Posts Tagged ‘Madan Mohan’

Ten of my favourite Shyama songs

June 11, 2011

Shyama was one of the most beautiful actresses to have graced the screen. She was charming, gorgeous, lively, expressive and there was something very refreshing about her.

It was her birthday on 7th June. Though a little late, here’s wishing her a very Happy Birthday!!!

Her real name was Khurshid Akhtar. Shyama, her screen name, was given to her by Guru Dutt.

I haven’t seen many movies of hers, apart from Bhabhi. Chhoti Behen and Sharda (And she has a bit of grey shade to her character in all these movies). But I love most of the songs picturized on her.

Shyama and Geeta Dutt  – This is one deadly combination. Geeta’s voice suited Shyama’s vivacious-ness so well. Not that I am restricting my list only to this jodi but couldn’t help mentioning it.

1. Ae dil mujhe bata de (Bhai Bhai, 1956) : I didn’t want to include this song in this list as it had already featured in my Geeta Dutt special post. But I couldn’t help it, simply couldn’t move ahead without this one. It’ one of my all time favourites! Ae dil mujhe bata de tu kispe aa gaya hai, woh kaun hai jo aakar khwabon pe chha gaya hai…They say you are in love when kuch kuch hota hai… Hmmm, let me rephrase that – they say you are in love when somebody walks into your life, starts being a part of your every dream, when your every thought begins revolving around him/her and changes your life forever without you even realizing it and you dont mind when you do. And it’s also believed that love makes life beautiful. Filmy symptoms of being in love – You don’t feel hungry, you turn into an insomniac, you’ll suddenly start finding friends in stars and the moon, you smile to yourself, you day dream, you sing songs and dance like noone’s watching.  Well, this song has all of these ingredients and a lot more. The joy of feeling that attraction towards somebody…a tug at the heartstrings is so beautifully expressed in this song. Shyama, bright and glowing, her expressive eyes dreamy and dancing along with her – her happiness  so obvious. Geeta sounds equally happy, even in her plight of not knowing who exactly has taken over her heart. They are in such perfect sync with each other.  I thoroughly love listening to this song and watching it. And Ashok Kumar’s amused expressions are to die for!

2. Dekho woh chaand chhup ke (Shart, 1954) : This movie had very nice songs. After debating over Na yeh chaand hoga and this, I finally chose this one. Very very romantic. Shyama and Deepak pledging their love for each other under the moonlight. Though the video is little melo-dramatic, especially the beginning where Deepak is so nervous,  the song is very sweet – Hemant Da’s voice renders the soothing and subtle effect to it. I love the way Lata sings “Hum ho gaye tumhare….” and Shyama’s response to “Aisa naa ho ke humko raste mein chhod jao, Jaa kar kahin kisi ki duniya nayee basao” …her denial, the brief shake of her head, so brief that one would almost miss it and the smile that follows with the last antaraa. …

3. Lehraaye jiya balkhaye jiya (Shaarda,1957) : Well, Shyama was definitely very fond of dancing all around the house. She uses the space (covers the stage) very well while dancing and I find her pretty graceful as a dancer. She in fact flows with the song…in a state of joyful exuberance.  She’s singing with joy when she gets to know that she’s getting married to Raj Kapoor, who she’s always been in love with. I think I am not wrong about the plot. I went into a shock after watching this movie, so dont remember things very clearly. It’s Asha singing for her here to Chitalkar’s composition.  Shyama also won Filmfare Best Supporting Actress Award for her role in this movie.

4. Yeh  lo mai haari piya (Aar Paar, 1954) : Though Shyama is confined to a car here and can’t dance,  her priceless expressions and her eyes do such complete justice to the picturization of this timeless classic and Geeta Dutt’s flawless rendition. Guru Dutt is great playing hard to get…but for how long can he resist the magic?  It was so difficult to choose just one song from this movie…it’s a true musical treasure house.  I almost chose Jaa jaa jaa bewafaa, though sad it’s such a beautiful song. But finally I settled for this one. It’s very entertaining and one of it’s kind. All of them – OP Nayyar, Geeta Dutt and Shyama are at their stunning best!

5.  Do naina tumhare pyaare pyaare (Shrimati ji, 1952) : Here we have dashing Nasir Khan and young Shyama dancing to a peppy and a romantic duet. I recently came across this song and fell in love with it. Geeta Dutt and Hemant Kumar sound so good together in this. And Jimmy’s composition is awesome  – it’s a simple, sweet and a catchy song. Geeta Dutt’s singing suits Shyama’s chulbulapan so perfectly.

6.  Achha ji maaf kardo (Musafir Khana, 1955) : OP Nayyar’s composition again, rendered by Rafi saab and Geeta Dutt for Karan Diwan and Shyama. Shyama is dancing again in the garden, doing her trademark steps. I especially like the way she actually counts on her fingers to  “Dil par jo teer chalaye unka hisaab kardo” at 1:20 and the way she pats his arms to the same line at 2:56. The last antara would have been so much fun to watch if Karan had shown little more attitude. Everytime I see this song, how I keep wishing it had Shammi Kapoor or Dev Anand or Guru Dutt in it. There’s one more track in the movie Dil de daala which I am very fond of.

6. Mujhe mil gaya bahana teri deed ka (Barsaat Ki Raat, 1960) : Simple and a delightful song. Shyama dancing yet again singing her gratitude to the moon for bringing her so much happiness. She looks so radiant, like a chaand-ka-tukda herself. I had seen this movie very long ago, during the good old Doordarshan days. I don’t remember much of the story, apart from Zindagi bhar nahin bhoolenge and a part of Madhubala-Bharat Bhushan love story. I need to watch this movie again, at least for its songs and for Shyama and Madhubala. Phew, there are so many movies to watch and so many to re-watch!

7.  Saiyan pyaara hai apna milan (Do Behne, 1959) : A very beautiful romantic song picturized on Shyama and Rajendra Kumar. I love the sets, it’s such a beautiful room. And Rajendra Kumar and Shyama make a very wonderful couple. The song, it’s picturization is so serene. And it somehow reminds me of Chhupa kar meri aankhon ko and Ek tera saath hum ko do jahan se pyaara hai.

8. Tumse hi meri zindagi (Apna Ghar, 1960) : Pretty Shyama and handsome Premnath pledging their love for each other. Geeta Dutt and Mukesh sing for them. The prelude is pretty fast and peppy but the song slows down once the mukhda begins. I just realized that all the songs so far have been extremely romantic. It wasn’t intentional but I’m a sucker for romantic songs, so can’t help it. Let me try, at least, try to end the post with two not-so-romantic songs 😉

9.  Tabiyat thik thi aur dil bhi bekraar na tha (Mirza Sahibaan, 1957) : Tabiyat thik thi aur dil bhi bekraar na tha, yeh tab ki baat hai jab kisi se pyaar na tha. Such a melodious song, though a little sad. Sardul Kwatra’s composition is awesome and Lata’s rendition flawless, as usual. For a change Shyama is not dancing with joy. This song is a true example of being helplessly in love. If only they had shown a glimpse of Shammi darling…sigh!!!!

10. Tumhe husn deke (Jabse Tumhe Dekha Hai,1964) :  I hadn’t set any rules for choosing the songs for this post, I just went with the flow –  flow of listing down which ever song came to my mind but I was still focussing on solos and duets.  And now, since I couldnt get a glimpse of Shammi Kapoor in the previous song, I had to include this one. Few days ago I had mentioned in dustedoff’s post that anything with Shammi Kapoor would qualify for my every post. So, here it goes! A terrific qawali picturized on Shyama, Kumkum, Shammi Kapoor, Shashi Kapoor, Om Prakash, Bhagwan and many more.  – one of the most flamboyant qawalis I have ever come across. Fabulous song, glamorous starcast, great dance and all wonderful people…aur kya chahiye, hai na? 🙂

Chhupa kar meri aankhon ko and Oh Chaand jahan are two of my favourite songs but they are not a part of this list as I had already included them in my earlier posts.

There’s one more song that I recently heard on radio and have been dying to get my hands on it’s video. Dil unko utha ke de diya from Baap Bete. I am head over heels in love with this song, but as the video is not available, I decided to put it in the extras. The first 2 lines of the song is sung by Madan Mohan himself and then Lata follows. I hope somebody uploads its video soon on youtube. Log kehte hai dhoondne pe toh bhagwaan bhi mil jaate hai aur hum hai ke yahan ek video ke liye taras rahe hai.

And here’s one more not-romantic performance that I couldn’t list above.

Here’s wishing her good health and lots of happiness. To one of the most stunning and vivacious actresses!

Ten of my Favourite Geeta Dutt Songs

July 20, 2010

Geeta Dutt was launched in a chorus song in Bhakta Prahlad (1946), where she sang only two lines. But her rendering of those two lines stood out. She rose to fame with her next major assignment – as a Playback singer for Do Bhai. Initially she was typecast into singing bhajans and sad songs, but it was S.D Burman who recognized the magic in her voice and brought out a new facet of Geeta’s singing in Baazi. It’s believed that no female singer has better articulated the spirit of Burmanda’s music in its early years than Geeta.

Apart from S.D Burman, she worked a great deal with O.P Nayyar who developed the side of Geeta which had emerged with Baazi. Under his baton she turned into a really hep singer who could belt out any number – soft, sultry, happy, snappy, romantic, teasing or tragic.

Quoting him on Geeta: ” ……….Who will deny there is a unique quality to her singing. Give her a blatantly westernized tune this momentand a complex classical composition the next, and she will do equal justice to both with an ease of expression which a singer can only be born with. She is particularly good for songs accompanying boisterous jamborees. With that tantalizing lilt and fascinating curves she puts into her singing,she is the ideal choice if it is seductive allure you want in a song……..Geeta Dutt is an asset to any music director.”

Remembering Geeta Dutt fondly today, 20th Jul, on her Death Anniversary,  here’s a tribute to this great singer – some of her songs that I like the most.

1. Ae dil mujhe bata de tu kispe aa gaya hai (Bhai Bhai, 1956) : I must say that this is a Madan Mohan hangover 😉 It’s such a playful number filled with so much of innocence. It conveys the feeling of a first teenage crush, so unsure and so happy at the same time. Am not a teenager any more but given a situation like this, I would love to dance to this tune myself  – though very filmy, I am not as creative as the people in fims to sing a song of my own (so I would adjust with this) . Madan Mohan’s melodious composition, Rajendra Krishan’s lyrics, Geeta’s magical voice and the glow in Shyama’s face and the twinkle in her eyes – it’s such a mesmerizing blend!

2. Tadbeer se bigdi hui  (Baazi, 1951) : It’s S.D Burman’s jazzy musical scores in Baazi that demonstrated a new facet of Geeta’s singing. She had this ability to breathe life and emotion into any song she was singing. Take this one for example – at times I wonder if this really had two Geetas in this song – one onscreen and the other one behind the screen singing for her. Both are so vibrant and lively. Every emotion that Geeta Bali displays on screen can be felt in the voice. Sahir’s lyrics are quite meaningful and inspirational which inspite of the jazzy music stands out.

3. Arey tauba yeh teri ada (12 O’Clock, 1958) : Be it this or Tum jo hue mere humsafar, Aji ho suno toh, Kaisa jadoo balam tune dara….each song is a gem. Early in the morning, I had heard Kaisa jadoo balam tune dara in Bhoole Bisre Geet on Vividh Bharati, and I was humming it the whole day. I was so definite that I would include it in the list here but then I thought of Arey tauba yeh teri ada and I changed my mind. There’s quite a lot of similarity between Ae dil mujhe bata de and Kaisa jadoo balam tune dara – they both have the same feel to it where as Arey tauba is different in every way and it has HELEN in it!  Aji ho suno toh is quite different too, it has an unique lilt to it, quite different from other songs sung in restaurants and clubs but Arey tauba wins for me. This song does look and sound like a precursor to Mera naam chin chin chu  – the ending music of this song was the starting music of  Mera Naam Chin Chin Chu.

4. Babuji dheere chalna (Aar Paar, 1955) : This is Geeta Dutt’s trademark song. The first thing that strikes one when you hear Geeta Dutt sing is that she never sang. She just glided through the tune. This song just goes on to prove this! Be it Geeta’s rendition or Shakeela’s moves, they just flow with the music. Amazing! This song demonstrates the sexiness in Geeta’s voice and her easy adaptation to western tunes. Though it’s inspired by Perhaps perhaps perhaps, I find Babuji breathtakingly sensuous. Geeta Dutt’s breathy and sultry singing, the brilliant music and picturisation: all of it make it a superb example of what an inspiration should be!

5. Jaane kahan mera jigar gaya ji (Mr. and Mrs. 55, 1955) : This song is such a fresh breath of air. An all time favourite of mine. Beautiful and mischievious at the same time with the  right amount of teasing flirtatiousness. Rafi and Geeta Dutt’s rendition for Johnny and Yasmin is so perfect. I love everything about this song. Saw the video after quite a long time today and this reminds me that I had wanted a dress like Yasmin’s when I had first seen this video. By the way, long ago I had heard on tv/radio that Johnny Walker married the girl in this song. But Yasmin and Noor are two different people, right? He was married to Noor (Shakeela’s sister).

6. Aaj saajan mohe ang laga lo (Pyaasa, 1957) : An amazing movie with lovely songs. We have discussed quite a lot about the movie and the song when harvey reviewed the film followed by the musings on the film. As he rightly puts – “The song itself evokes memories of “Aan milo, aan milo shyam saanware” from Devdas. Common to both songs is the origin in the Bhakti. In Bengal and Orissa it is heavily influenced by Chaitanya Mahaprabhu. The ‘aim’ is to be in love with God so much that one dissolves in the divine. This is the emotion in the song as well. When the song begins placidly Waheeda is shown downstairs. She listens to the song with suspicion and wariness. As the song moves ahead she is shown climbing the stairs symbolising her slow transition and moving to higher levels. She is so overcome with love for Guru Dutt that tears well up in her eyes. And as the mridangs beats rise to a crescendo the emotions swell and she is about to hug him. She raises her arm up and then she moves back and runs to her room. And in this moment there is such clarity as if everything dissolves in the present.”  – truly fantastic and mindblowing! Be it Jaane kya tune kahi or hum aap ki aankhon mein, each song is a beauty (am only talking about the songs that have Geeta’s rendition) but Aaj saajan mohe is not just beautiful, it’s divine.

7. Waqt ne kiya kya haseen sitam ( Kaagaz Ke Phool, 1959) : This song is a result of Kaifi Azmi’s lyrics, Burmanda’s music, V. K Murthy’s cinematography, Guru Dutt’s direction, Geeta Dutt’s voice and Waheeda’s onscreen presence.  It’s such a  haunting melody – a heart-touching rendition, which has left an indelible impression in my memory. I first heard it on radio and it was only after few years that I actually saw the picturisation. And it took my breath away! I usually prefer playful and romantic numbers but this is one of those few sad songs that I simply adore. Geeta Dutt’s voice lingers in my heart long after the song is played. She makes every word throb with meaning – what an intensity of expression!

8. Piya aiso jiya mein (Sahib Bibi aur Ghulam, 1962) : A gem of a song! It just can’t get any better than this. Marvelous singing and incredible performance. When Geeta sings the lines more angan me jub purvaiyya chale, the windows in your brain will open to admit the air full of love. This is a very beautiful & happy song, with traces of a subtle pain, floating deep within the heart….Both Geeta and Meena have no match – they are stupendofantabulouslyfantastic!!! While each of the performances are spot on, if there is one person who is the heart and soul of the film, it is Meena Kumari. Her portrayal of Chhoti Bahu is perhaps the greatest performance ever seen on the Indian Screen. The sequence where Chhoti Bahu dresses for her husband singing Piya Aiso Jiya Main is a poignant exploration of a woman’s expectations.

9. Mujhe jaan na kaho meri jaan (Anubhav, 1971) : This is probably the last recorded song of Geeta Dutt.  It’s such a great song,  something mystically romantic about it.  Exotically crafted – be it Gulzar’s lyrics, Kanu Roy’s haunting music, Geeta Dutt’s seductive voice,  Tanuja’s performance or the cinematography (esp the raindrops sliding through the window and the plants outside dancing to the breeze and trying to hold the raindrops on their leaves – amazing piece of work!), it’s simply mindblowing – An unmatched classic! It has that lingering effect too….tugs at my heart strings every time I listen to it and it stays with me long after I have heard it. Honth jhuke jab honthon par, saans uljhi ho saanson mein (note the way she breaks the flow and takes a breath while singing saans uljhi ho) and that laughter while singing Meri jaan at the end!

10.  Nanhi kali sone chali hawa dheere aana (Sujata, 1959) : A lovely lullaby – what a soothing rendition! This song speaks a volume about the movie – a mother putting her baby to sleep and  an adopted girl child sleeping in another room. A very well written and executed tale, not to forget absolutely fabulous music by SD Burman. It’s raining outside and there’s a cool breeze coming in from the window…how I wish my mom was here too, I would have asked her to sing this for me. I’m going to play this song to put myself to sleep tonight.

Geeta Dutt, with no formal training in singing of the type of songs that were in vogue at that time, introduced her own brand of appealingly fresh and free flowing style of singing. Her singing was based on instincts and spontaneity, guts and feelings, and love and pensiveness that resulted in breathing life and emotion into each song she sang.

To quote Raju Bharathan, Music Critic…

“Geeta Dutt was thandi hawa and kaali ghata rolled into one. The moment she came, you got the refreshing feeling of aa hi gayi jhoom ke. There was a rare swing in her voice. She hit you like a thunderclap……….This made Geeta Dutt the one singer that Lata Mangeshkar really feared. In training and technique Lata was way ahead but neither training nor technique was of much use when pitted against Geeta in the recording room……..

Truly love her. She will always remain alive through her songs!

May her soul rest in peace!

Hum Dono Hai Alag Alag???

May 12, 2010

A program on Vividh Bharati (Chhaya Geet) triggered this idea…..there are few songs which have exactly the same tune and they have been haunting me for quite a while now – sometimes composed by the same Music Director and some times by different MDs. In addition to the songs and tunes generally inspired by Western music, we do have lots of remakes (not remixes) within our own Bollywood as well.

1. Kya kya na sitam tujh pe hue mehlon ki rani (Mohini, 1957) and Tu hindu banega na musalmaan banega (Dhool Ka Phool, 1959) : N. Dutta composed music for both these films. Raja MehdiAli  Khan penned the lyrics and Rafi sang for Raj Kumar (?) in Mohini (tried searching for the video but couldn’t find it, so not sure if it’s actually picturized on Raj. I am going hunting for this movie next) and Rafi sang Tu hindu banega na musalmaan banega to the tunes of N. Dutta again 2 years later which was almost the same and this time for Manmohan Krishna in this Yash Chopra Blockbuster starring Rajendra Kumar, Mala Sinha, Nanda, Manmohan Krishna and Ashok Kumar. Owing to the success of the latter, even the song became more popular than it’s former identical version .

2. Badi muddat se dil ki bekaraari ko karar aaya Besaharon ka zamaane mein sahara hai khuda…..choota watan hamara (Khuda Ka Banda, 1957) and Parvar diga re aalam (Hatimtai) : I couldn’t find the song from Khuda Ka Banda. Please let me know if any of you have this song or can find it somewhere. The other day it was playing on radio ( I hope I had saved the mukhda correctly) and for a moment I thought it was Parvar diga re aalam. Again, Rafi rendered to both these songs composed by S.N Tripathi.

3. Bol bol my little dove (Baap Bete, 1959) and Hai ho dilruba  meri neeta (Dil Deke Dekho, 1959) : Unlike the other two above and the one below, these two movies had different Music Directors. Music for Baap Bete was composed by Madan Mohan and Dil Deke Dekho by Usha Khanna. No idea who ispired who. And it’s Rafi again singing both these songs. Found the video for Bol bol my little dove.

4. Aaj mausam ki masti mein gaye pawan (Banarasi Thug, 1962) and Ek Chameli Ki Mandve Thale (Cha Cha Cha, 1964) : Iqbal Quereshi this time but both the duets have Rafi again! I can’t help mentioning how dashing Manoj looked in the former and how gorgeous Helen was in the latter.

I always thought Chaand jaane kahan kho gaya from Main Chup Rahungi was similar to Ek Chameli Ki Mandve Thale. And then I heard Aaj mausam ki masti mein gaye pawan.

Please help me figure out why these music directors chose to tune two such identical songs in two different films! (this was the question I had in mind when I started this post). And now –  why did they all get Rafi to do it????