahin bhool sakte (I can forget you, but not your name)

And this dialogue hold quite a significance at the end of the movie ūüėÄ

Once home, he gets her introduced to Shera and Ghasitaram (the new Bawarchi). Then he shows her his father’s photo.

Sharda : Such a huge house and you have only 2 servants?
Anand : Socha toh yehi tha lekin baad mein irada badal diya. Jyada log honge toh bheed hogi aur mauka nahin milega (I felt the same but on a second note I felt with too many people in the house, it’ll get crowded and we wont get an opportunity)
Sharda : Kis baat ka mauka? (Opportunity for what?)
Anand : Ek hi toh baat reh gayi hai zindagi mein. Shaadi ke baad pati ka jo farz banta hai ussse fohren poora karlena chahiye (There’s only one thing left in life. After marriage, I have to immediately fulfill my duty as a husband)
Sharda : Ji nahin. Aap ka farz banta hai daftar ke kaam mein dil lagaye aur mera farz banta hai ke aapka dil lagane ke liye main bhi daftar mein aapka saath doon (Your duty is that you concentrate on your work at office and my duty is to help you do that)
Anand : Hum dono ka farz banta hai ke daftar mein double bistar lagaye (It’s our duty to put a double bed in office)
Sharda : Aapko bistar ke siwa aur bhi kuch soojhta hai ya nahin (Can’t you think of anything other than the bed?)
Anand : Thik hai agar aapko bistar pasand nahin hai toh aapke liye sofa laga denge (Ok, if you don’t want a bed, I’ll arrange for a sofa for you)
Sharda, I love you, isi liye hum tumhe jaldi se jaldi bistar wale kamre mein le chalenge (I love you, so I will take you to my bedroom first)

But she remains adamant about seeing the rest of the house. So  he takes her to his librabry.


Sharda : Baapre itni saari kitabein? Lagta hai aapko kitabe padhne ka bahut shauk hai (So many books??? Looks like you love reading)
Anand : Padne ka shauk toh pehle tha. Ab toh jo padhliya usse aazmane ka shauk hai (I liked reading, but now I prefer using all my knowledge in practice)
Sharda : Kya matlab? (Again after a pause)¬† Chee…yeh sab kya waisi kitabein hai? (So all these are that kind of books?)
Anand : Nahin sab ke sab waisi kitabein nahin hai, 2-4 doosri bhi hai (Not all, there are 2-4 other books as well)

Next he takes her to his games room. She sees a chessboard laid out, a carrom board, TT table. She’s surprised that he plays all thses games alone and challenges that she’ll beat him at them.
Sharda : What’s the fun if there’s no one to win or lose?
Anand : I can tolerate everything in life, but I cant tolerate someone else winning me
Sharda : Then you’ll have to lose for the first time in your life
Anand : Lose? With who?
Sharda : Me. I challenge you
Anand : Wait until dark. Shaam dhalne do, tumhe bhi pata chal jayega hamara khel. (Wait until dark then you will understand my game).

He takes her to a window and shows a room below saying that his dad lives in¬†that room. Long ago he had¬†gone to jail for no fault of his. He’s gone insane after that. And he¬†always shuts himself in that room and lives like a prisoner.

Finally he reaches his destination, takes her to his bedroom and says nothing can¬†stop him now. He’s even got the license to cross the lakshman rekha.

But the phone rings and he has to go to office because Chitra’s brother has come to see him. Chitra’s brother says that his friend, a waiter at a night club, had seen her with a boyfriend before she disappeared. And since he feels that the boyfriend¬†may be¬†from office, he has brought his friend along for identification. Anand tells his manager to help Chitra’s brother and show all the employees in the office but the waiter doesn’t find Chitra’s boyfriend.

Anand, peeps from his cabin door and sees the waiter.

In a series of flashback Anand recollects seeing the waiter when he had gone out for dinner with Chitra.

That night Anand goes to the same club in search of the waiter. He offers him some money and asks him to keep his mouth shut but when he starts increasing his demands and threatens to expose Anand, he kills him.

Back home Sharda cooks dinner for Anand and waits for him (all decked up) to come back home. She sings  Kiski sadayen mujhko bulaye.

Tired of waiting and hungry herself , she cuts an apple but cuts her finger in the process. The moment Anand’s cat smells blood, it pounces on Sharda and she runs around the house with the cat behind her heels.

When she finally manages to put the cat off her trail, she goes and stands by the window. It’s raining heavily outside. She sees water oozing out from one point in the garden forming¬†a fountain and feels the water pipe must have bursted. Suddenly she sees a human hand shoot out from the base of the fountain. Scared to death she goes running and reaches a room where she finds skeletons.

She also discovers that Anand had killed Sheila. In a series of flashback, Anand’s history is revealed.

A picture flashes through Anand’s mind everytime he sees a girl – A face and a pair of feet wearing payals.

Who is this girl? What does she have to do with Anand’s past? And why is Anand such a maniac?

This is Munna (Mayur Verma), Anand when he was young.

Why did Anand marry Sharda? Will Sharda be spared? Or does Anand kill her too? What had happened to Anand’s father? Was he¬† an innocent victim or was he really guilty?

I loved Rajesh Khanna’s performance – his portrayal as an arrogant, wealthy, short-tempered maniac who hates women.¬†Neither it’s a big mystery nor a¬†great love story. I have no idea how successful this movie was at box-office. It’s a zara hatke movie and that’s what I liked the most about it. I¬†also liked the way movie ended.

Had I seen this movie as a teenager when I was totally crazy about Rajesh Khanna and almost treated him like a god, when everything he did was more than perfect to me,¬† I don’t think I would have liked this movie. But today,¬†¬†though I am still extremely fond of RK, I’m more matured as a person and can differentiate the on-screen role from off-screen, I appreiciate good performance irrespective of what kind of a role it is (good or bad) – I really liked this film!

Most of the story doesn’t make much sense or may be it does, quite silly at times, and our hero is such a psycho, Poonam is good in the little space and time that she has. I¬†am surprised¬†to see ¬†a mainstream superstar¬†(though this was after his reign as a superstar was over) doing a role like this. But I was more surprised to see him talk so openly about sex! (such talks are usually censored even to this day or should I say till Dev D and Dil Kabbadi).