Posts Tagged ‘Nutan’

Ten of my Favourite Mukesh Songs

August 29, 2010

When dustedoff had done a post on Mukesh on his Birth Anniversary, this is what I had said :

“I don’t know how exactly to put my feelings for Mukesh in words….it’s kind of confusing. Not that I dislike him…he has a wonderful voice and he has sung some of my favourite songs. But I’ve never been a great fan of his either.
1. Majority, at least the most popular songs of his, are usually so sad and full of despair that I try avoiding them.
2. My dad is a big big fan of Mukesh….and he has some of the saddest songs ever in his collection
3. A cousin of mine had once told me that when someone gets hooked on to old songs, it usually begins with Kishore, then gets into Rafi mode and eventually ends up liking Mukesh better. And when I initially started listening to Hindi songs, it was Kishore Kumar’s. Now I’m in Rafi phase but I never want to get over Rafi. 🙂 Since half of his prediction came true, I guess I am scared of getting into the final phase.

Frankly speaking, I never gave it much thought, but looking back, I have been subconsciously avoiding Mukesh’s songs. Though I would like to believe that it’s because most of his songs are sad, I’m yet to figure out the real reason behind it. I agree that just because I like Rafi so much doesn’t mean I shouldn’t like any other singers. And that’s never been the case, in fact. I am extremely fond of Talat, Hemat, Manna Dey etc. Anyways, more thoughts on that later. When I discovered it was Mukesh’s Birth Anniversary today, and started thinking of his songs, I realized that I love quite a lot of them. I really wanted to do a post but was very very busy. I was kind of feeling guilty about it and was hoping somebody else would so that I could at least list down my favourite songs here in the comment section. But now I have changed my mind…like you quoted And for all those years I failed to recognise your genius : I am also going to dedicate a post to Mukesh Chand Mathur.”

It’s over a month since I said that and I have been listening to a lot of Mukesh’s songs since then. And before long I found out that  there are hundreds of his songs that I really really adore. Like dustedoff rightly said,  Mukesh is one of those voices that grows on you –  it has definitely grown on me. I have learnt to appreciate his singing better now.

I can completely relate to what Harvey had said :  “I started off as a Kishore fan, went through Rafi phase, came back to KK and then again to Rafi and now I luv both! Have turned bigamist 😉 and am regularly unfaithful to them with Talat, Hemant, Manna and Mukesh and not necessarily in this order!” And this is a blisfful state!

I just realized I am a polygamist and it’s indeed a blissful state! 😀 😀

After having consciously explored his songs regularly for over a month, it’s very tough to list just 10 songs of his. So, as usual I have put some filter criteria to make my job easier. As Mukesh was the voice of Raj Kapoor and Manoj Kumar, I am intentionally ruling out their songs. Or else I will end up listing only 10 RK songs or 10 MK songs.

With my newly found fondness for him, there’ll be many more posts dedicated to Mukesh in the months to come. Will cover some of his rare gems in my later posts. For this one, my focus is on songs he sang for the actors who were generally associated with other singers.

So, on his Death Anniversary (27th Aug), in fond memories of Mukesh, here are my ten favourite songs of his –

1. Kahin door jab din dhal jaye (Anand, 1971) : This is one of my all time favourite songs from my all time favourite movie. Out of the few songs that Mukesh has sung for Rajesh Khanna – Jis gali mein tera ghar na ho (Kati Patang), Maine tere liye hai saat rang ke (Anand), Haan toh main kya keh raha tha (Raja Rani), Kahin door jab din dhal jaye etc, this one tops my list. When he sings tabhi machal ke pyaar se chalke, chhue koi mujhe par nazar na aaye – I can actually feel the song caressing me. The deep longing in mere khayalon ke aangan mein koi sapno ke deep jalaye and the sense of loss in  kho gaye kaise mere sapne sunhere…yeh mere sapne yehi toh hai apne…is simply mindblowing. Touching lyrics (Yogesh), beautiful picturisation, soothing music (Salil) and sensitive and poignant rendition makes this song a masterpiece. Only Mukesh could build this atmosphere of a deep longing. I never tire of listening to this song.

2. Phool tumhe bheja hai khat mein (Saraswati Chandra, 1968) : It was the songs that tempted me into watching this movie. Had it not been for Nutan and the songs, I would never have seen it. Now that I’ve seen the movie, I would rather forget about it…it was a torture. But I still love the songs – this, Chandan sa badan and Main toh bhool chali. Another iconic chitthi song picturised on Nutan and Manish…it’s very sweet and overflowing with love. Penned by Indeevar, composed by Kalyanji Anandji and rendered by Mukesh and Lata, it’s beautiful in every sense,  one of my favourite romantic duets. Sweet lyrics, music with just the right ambience and listening to it one can feel the nervousness, anticipation and love in it. This shows the level of involvement that everybody has put in creating this gem.

 3. Yaaron surat hamari pe mat jao (Ujala, 1959) : A delightful Mukesh-Rafi duet brimming with bromance – both in singing and in picturisation. It’s the carefree attitude with which these two dashing dudes – Raj Kumar and Shammi Kapoor run around and jump and dance and sing to this song that it scores over Duniyawalon se door for me from the same movie. Shailendra’s lyrics and Shankar-Jaikishan’s tunes are simple and sweet. It’s an absolute delight listening to and watching this song!

4. Kisi nargise nazar ko (Main Nashe Mein Hoon, 1958) : The fun quotient in this song is simply superb. Maruti dancing to Hasrat Jaipuri’s lyrics and Shankar-Jaikishan’s music, this lovely song somehow reminds me of Lakhon hai nighahon mein. I first heard this song on Vividh Bharati. And was pleasantly surprised to hear Mukesh singing a fun song!

5. Chal ri sajni ab kya soche (Bombai Ka Babu, 1960) : Picturised on Dev Anand, Suchitra Sen, Nasir Hussain and Achala Sachdev, it’s one of the most emotional songs ever. Mukesh has never been more suited to a song…there’s so much emotion in his voice – it looks like the song was tailor made for him. Majrooh Sultanpuri’s lyrics, SD Burman’s composition, Mukesh’s rendition and the vidai scene…everything is just perfect!

6. O jaane wale  ho sake toh laut ke aana (Bandini, 1963) : Very rarely did SD Burman use Mukesh. But when he did, the affect was truly magical and soul-stirring. Chal ri sajni and O Jaane wale are two such live examples. I love Mukesh’s voice here. Shailendra’s lyrics is touching and SD Burman’s music is classic. This song has something extremely melancholy and a sense of deep longing about it – something which only Mukesh could create. It takes me into a trance. Picturisation is equally beautiful.

7. Aaya hai mujhe phir yaad woh zaalim (Devar, 1966) : Another gem of a song picturised on my favourite jodi – dashing Dharmendra and enticing Sharmila. His rawness and her sophistication – simply an amazing combination. And Mukesh’s pathos leaden voice adds to the magic. When I first saw this film, it was Kaajal wale nain that stole my heart away but the next time I saw it, it was this song that captivated me. Fabulous composition from Roshan. Anand Bakshi’s childhood beckoning lyrics , Mukesh’s rendition, Dharmendra and Sharmila’s story in the movie everything put-in together, really takes me back to those carefree childhood days.  

8. Sambhal ke karna jo bhi karna (Ek Phool Char Kaante, 1960) : Each song in this movie is a masterpiece. And I had a real tough time choosing one. But the Shammi-Rafi-sque feel of this song just wins over the rest for me. A beautiful flirtatious melody picturised on Sunil Dutt and Waheeda Rehman. You can feel both Mukesh and Sunil enjoying the song to the fullest singing and portraying it.

9. Tu kahe agar (Andaaz, 1949) : Suhana safar aur yeh mausam haseen, Dil tadap tadap ke and Yeh mera deewanapan hai are more popular Mukesh songs picturised on Dilip Kumar. And I do love all these songs. I haven’t seen Yahudi yet, and the Madhumati songs are too popular. So my vote goes for Tu kahe agar.  Mukesh’s voice brimming with love and Dilip Kumar’s expression singing it onscreen as Nargis leans over his piano, it’s just amazing! Also, it’s one of those few compositions of Naushad that has Mukesh as the playback singer. Majrooh’s lyrics is very sweet and romantic.

10. Dil jalta hai toh jalne de (Pehli Nazar, 1945) : This is a historic song…historic as in, it brought Mukesh to limelight. It was his first hit song. It’s a known fact that it was Motilal who first noticed Mukesh and brought him to Bombay. He got his break as a playback singer in 1945 with the film Pehli NazarDil jalta hai toh jalne de was composed by Anil Biswas and lyrics penned by Aah Sitapuri. It was incidentally picturised on Motilal himself. He was such a big fan of K. L. Saigal that in his early years of playback singing he used to imitate his idol. He does sound so much like Saigal here. In fact, it is said that when K. L. Saigal first heard this song, he said “That’s strange, I don’t recall singing that song”.

It’s ten songs already. And I had so many other songs in my mind 😦

Dekho mausam kya bahar hai, khayalon mein kisike,Tumse hi meri zindagi, waqt karta jo wafa aap hamare hotey, Mein to har mod par thujko doontha chala, Gardish mein ho taare, Yeh sehar bada albela, Mile na phool, Kabhi kabhi mere dil mein, Jinhe hum bhoolna chahe, Kahin karti hogi woh mera intezaar, Tere hothon ke do phool pyaare pyaare, Oh re taal mile, Yeh kaun chitrakar hai, Hum toh tere aashiq hai, Aye dil na mujhse chhupa, Mujhe raat din yeh khayal hai, Jaaoon kahan bata aye dil, Tum ruthi raho main manata rahun etc….

For someone whom I have subconsciously ignored all these years, I spents hours devoted to him on the eve of my birthday. And now that I have finally done a post on him, I am feeling really very happy! 🙂

May your soul rest in peace Mukesh Chand Mathur! Though quite late in life, I have finally realized how much I love your voice.

Ten of my Favourite Madan Mohan Songs

July 14, 2010

Madan’s music was characterized by his immense ability to meld elements of Indian and Western classical music into a new style of Hindi filmi song. He had a keen and sensitive ear for the nuances of Indian classical tunes, and combined them with elements of Western music such as harmonies to produce a style of music that could be appreciated by both classical music aficionados and the common person alike.

As this day, 14th July 2010,  marks 35th Death Anniversary of this Music Director, here are some songs of his that I adore the most. Majority of Madan Mohan’s songs were sung by Lata mangeshkar and all these songs have a certain magic and sweetness to them that few music directors, if any, have been able to recreate. And though I am more of an Asha fan (not that I don’t like Lata, it’s just that I like Asha more), I love all the songs of Madan-Lata duo. 

1. Hoke majhboor mujhe usne bhulaya hoga (Haqeeqat, 1964) : It’s such a beautiful composition – touching lyrics by Kaifi Azmi, haunting music, amazing rendition and  picturization that would bring tears into your eyes. A true masterpiece!  This song also happens to be the only song in which four top-rated male playback singers – Rafi, Talat, Manna Dey, and Bhupendra have put their voices together.  Bhupendra appeared on the screen in this song as well for the first time. This song is believed to be the inspiration behind another Bollywood hit, Sandese aate hai from the film Border. Each song of this movie is a beauty in itself – Kar chale hum fida, Masti mein chhedke tarana, Zara si aahat hoti hai but Hoke majhboor remains the most special one.

2. Lag jaa gale ke phir yeh haseen raat ho na ho (Woh Kaun Thi, 1964) : Madan Mohan’s most successful venture was Raj Khosla’s Desi version of Woman in White, titled Woh Kaun Thi?. This film has three Lata solos Naina barse rim jhim rim jhim, Lag ja gale and Jo humne daastaan apni sunayi and a duet, all of which have transcended time and are still heard and applauded with the same enthusiasm today. This is such a divine song – awesome lyrics, mesmerizing music and beautiful voice. Truly amazing! And then Sadhna and Manoj Kumar. I have always  loved Sadhna but I feel  she looks her best here – stunning and enticing. Sadhna, to me, is the epitome of beauty, charm and grace. She is my all-time favorite actress. And Manoj Kumar in the movies prior to the patriotic era has a different appeal altogether…a very handsome man!

3. Main toh tum sang nain milake (Man Mauji, 1962) : This is one of my dad’s favourite songs. When I watched this movie I had no clue as to what songs it had. I had heard the songs but never knew the name of the movie. So I was delighted to hear Zaroorat hai zaroorat hai, Chanda ja re ja and Main toh tum song. I don’t remember the story but I had liked it back then just because of the songs and Sadhna! Personally I like Chanda ja re jaa (it’s such a beautifully executed song) much better but this one’s for dad. 

4. Maine rang li aaj chunariya (Dulhan Ek Raat Ki, 1967) : Being an ardent Rafi fan, I  love Ek haseen shaam ko the best from this movie but I had already included that in Dharmendra special post. So here’s another lovely number from the same movie, this time in Lata’s voice. Nutan’s another favourite actresses of mine. I had seen this movie (not the full movie though) long ago and I had read Thomas Hardy’s Tess also almost over a decade ago, so don’t remember much of both but ever since I read yves’s take on it and the parallels drawn between the movie and the book, I’m dying to re-read the book and re-watch the movie. I actually don’t remember seeing this song while watching the movie. But as always I later on heard it on Vividh Bharati and liked it. It’s a very cutely composed song. Though it goes little beyond my liking lyrically with charano mein piya tere swarg basaye teri daasi part, I love this song for it’s music and vocal delivery and then the rest of the lyrics.

5. Betaab dil ki tamanna (Hanste Zakhm, 1973) : This is another movie with nice songs. Be it Aaj socha toh aansu bhar aaye, Beetab dil ki, Tum jo mil gaye ho, Yeh mana meri jaan – all are very different from one another but they share one thing in common that they all are very beautifully written, composed and sung. Inspite of the rather funny green outfits that both Priya Ranvansh and Navin Nischal are wearig and Priya’s  gold jewellery that doesn’t quite go along with her costume, I like this song a lot. There’s something very mystic and haunting about it. Hanste hanste rode hum itna bhi toh hansao na – is my favourite line.

6. Nainon mein badra chhaye (Mera Saya, 1966) : Jhumka gira re, Tu jahan jahan chalega, Nainon mein badra chhaye, Aap ke pehloo mein aa kar …. each song is a timeless classic, each with a charm of its own. This song is eeirie yet soothing and calm but yet can give you goose bumps. What a beautiful beginning and the magic just continues throughout!!! And it’s so beautifully shot. This film was unique because of Madan Mohan’s  music, Lata’s divine voice and Raja Mehdi Ali Khan’s phenomenal lyrics. Madan’s favourite lyricists were Raja Mehdi Ali Khan, Kaifi Azmi, and Rajinder Krishan, but Sahir Ludhianvi and Majrooh Sultanpuri also collaborated with him on a few movies. The Madan-Raja pairing in particular produced the classic Aap Ki Nazron Ne Samjha from the movie Anpadh. Among the many admirers of the song was the legendary Naushad who reportedly said, “Let me have this ghazal and take all my compositions in return” upon hearing it.

7. Milo na tum toh (Heer Ranjha, 1970) : The film is unique in the fact that the entire film and its dialogue is in verse, Kaifi Azmi, the man behind the verse dialogue. But somehow I didn’t like the movie much. May be it’s because I had heard so much about it that I had set my expectations too high. I find other movies of Chetan Anand more remarkable (read Haqeeqat and Aakhri Khat). But I like this song a lot – the sweetness and innocence clubbed with the Punjabi flavour – amazing combo and not to forget Raaj Kumar’s dance!

8. Yehi hai tamanna (Aap Ki Parchhayian, 1964) : This is another movie I want to watch again. When I first saw it as a kid, I hadn’t heard any of the songs before, so I didn’t really care for it. And back then there was no youtube to explore the songs. But now that I have fallen in love with all the songs, I want to see the movie again. Even if the story isn’t all that great, I would be happy just looking at Dharmendra. Again, I had included Main nigahen tere chehre se for Dharmendra special post. Hence it’s another song this time. This has a Lata number too – Agar mujhse mohabbat but I love Dharmendra’s dance in Yehi hai tamanna…it’s  so very cute that I couldn’t resist myself from choosing this and it’s Rafi singing for Dharmendra! There’s another peppy and cute song in this movie – Kabhi ithlake chalti ho which is a Rafi-Asha duet.

9. Har koi chahta hai (Ek muthi Asmaan, 1973) : Madan did not usually employ Kishore Kumar, as his tunes were complex classical-based compositions and Kishoreda had a singing style of his own. But there are few songs they have done together and this is one of them. This song appears 3-4 times in the movie. One part of it is picturised on legendary Pran saab and that happens to be my favourite part. Vijay Arora spoils it for me. He’s cute to look at but the way he jumps around and tries to dance to this song is pathetic. If only he could emote and act a little better! It’s a very sweet song and philosophical at the same time. It never fails to soothe me. By the way, how many songs did Pran get to lip-sync? I can only think of Hum bolega toh bologe ki bolta hai, Yaari hai imaan mera and this at the moment.

10. Do pal ruka (Veer Zara, 2004) :  In 2004, Madan’s unused tunes were recreated by his son, Sanjeev Kohli, for the Yash Chopra blockbuster Veer-Zaara. The lyrics were written by Javed Akhtar, and Lata Mangeshkar was invited to once again sing the majority of the melodies composed by her dear friend. Not that I ran out of oldies but I am including this song just to show that Madan Mohan’s music, composed more than 30 years ago is accepted and applauded by the crowd with the same enthusiasm even today.

Madan Mohan was also called the King of Ghazals. If any composer had utilised the ghazal andaz of Mohammad Rafi to the best of his potentiality it is Madanmohan.  Aap ke pehloo mein aa kar, Teri aankhon ki siwa duniya mein, Ek haseen shaam ko, Tumhari zulf ki saaye mein shaam kar lunga etc are the few among them. But for a change I concentrated more of songs sung by Lata today. Saving Rafi’s gems for some other day 🙂

He aspired to becoming an actor but ended up directing music! Hats off to this great man for the lovely tunes he composed. May his soul rest in peace.

Today also happens to be the Birth Anniversary of Roshan. It’s already too late to do another post now. So here are few songs of his that I can think of at the moment – Ek toh surat pyaari, Jo baat tujh mein hai teri tasveer mein nahin, Paao choo lene do, Zindagi bhar nahin bhoolegi woh barsaat ki raat, Baaharon ki manzil rahen, Laaga chunri mein daag. Oh re taal mile nadi ke jal mein, Rahe na rahe hum.

 

My Tribute to Raj Kapoor

June 1, 2010

Raj Kapoor, also known as the show-man of the millenium, was a legendary Indian film actor, producer and director of Hindi films. As 2nd June marks his death anniversary, this is a small tribute to this great man from my side. May his soul rest in peace!

Raj Kapoor was a canny judge of filmi music and lyrics. Many of the songs he commissioned are evergreen hits.  I had heard somewhere that Raj Kapoor still remains an Institution for Directors, an Inspiration for Music Directors and an Idol for all the actors.

I have mixed feelings about his portrayal of a tramp-like figure in many of his movies, who, despite adversity, was usually cheerful and honest (I adore his character in Anari, but then it gets on to my nerves as well at times coz it’s so out-of-this-world and I find it pretty repetitive too). I love him better in other roles like Chori Chori, Bewafa, Sharda etc.

With all due respect, and like I always keep saying, no matter how much I like and respect Raj Kapoor as an Actor and a film-maker, I avoid re-watching his movies. They hit me too hard emotionally, morally and socially.

But he really had a taste in music. All his movies had fantastic songs. And without getting into further details, let me list some of his songs that I like the most – there are many but these are the first ten that came to my mind :

1. Mera joota hai japani (Shree 420, 1955) : Raj Kapoor produced, directed and acted in this blockbuster. All the songs from this film were big hits  esp. Dil ka haal sune dilwala, Ichak dana beechak dana, Mud mud ke na dekh, Pyar hua ikraar hua, Ramaiya vastavaiya. Raj Kapoor’s display about the corruption in society with the adaptation of mannerism of Charlie Chaplin amused the viewers. And this is one of his signature songs.


2.  Aawara hoon (Awara, 1951) : This movie was based on the theme that human being is a victim of circumstances. It’s not necessary that a barriseter’s son grows up to become a barrister and a theif’s son a theif. I like the Dum bhar jo udhar as well, but this is another signature songs of his.

3. Woh chaand khila woh taare hanse (Anari, 1959) : All the songs in this movie are amazing. Kisi ki muskurahaton pe and Sab kuchh sikha humne are more of typical Raj Kapoor songs, but I somehow like this one better. The way he stands with the flower in his hand, trying to put it on Nutan’s hair, the innocence on his face and dont know what to do next expression. – simply superb!!!Only the opening verse has Raj singing just one line, the rest of the song is Nutan’s but he’s still so dominantly present throughout the song.

4. Ae sanam jisne tujhe (Diwana, 1967) : One of my favourite songs…there’s something very innocently true and cute about this song. The lyrics, music and perfect rendition  go hand in hand so well.

5. Jaane kahan gaye woh din (Mera Naam Joker, 1970) : Though Jeena yahan marna yahan and Aye bhai zara dekh ke chalo were more popular, it’s this song that gives me goose-bumps everytime I listen to it. What a great composition this was! It more or less summarizes the story of the movie. I usually end up with tears in my eyes when this song ends.

6. Aaja sanam madhur chandani mein hum (Chori Chori, 1956) : My all time favourite movie of Raj Kapoor and the only movie of his that I love watching again and again. This was another musical blockbuster – all the songs were superb.

7. Dil matwala lakh sambhala (Bewafa, 1952) : This movie is one of my recent discoveries and I have fallen in love with this love-triangle. I am usually not very fond of movies with tragic endings…I prefer light-hearted, romantic,  timepass movies, but this one’s an exception. Serious as it is, it’s a very beautifully handled story laced with pretty songs – and it feels rather good to hear somebody other than Mukesh and Manna Dey singing for Raj Kapoor. Talat Mehmood was amazing in this one.

8. Sajan re jhooth mat bolo (Teesri Kasam, 1977) : This is a gem of a song from the awesome fivesome – Raj Kapoor, Mukesh, Shailendra, Shankar and Jaikishen. These five have given us so many unforgettable numbers,  this being one of them – with a spiritual touch.

9. Jap re preet ki mala (Sharada, 1957) : This movie had a power-packed performance and I liked most of the songs – O chaand jahan woh jaye (which I had mentioned about in Meena Kumari special post), then this one where Raj Kapoor tries to woo lovely Meena Kumari and there’s one more cute song in this film – Lehraye jiya, picturised on gorgeous Shyama. But guess I’ll keep that for Shyama special post. But storywise, I actually didn’t know how to react to this movie, I have been in a state of shock ever since I have seen this film. Had wanted to do a post on it for Meena Kumari’s death anniversary but couldn’t. Let me see if I can review this film some time soon.

10. Masti bhara hai samaan (Parvarish, 1958) : This is such a care-free romantic duet. I love everything about this song – Raj Kapoor, Mala Sinha, Lata and Manna Dey’s rendition, Hasrat Jaipuri’s lyrics, Dattaram’s composition and it’s picturisation.

I have this thing for the Kapoor men, no matter how much I try (not that I want to) but I just can’t dislike them. I simply love all of them – right from Prithvi Raj Kapoor to Ranbir Kapoor!
 
It happens to be Khwaja Ahmad Abbas’s death anniversary today. Thanks to Vividh Bharati and Yunus Khan  for bringing it to my notice. I was tuned into Vividh Bharathi on my way back home and when Awara hoon played on Aaj Ke Funkaar (@ 9:30), I was wondering why they were doing a Raj Kapoor special program today itself. And then Yunus said that this episode was dedicated to a writer, this made me think it was probably dedicated to  Shailendra and then he finally revealed that it was Khwaja Ahmad Abbas, who he was talking about. Though unknowingly, I had already included songs from some of his films (films that he has written) in my list – Awaara, Shri 420, Mera Naam Joker. And I am glad I had done that.
 
 
And it was Prithviraj Kapoor’s death anniversary on 29th May but I couldn’t do a post on him  😦 That’s on my to-do-list for this weekend.
 

Baarish (1957)

February 25, 2010

I watched this movie on Valentines day, but was too occupied to put it up here. I truly adore the lead pair of Nutan and Dev Anand, and this movie has some nice songs…these two reasons were more than enough for me. But I had no idea as to what the story would be like. Fortunately or unfortunately, internet was down that day, so I couldn’t even read the review before watching it. But now, I’m glad I didn’t because the review on imdb is not quite true and if I had read it I would have never watched this movie on that day.

Before I start with the story, this movie has nothing to do with Baarish…and if I remember correctly, there was not even a single rain/baarish scene in the entire movie (at least in what I saw, don’t know if there was anything in the deleted/edited parts). But it does begin with this statement –

Translation : Just like how the rain washes away the dirt and brings along new hopes, honesty and sincerity wipes away crime. The story of Baarish begins and is  set against a village backdrop where crime is a way of living.

Gopal (Nana Palsikar) works for Boss (Jagdish Sethi?).

On an errand for Boss, Gopal flees leaving the maal behind when police turn up and goes into a hiding. Ramu (Dev Anand), Gopal’s brother is pretty bossy with the other guys in the chawl. After a petty clash with some guys, where he’s rescued by Mohan (Anwar Hussain), he goes singing Dane dane pe likha hai . Don’t know why but Ramu is obsessed with Kabootar (Dove). He even has a pair of them sticking out of his pockets 😉

He doesn’t know for sure what his brother does, but he knows that he works for Boss and has a hunch that Boss is upto no good.Gopal comes home after a few days. Ramu, who was pretty worried about Gopal’s disappearance, is delighted to see him and the brothers sit down to have dinner.

But before they finish, two of Boss’s men come with a message for Gopal. Gopal goes to meet Boss, who’s furious with him for messing up the deal. Gopal tells him that he’s fed up of such work and doesn’t want to work for him any more. He wants to leave the world of crime and do something legal to earn a living.

But Boss gets him killed. Ramu sees a person stabbing Gopal and feels that Boss is behind Gopal’s death and goes to tell him that he’ll take revenge.

Boss, orders Mohan, one of his employees and Ramu’s best friend, to talk Ramu out of it or else he will have to kill him as well.

He goes to meet Ramu and tries to calm him down. Mohan get s aletter from home. He shows it to Ramu but since Ramu can’t read or write (yes, inspite of being city bred, he’s an illitrate) Mohan reads it himself and tells Ramu that his father is ill and they owe lots of money to villagers. As he’s busy himself and can’t make it, he asks Ramu for a favour – to go to the village and give some money to his parents. Ramu refuses at first but at the end he agrees to do as Mohan says and he sets out for his village.

And the moment he enters the village, there are lots of village belles hitting on him and there’s a little broad-daylight teasing.

Unable to locate Mohan’s house, and with all those girls worrying him, he gets frustrated. And that’s when Chanda (Nutan) calls him from a tree top.

He ignores her and keeps walking. There’s a fun song Yeh muh aur daal masoor ki (love the faces that Chanda makes in this song). He loses his patience by the time the song ends and they both get into a fight. A passer-by comes and helps him by showing him the way to Mohan’s house. But Chanda hears him asking for Mohan’s address and tries to divert him. She is none other than Mohan’s sister and thinking it’s someone who they owe money to, she goes home and scribbles “Sab Kaashi gaye hai, saal bhar baad lautenge” (All have gone to Kaashi and will return back only after a year) on the wall of their house. Then she locks the door from outside, goes into the house (don’t know how she manages to do that) and waits for Ramu to leave.

 But Ramu doesn’t know how to read or write, he tries hard to figure out what’s written but in vain and at the end he concludes that it has to be – “Mohan Lal ke pita Girdhari Lal ka makaan” (Mohan La’l’s father Girdhari Lal’s house). So he sits at the doorstep waiting for someone to come home.

He hears a Kabootar cooing and that brings a broad smile on his face.

He climbs the wall to catch the Kabootar. It flies aways but he discovers something else.

It doesn’t take long for him to figure out what Chanda has been upto. Furious, he breaks the door open and enters the house just in time to see  Girdhari Lal passing away. But just before he dies, assuming that it’s his son Mohan, Girdhari makes him promise that he’ll look after his wife and daughter. Delirious as he is, he can’t even recognize that it’s not Mohan.

But Ramu has no intention of taking up their responsibility. He’s all set to return to the city when Maa (Lalita Pawar) insists on coming with him. She emotionally blackmails him saying that Mohan is all they have now and if only he could take them to Mohan, they would never trouble him again. He agrees to this on a condition that Chanda stays away from him or else he would kill her and not even be sorry for it.

After coming back, he first goes to Mohan’s house but soon finds out that he has been arrested for a theft. He goes to meet him at the prison.

He goes and pleads the inspector to lock him up instead and let Mohan go! But that doesn’t seem to work. Also, Mohan doesn’t want his mother and sister to know what he’s been upto. So, unwilligly Ramu lies that Mohan is out of town and takes them to his house.

Chanda keeps cribbing so much – the house is so small and untidy, if her brother had been there she would have lived like a princess etc etc…Ramu gets so irritated and they keep fighting all the time (but their fights are cute).  Inquisitive neighbours peep in to ask Ramu who they are and where they’ve come from, if he’s married to the girl and their questions just go on and on…

When Ramu goes out to buy grocery, Chanda goes out to get water and the other guys in the neighbourhood worry her and sing Zulf hai (quite a funny picturisation). He returns just as the song gets over and when he sees what’s going on, holds her hand and drags her to the house. And yes, she keeps screaming and telling him to keep away from him.

I don’t know what happens in between –  how they reconcile. In the next scene they are sitting on the terrace singing praises and admitting their love for each other followed by a song Kehte hai pyaar jisko.

As expected, people around start gossiping all the more after they see the two of them singing and dancing on the terrace. Maa and Chanda both feel that the only way to end all this is to get Chanda married to Ramu.

But Ramu refuses to marry her. He feels he’s illitrate and jobless and that Chanda deserves someone better. At this, the mother-daughter duo decide to leave the house and go back to their village. Ramu tries to stop them but they just don’t listen to him. Finally, this is what he says to stop them from going back (can’t help laughing thinking of Chanda’s expression).

Boss tells Ramu that he would sponsor his wedding – so what if Gopal is not there, he’s always seen Ramu as his own brother and as long as he’s around Ramu will never have to worry about anything. Ramu is very  grateful and promises Boss that he would do anything for him in return for this favour.

Chanda and Ramu get married, but just as the ceremony gets over, Ramu is summoned by Boss.

Boss and Harya (Madan Puri), his assistant,  have setup a trap to kill Ramu.

When Chanda hears of Ramu’s death there’s a sad version of Kehte hai pyaar jisko.  And she goes to commit suicide herself.

Will Ramu survive the attack? What happens to Chanda and Maa? Will Mohan ever be released from Prison? Will Boss get caught for all his misdeeds?

On the whole it’s a nice movie. Loved Chanda-Ramu fights and their romance. And the songs, Kehte hai pyaar jisko and Phir wohi chaand. It was nice to see Dev Anand roaming around shirtless/ with his shirt unbuttoned even when we was wearing one 😉 (Now I know where Salman Khan got his inspiration from). I had read somewhere that he was a big sensation in those days, one of the most good looking stars and women went gaga over him. Wonder what effect this had on them.

There were couple of other songs in the movie : Hum toh jaani pyaar karega and Mr. John ya Baba Khan ya lala Roshanadan.

The supporting cast included quite a lot of actors but sad that they hardly had anything to do –

Lots of people and that too people with potential but all these people were hardly used. Lalita Pawar in such a bechari role (forget bechari, there’s hardly any substance in her role) , I somehow couldn’t digest; same with Madan Puri. Kumkum and Mehmood just make an appearance in 2 scenes, Helen in one dance, Nana Palsikar for around 5 mins.

One thing that’s given lots of importance is Kabootar 🙂

It’s neither very evil nor very preachy. It’s pretty entertaining and if I had to rate it, I would give it 6.5 on 10.