Posts Tagged ‘Lata’

Ten of my favourite Shyama songs

June 11, 2011

Shyama was one of the most beautiful actresses to have graced the screen. She was charming, gorgeous, lively, expressive and there was something very refreshing about her.

It was her birthday on 7th June. Though a little late, here’s wishing her a very Happy Birthday!!!

Her real name was Khurshid Akhtar. Shyama, her screen name, was given to her by Guru Dutt.

I haven’t seen many movies of hers, apart from Bhabhi. Chhoti Behen and Sharda (And she has a bit of grey shade to her character in all these movies). But I love most of the songs picturized on her.

Shyama and Geeta Dutt  – This is one deadly combination. Geeta’s voice suited Shyama’s vivacious-ness so well. Not that I am restricting my list only to this jodi but couldn’t help mentioning it.

1. Ae dil mujhe bata de (Bhai Bhai, 1956) : I didn’t want to include this song in this list as it had already featured in my Geeta Dutt special post. But I couldn’t help it, simply couldn’t move ahead without this one. It’ one of my all time favourites! Ae dil mujhe bata de tu kispe aa gaya hai, woh kaun hai jo aakar khwabon pe chha gaya hai…They say you are in love when kuch kuch hota hai… Hmmm, let me rephrase that – they say you are in love when somebody walks into your life, starts being a part of your every dream, when your every thought begins revolving around him/her and changes your life forever without you even realizing it and you dont mind when you do. And it’s also believed that love makes life beautiful. Filmy symptoms of being in love – You don’t feel hungry, you turn into an insomniac, you’ll suddenly start finding friends in stars and the moon, you smile to yourself, you day dream, you sing songs and dance like noone’s watching.  Well, this song has all of these ingredients and a lot more. The joy of feeling that attraction towards somebody…a tug at the heartstrings is so beautifully expressed in this song. Shyama, bright and glowing, her expressive eyes dreamy and dancing along with her – her happiness  so obvious. Geeta sounds equally happy, even in her plight of not knowing who exactly has taken over her heart. They are in such perfect sync with each other.  I thoroughly love listening to this song and watching it. And Ashok Kumar’s amused expressions are to die for!

2. Dekho woh chaand chhup ke (Shart, 1954) : This movie had very nice songs. After debating over Na yeh chaand hoga and this, I finally chose this one. Very very romantic. Shyama and Deepak pledging their love for each other under the moonlight. Though the video is little melo-dramatic, especially the beginning where Deepak is so nervous,  the song is very sweet – Hemant Da’s voice renders the soothing and subtle effect to it. I love the way Lata sings “Hum ho gaye tumhare….” and Shyama’s response to “Aisa naa ho ke humko raste mein chhod jao, Jaa kar kahin kisi ki duniya nayee basao” …her denial, the brief shake of her head, so brief that one would almost miss it and the smile that follows with the last antaraa. …

3. Lehraaye jiya balkhaye jiya (Shaarda,1957) : Well, Shyama was definitely very fond of dancing all around the house. She uses the space (covers the stage) very well while dancing and I find her pretty graceful as a dancer. She in fact flows with the song…in a state of joyful exuberance.  She’s singing with joy when she gets to know that she’s getting married to Raj Kapoor, who she’s always been in love with. I think I am not wrong about the plot. I went into a shock after watching this movie, so dont remember things very clearly. It’s Asha singing for her here to Chitalkar’s composition.  Shyama also won Filmfare Best Supporting Actress Award for her role in this movie.

4. Yeh  lo mai haari piya (Aar Paar, 1954) : Though Shyama is confined to a car here and can’t dance,  her priceless expressions and her eyes do such complete justice to the picturization of this timeless classic and Geeta Dutt’s flawless rendition. Guru Dutt is great playing hard to get…but for how long can he resist the magic?  It was so difficult to choose just one song from this movie…it’s a true musical treasure house.  I almost chose Jaa jaa jaa bewafaa, though sad it’s such a beautiful song. But finally I settled for this one. It’s very entertaining and one of it’s kind. All of them – OP Nayyar, Geeta Dutt and Shyama are at their stunning best!

5.  Do naina tumhare pyaare pyaare (Shrimati ji, 1952) : Here we have dashing Nasir Khan and young Shyama dancing to a peppy and a romantic duet. I recently came across this song and fell in love with it. Geeta Dutt and Hemant Kumar sound so good together in this. And Jimmy’s composition is awesome  – it’s a simple, sweet and a catchy song. Geeta Dutt’s singing suits Shyama’s chulbulapan so perfectly.

6.  Achha ji maaf kardo (Musafir Khana, 1955) : OP Nayyar’s composition again, rendered by Rafi saab and Geeta Dutt for Karan Diwan and Shyama. Shyama is dancing again in the garden, doing her trademark steps. I especially like the way she actually counts on her fingers to  “Dil par jo teer chalaye unka hisaab kardo” at 1:20 and the way she pats his arms to the same line at 2:56. The last antara would have been so much fun to watch if Karan had shown little more attitude. Everytime I see this song, how I keep wishing it had Shammi Kapoor or Dev Anand or Guru Dutt in it. There’s one more track in the movie Dil de daala which I am very fond of.

6. Mujhe mil gaya bahana teri deed ka (Barsaat Ki Raat, 1960) : Simple and a delightful song. Shyama dancing yet again singing her gratitude to the moon for bringing her so much happiness. She looks so radiant, like a chaand-ka-tukda herself. I had seen this movie very long ago, during the good old Doordarshan days. I don’t remember much of the story, apart from Zindagi bhar nahin bhoolenge and a part of Madhubala-Bharat Bhushan love story. I need to watch this movie again, at least for its songs and for Shyama and Madhubala. Phew, there are so many movies to watch and so many to re-watch!

7.  Saiyan pyaara hai apna milan (Do Behne, 1959) : A very beautiful romantic song picturized on Shyama and Rajendra Kumar. I love the sets, it’s such a beautiful room. And Rajendra Kumar and Shyama make a very wonderful couple. The song, it’s picturization is so serene. And it somehow reminds me of Chhupa kar meri aankhon ko and Ek tera saath hum ko do jahan se pyaara hai.

8. Tumse hi meri zindagi (Apna Ghar, 1960) : Pretty Shyama and handsome Premnath pledging their love for each other. Geeta Dutt and Mukesh sing for them. The prelude is pretty fast and peppy but the song slows down once the mukhda begins. I just realized that all the songs so far have been extremely romantic. It wasn’t intentional but I’m a sucker for romantic songs, so can’t help it. Let me try, at least, try to end the post with two not-so-romantic songs 😉

9.  Tabiyat thik thi aur dil bhi bekraar na tha (Mirza Sahibaan, 1957) : Tabiyat thik thi aur dil bhi bekraar na tha, yeh tab ki baat hai jab kisi se pyaar na tha. Such a melodious song, though a little sad. Sardul Kwatra’s composition is awesome and Lata’s rendition flawless, as usual. For a change Shyama is not dancing with joy. This song is a true example of being helplessly in love. If only they had shown a glimpse of Shammi darling…sigh!!!!

10. Tumhe husn deke (Jabse Tumhe Dekha Hai,1964) :  I hadn’t set any rules for choosing the songs for this post, I just went with the flow –  flow of listing down which ever song came to my mind but I was still focussing on solos and duets.  And now, since I couldnt get a glimpse of Shammi Kapoor in the previous song, I had to include this one. Few days ago I had mentioned in dustedoff’s post that anything with Shammi Kapoor would qualify for my every post. So, here it goes! A terrific qawali picturized on Shyama, Kumkum, Shammi Kapoor, Shashi Kapoor, Om Prakash, Bhagwan and many more.  – one of the most flamboyant qawalis I have ever come across. Fabulous song, glamorous starcast, great dance and all wonderful people…aur kya chahiye, hai na? 🙂

Chhupa kar meri aankhon ko and Oh Chaand jahan are two of my favourite songs but they are not a part of this list as I had already included them in my earlier posts.

There’s one more song that I recently heard on radio and have been dying to get my hands on it’s video. Dil unko utha ke de diya from Baap Bete. I am head over heels in love with this song, but as the video is not available, I decided to put it in the extras. The first 2 lines of the song is sung by Madan Mohan himself and then Lata follows. I hope somebody uploads its video soon on youtube. Log kehte hai dhoondne pe toh bhagwaan bhi mil jaate hai aur hum hai ke yahan ek video ke liye taras rahe hai.

And here’s one more not-romantic performance that I couldn’t list above.

Here’s wishing her good health and lots of happiness. To one of the most stunning and vivacious actresses!

Ten of my Favourite Saira Banu Songs

August 23, 2010

Here’s wishing Saira Banu a very very Happy Birthday! (23rd August). I am not a big Saira Banu fan. I find Saira Banu very screechy most of the time – but that doesn’t mean I don’t like her at all or don’t watch her movies. I liked her in movies like Shagird, Aayi Milan Ki Bela, Jhuk Gaya Aasmaan etc. And she has some great songs picturised on her….such good songs that I couldn’t resist myself from doing this post (knowing that it’s her Birthday).

So, here are few songs of hers that I like the most, not in any particular order.It’s a random list of first 10 or rather 15 songs that came into my mind.

One more thing before I start with the songs. How could I not mention Vividh Bharati? I was listening to VB in the afternoon and they played all Saira Banu’s songs in one of their programs. It was then I checked and confirmed her birthday.

1. Aap naraaz khuda khair (Pyaar Mohabbat, 1966) : This is one of my all time favourites and I love everything about this song. Rafi’s singing goes without saying. Shankar-Jaikishan’s music is amazing. Dev Anand is great but it’s Saira who steals the show for me. She looks very beautiful, charming and elegant. Her expressions are simply awesome!


2. Main chali main chali (Padosan, 1968) :  Rendered by Lata and Asha, this is a very masti-bhara number! It has something very refreshing and carefree about it. Rajendra Krishan’s lyrics and R.D’s music is very very cheerful and pleasing. Bhai batur is another typical Saira Banu song, in her signature style. And I really like it but there’s another signature song coming up next. So this was showcasing a different mood of Saira. I like her chilled out character here – that carefree  and eco-friendly attitude.

3.  Unse mili nazar (Jhuk Gaya Aasman, 1968) : This is what I call Saira Banu’s signature style. Penned by Hasrat Jaipuri, composed by Shankar-Jaikishan, sung by Lata and picturised on our B’day girl, this is one of my all-time favourite songs. It’s such a catchy song – everything about it is lovely – the tune, lyrics, singing and Saira looks gorgeous. Picturisation is very very cute, romantic and sensuous. Saira’s expressions of self-confession are so innocent and sweet. I find this and Bhai batur pretty similar – picturisation wise.

4. Kanha kanha (Shagird, 1967): This has Saira in a different avtaar altogether. I initially thought of including my favourite number from this musical blockbuster – Woh hai zara khafa khafa, but felt Dil vil pyar vyar and Ruk ja aye hawa are more like typical Saira Banu songs. But this one is different from other songs of hers, spiritual and magical at the same time. I find her extremly beautiful here. Lata is terrific and Laxmikant-Pyarelal’s music is fantastic!

5. Kashmir ki kali hoon main (Junglee, 1961) : My favourite song from this movie is Ehsaan tera hoga mujh par, but I like the Rafi version more than Lata version. Saira’s expresssions are not all that great in it. It’s Rafi’s voice topped with Shammi Kapoor’s expressions and eyes that has made the song what it is. Ja ja ja mere bachpan is sweet but it’s Saira, looking like a Kashmiri doll in Kashmir ki kali hoon main that makes it to this list – her looks, the Kashmiri attire, angry and khadoos look of Shammi Kapoor (with a pout)…everything about this song is so lovely in a typical Hindi Film style. Again, this song reminds me a bit of O mere sona re from Teesri Manzil.


6. O sanam tere ho gaye hum (Aayee Milan Ki Bela,  1964) : Another musical blockbuster. Each and every song in this film is a masterpiece. I had thought of including Tum kamseen ho first and then realized that I hadn’t put a duet (with a male singer) yet and I’m already half-way through. And also, I have already included a paean to her above and there will be few more by the time I reach the end of this post. So here goes one of my favourite Lata-Rafi romantic duets. Lovely tune from SJ camp and highly romantic lyrics by Hasrat Jaipuri. I like Rajendra Kumar-Saira Banu pairing, they look good together and they share a good chemistry. And I love everything about this song, including Rajendra Kumar’s dance 😀


7. Unki pehli nazar kya asar kar gayi (April Fool, 1964) : Talking about musical blockbuster, here’s one more. After battling between Tumhe pyaar karte hai, Mera naam rita chirstina and Unki pehli naazar ka, I chose this over the other two – Tumhe pyaar karte hai is a lovely song, no doubt about it but didn’t want to put two romantic duets in a row (if that can be called an excuse). Mera naam rita christina – everytime I see this song, I keep wishing  it had Helen in it. It definitely portrays Saira in a different avtaar again but I like this song better.  It does sound like a sober and more Bolly-Bharatiya-Naari version of Unse mili nazar. Lata is mindblowing in it and so is Saira. Truly amazing song!


8. Tum akele toh kabhi baag mein (Aao Pyaar Karen, 1964) : I find songs and movies more charming and fascinating when they are in Black & White than in color. May be because all the people whom I like so much looked much better in B&W days. Both Joy Mukherjee and Saira look so gorgeous in this one. This movie again has some lovely songs – be it Tum akele toh kabhi, Dil ki aaine mein, Yeh jhuki jhuki or Tammannao ko khilne do. Tum akele toh is very entertaining. Hats off to the lyricist for penning down this duet – a true battle of words. Usha Khanna’s music as always is lively and peppy. Lata and Rafi are at their best. Saira looks very young and pretty. Though the set looks artificial, I love the song. It’s such a lovely song and with Joy and Saira on screen, I just can’t complain about anything. The full song’s video is not on youtube yet. The link above has only half of the song. However, the audio is available.


9.  Hum bhi agar bachche hote (Door Ki Awaaz, 1964) : I almost put Husn se chaand bhi sharmaya hai but as this is a Birthday special post and it’s Saira’s birthday, here’s this all-time favourite birthday song dedicated to her. Not a great movie, but Joy-Saira pairing always promised some great songs.

10. Husn chala kuch aisi chaal (Bluffmaster, 1963) : Not a movie that I remember fondly, except for few songs and this happens to be one of them. What an eye-candy! Now that I have seen Shammi Kapoor in his true Shammiesque style, (unlike the one in Kashmir ki kali hoon main, though he looks cute there as well) I can sleep peacefully. Ok, I shouldn’t be changing focus. Saira looks very pretty and like I keep saying, B&W movies have a different charm. With Shammi on screen, it’s difficult to concentrate on somebody else. So I better end it here.

Here’s wishing the lady a great year and a healthy life ahead!

Preet Na Jaane Reet (1966)

August 9, 2010

I realized that it’s been so long since I saw a movie. I can’t believe myself that I could survive without a dose of vintage movie for so long. I was finally at home the whole day yesterday and I couldn’t do without watching one. I opened my DVD/VCD box and I went through them. I first took out Char Dil Char Raahein, but I was in no mood of seeing tragedy. I am not sure if it really is a tragedy but Meena Kumari and Raj Kapoor put me off, inspite of Shammi Kapoor. I wanted to watch something entertaining and fun. I picked up Teesri Manzil, Professor and Dil Deke Dekho but I have seen all these movies so many times and I wanted to watch something new. So finally decided on Preet Na Jaane Reet. Though I had the VCD for quite a long time, I somehow hadn’t come across watching it yet. Then, I came across the songs while doing Rafi Sings for Shammi and was totally floored by Teri zulfen pareshan, Yun na dekho hume baar baar and Oh jaanewale sun zara yeh dil ka maajra. Haye…Rafi and Shammi, I can never get enough of them!

Seth Karamchand (Nasir Hussain) gets a telegram. Chandu, his man servant brings it to him and Sethji is extremely happy. Seeing his happiness Chandu asks :
Chandu : Is it from Chhote Babu?
Sethji : Yes. He has reached Bombay and will be coming here tomorrow.

Chandu rushes to the market to buy baingan (brinjal) for Baingan ka bharta and other favourite vegetables of Chhote Babu. Sethji warns him that Ashok must have developed a taste for Chicken Broth, Stew, Salad etc. and may not relish Chandu Kaka’s homemade food any more. But that doesn’t dampen Chandu’s spirit. He’s very sure that Chhote Babu will still savour his Chutneys and Bharta.

The scene shifts to another house. Husband (Siddhu? Since he’s not referred by name anywhere, I will call him Jijaji) is sitting and reading newspaper. Wife, Sharda (Shammi) comes screaming into the room calling her servants but none of them seem to be around.


Sharda : Suniye, sun rahe hai aap?
Jijaji : Ji, boliye.
Sharda : Main kab se chila rahi hoon aur aap par asar hi nahin hota. chup chap akhbaar padhe jaa rahe hain. (I’ve been screaming for so long and you are here sitting quietly and reading newspaper!)
Jijaji : Aap kahe toh bhool ho gayi, main chilla ke akhbaar padna shuru kar deta hoon. (I’m sorry, I didn’t know I was to read it loud)
And he literally starts reading the paper loud. Sharda is a very dominating wife and hardly lets her husband speak. In case if he does get to voice his opinion, she screams : “Aap chup rahiye!” And he obediently replies : “Aap kahe toh bhool ho gayi!”

Sharda knows that Ashok is coming back after 5 years in Europe. He’s the only son of Seth Karamchand, the richest man around. So she feels he’s the most eligible boy in town for her sister, Kavita (Saroja Devi). Sharda wants Kavita to accompany her and go to receive Ashok at the airport but Kavita refuses because she is of a different opinion. She gives 2 reasons to justify her denial :          
1. Mujhe abhi shaadi nahin karni (I don’t want to get married now).
2. Ameer baap ke bete se mujhe saqt nafrat hai. Siwaye apne baap ke tukde todna use kuch nahin aata (I hate rich guys. They are too dependent on their father’s earnings and are not capable of standing on their own feet).
So off they go to the airport without Kavita. Sethji, Sharda and Jijaji are waiting at the airport and the plane’s landing. Sethji is very excited and says – main apne bete ko 5 baras ke baad dekhne jaa raha hoon..na jane kitna bada ho gaya hoga,  kaisa ho gaya hoga (I’m going to see my song after 5 years. Wonder how much he must have changed and grown).
Jijaji : 5 baras bada ho gaya hoga, zaroor!!! (He must have grown by 5 years now, of course! He says that as a matter of fact and with so much of enthu. I fell for him immediately.)

Everybody descends from the flight  but they can’t spot Ashok anywhere. So concluding that Ashok didn’t come by that flight, the party returns back home.

Kavita and her group of friends are on their way to college when a car passes by splashing slush on Kavita. But the gentleman, Ashok (Shammi Kapoor), behind the wheels drives back when he realizes what he has done. But before he can say anything the girls begin scolding him:
Starting with Kavita : Junglee, Jaanwar!!!
Her friends ask him : Aankhen bandh karke chalate ho? Apne baap ka sadak samajhte ho, dekha bechari ka sari kharab kar diya na? (Do you drive with your eyese closed? You think that this road is your father’s property?)
Ashok : I’m so sorry.
Kavita : Tumhare sorry keh dene se meri saari toh dhul nahin jayegi. (Your sorry wont clean my saree)
He offers to take her home where she could change and then would drop her to her college. But her friends misunderstand him and tell her : Ek number ka badmaash lagta hai. Pehle ghar dekhega, phir college aur phir naam poochega (He looks like a goon. He’ll first find out where you live, then the college where you study and thenwill ask for your name. His intentions don’t look good).
Enough is enough. He can’t take it any more. So much for his decency! So he offers her some money and tells her to get her saree dry cleaned/washed or get a new one…
She retorts : Bazaar mein akal aur tameez mile toh isi note se khareed lena thode aadmi ban jaoge! (Keep the money to yourself. Buy some wit and good manners if you come across any. That will at least make you a little human.)


Meanwhile, one of her friends punctures his car tyre.
Ashok : Oh, what do I look like now?
Kavita : Budtameez!


(How convenient na…All they have to do is to recite the names of his movies : Junglee, Jaanwar, Budtameez, Pagla Kahin Ka when they have to scold him. I have noticed this in quite a lot of movies and I just love it!)

Ashok goes to a garage (Desuza, Decruz and Fernandes Garage) and calls out for DeSuza. Somebody answers that he’s dead. Next, he calls for Decruz and the same voice replies that he’s dead too.

Finally, he calls for Fernandes and Fernandes(Johney Walker) crawls out from under a car saying : Zinda hai (he’s alive).
It turns out that Ashok and Fernandes were school buddies but Fernandes wasn’t interested in studies. So his uncle took him under his wing and taught him the trick of the trade and gave him a job in his garage.He concludes saying – Apni toh yeh life hai bhaiya aur abhi tak without wife hai (This is my life bro and I’m still without a wife). Fernandes fixes his car and off he goes.


He reaches home and his father is pretty annoyed that he didn’t inform him that he wasn’t coming by flight, knowing that he would go to the airport to recieve him. But one look of regret from his son and the father melts. Ashok explains that his friend, Shamu asked him to drive home instead of taking the flight. Hence, he took his car and came over.

They sit down to dine, on a huge dining table and they sit at opposite ends (Love the way they converse here. They can’t even see each other directly, the lamp comes in between and they keep bending on opposite sides while talking so that one is visible to the other).

Ashok tells Chandu that he missed all these delicacies so much in Europe. He went to so many restaurants hunting for proper food but he couldn’t find anything as deletable as what Chandu has prepared.
Sethji : So you just went around hunting for good food. How about work?
Ashok : I worked hard as well. You will get the reports soon, you can see it for yourself.
Sethji : Did you get to go around and see the places as well or were you burried in work all the time?
Ashok : Oh no…I did go to lots of places – Rome, Venice, Berlin, Paris, London etc
Sethji : What did you like the most there?
Ashok : Girls! (with such a casual attitude. As though he meant saying : what else did you expect?)
Then he realizes what he has just said and gets choked.
Sethji : Chandu, how old is Ashok now?
Chandu : Maalik, you shud get him married now. You were a father at his age.

The next day he goes out and sees Kavita and her friends at a petrol pump. He overhears them mention putting up at Ashok Hotel. He follows them. And they all shower him with the same gaalis again calling him Aawara, Loafer, Badmaash, Junglee etc. He accepts that he spoiled her saree that day but even they punctured his tyre, so it’s not fair to label only him a budtameez.
Ashok : Main aapko yakeen dilana chahata hoon ke main man, dharam aur karam ka bahut hi nek, pavitra aur shareef insaan hoon. Mauka aane par apni sharafat ka namuna pesh karunga. Jai Hind! (For your kind information I’m a good decent guy and will prove it to you when the time comes).
In the mean time, during the conversation he manages to poke their tyre with something, leaving them behind with a flat tyre. He drives ahead and when he realizes that they have stopped their car, he gets down and offers some suggestions but nobody wants them.


He worries them all the more by singing Yun na dekho hume baar baar.

Finally Kavita and group reach Ashok Hotel and they declare they are from Sharda college but the Manager apologizes saying he couldn’t book a room for them as all the rooms are already filled. They all get worried because it’s dark already and they don’t know the place. They request the Manager to arrange for something but he says there isn’t anything much he can do. But if they would go and talk to the owner, they might get a room if their luck favours them because there are roooms reserved for the owners.
Kavita, the leader of the group goes to speak to the owner. But when she realizes it’s Ashok she just walks out. But her friends are in no mood of going and searching for another place to spend the night. So they try convincing Ashok. They literally corner him. But he strikes a deal that he would give them a room provided their leader, Kavita comes and requests for it!
Pehle apne langoor jaisa shakal toh dekhe! Main request karoon?!!! – This is her reaction when she hears of the deal. But when her friends emotionally blackmail her into arranging an accomodation for them, she gives in and reqests Ashok to give them a room, which he immediately does.

The following morning Sethji also turns up at the hotel demanding the Manager for Book of Accounts. When he learns that Ashok’s there, he goes to his room. Kavita and group happen to be at the counter. Manager confides in them that Sethji is very short tempered. This gives her an idea to get Ashok into trouble. So she sends her friends one my one to Ashok’s room, all of them claiming to be his girlfriends. After the first one leaves, Ashok explains to his father that she’s gone crazy.


But when this continues, Sethji : Kya in sab ka dimaag kharab hai? (You mean to say all these girls have gone crazy?)
Ashok : Mumkin hai (It is possible)
Sethji : Ya phir mera dimaag kharab hai? (Or think think I’ve gone crazy to believe you?)
He orders Ashok to pack his bag immediately and leave with him.

It’s Ashok’s birthday and Sharda and Jijaji are getting ready for the party. Sharda wants Kavita to accomany them but Kavita refuses. Jijaji convinces her to join them and finally she gives in and goes with them to Sethji’s house. But the best part it she doesn’t know that her Badmaash, Junglee, Budtameez is the birthday boy. She’s quite surprised to find him even there. And ignores him as much as she can even after learning he’s Sethji’s son. Ashok is obviously hurt by her behaviour and asks her :
Ashok : What’s your problem with me?
Kavita : First impression is the last impression. You are a loafer, gunda, Roadside Romeo. The only thing you have learnt all these years is to pick on girls.
Ashok : If you stand by that, then there’s another saying that goes ‘Try try n try my boy until you succeed’. Mohabbat karengi ek din mujhse aap (you will fall in love with me someday).
Kavita : Mohabbat karegi meri juti (Fall in love with you? My foot!) I’ll fall for a guy who’s hard-working and earns a living for himself, not someone who’s used to enjoy and spend his father’s money.


Fernandes is in love with Rosy (Minoo Mumtaz), Dhumaal’s daughter. They own a small eat-joint and Fernandes usually eats there and doesn’t pay for his food. Rosy doesn’t mind but Dhumal is mad at him. So Fernandes is hiding from Dhumal because he owes him money. Fernandes and Rosy sneak away to the garage and dance to this lovely Rafi-Kamal Barot duet – Yahan bhi toh nahin hai wahan bhi toh nahin hai. Check the lyrics of this song – tu meri chevrolet hai, tu meri juliet hai…could there be a better song for a car-mechanic to sing?

Ashok wants to prove himself to Kavita. He wants to show her that even he can work hard and earn a living for himself. So he convinces Fernandes to give him a job at his garage. And he changes his name to Mohan from Ashok. One day Kavita is walking past the garage on her way back home from college, with few books in her hand. Mohan is fixing a car. Just as she crosses the car, he crawls out from beneath the car. She trips over his leg and almost falls down, the books however fall and he picks them up and gives them to her. With the impression she has of Ashok, she starts scolding him again. He claims he’s not Ashok but she doesn’t believe him. Finally when Fernandes addresses him as Mohan, she’s convinced that he’s a different man. She goes back home and realizes that one of her books is missing and is sure that it must have got misplaced when it fell at the garage. So she comes back to the garage  and goes to Mohan’s room. She sees him sitting in a small room and reading a book. Just because he’s poor she immediately develops a soft corner for him. He tells her that he’s a graduate. Just then she smells something burning. He realizes he was cooking daal. So he hurries to the kitchen. She helps him with the daal. In the mean time he narrates that he left his house because his father wanted him to get married to a  fashionable girl. But his mother always told him he should get married to girl who can cook and feed him with her hands. And he agrees with his mother. She feels shy and runs out of his room.

Kavita has a dance program in her college and invites Mohan for it. She dances to Arey o kanha bairi zamana.

Sharda is still trying to fix Kavita with Ashok. She invites Ashok home for tea. But Kavita is nowhere around and Sharda and Jijaji are feeling a little uneasy about it. But Ashok feels it’s time for some fun. So he reveals to them that Kavita is in love with a mechanic named Mohan at Desuza Decruz and Fernandes garage. He’s not at all surprised that she’s not at home. They don’t believe him but he takes them to the garage and asks Fernandes about Mohan and after a while he himself comes dressed as a Mechanic, Mohan. Sharda is mad at him. They have a very interesting argument.

Mohan : Aapne shaadi se pehle mohabbat nahin ki? (Didn’t you fall in love before getting married?)
Sharda : Ji nahin.,..hamare khandaan mein shaadi se pehle mohabbat karne ki reewaz nahin hai (We don’t have the tradition of falling in love before getting married in our family)
Jijaji : Ji haan, inke khandaan mein shaadi ke baad bhi mohabbat karne ki reewaz nahin hai (Oh yes, they don’t even have a tradition of falling in love after getting married in their family).
She warns him never to meet her sister again and goes.

One day Ashok comes home and Kavita is furious seeing him. But he tells her he’s Mohan. He’s dressed up as Ashok so that Sharda doesn’t suspect him. Sharda, thinking it’s Ashok sends Kavita with him and tells her to take him around the place. They sing this lovely song – Teri zulfen pareshaan.

Jijaji is not convinced that Ashok and Mohan are two different people. So he goes to Mohan’s room and investigates. It doesn’t take him long to find the truth. He goes back home happily only to see Sharda and Kavita quarelling over Ashok and Mohan. When he finally gets a chance to speak he tells them that Ashok’s been fooling both of them – Ashok and Mohan are not two different people but one and the same!

Kavita goes to his room at the garage to confront him. He’s humming Tumne pukara aur hum chale aaye as he’s getting dressed and exclaims : “Woh aaye ghar mein hamare khuda ke kudrat hai.Kabhi hum unko kabhi apne ghar ko dekhte hai” when he sees her. He can make out that she’s not in the best of her moods so asks her if everything’s ok.
Kavita : My family wants me to get married to this guy who I totally dislike. Main sochti hoon phir tumhara kya hoga, tum toh zehar kha loge (But more than that I am worried about you. What would happen to you if I get married to somebody else? You might kill yourself).
Mohan : Zehar khaye mere dushman, main toh baratiyon ke saath mithai khaunga, mithai. (Now, how do I translate that!) Ashok’s not as bad as you think he is….he’s a nice guy and he loves you so much. And I am not as innocent as you think. I have a secret.
Kavita : Secret? Are you married already?
Mohan : Not married but I am engaged to a very rich girl. Now if you get married to Ashok even I will get to marry her without feeling guilty about it.

She yells at him and he realizes that she has learnt the truth and tries to reason with her.
Ashok : You love one name and hate the other one, but the person is one – me. Pati hone ke liye 4 cheez hone chahiye (there are 4 qualities that guys should have to become a husband) and I have all the 4 things.
1. Main shehar ka sab se bada raheez hoon – Ashok (I’m the richest person in town)
2. Main awwal darze ka aashiq hoon – Mohan (I’m a lover boy)
3. Main bahut bada kalakaar hoon kyunki tumhe meri ek roop se mohabbat hai aur doosre se nafrat (I’m a great actor. You love one and you hate the other form of mine)
4. Main dil ka achha hoon aur shareer ka tandurust…yaani ke hamare hone wale bachche tandurust honge, mote honge, kuch tumhare jaise honge aur kuch mere jaise. (I’m good at heart and am physically fit. That means our children will be healthy and they will look a little like you and a little like me)
Kavita : Tum mujhe seedhi tarah se ghar jaane doge ya nahin (Will you let me go home?)
Ashok : Ab tum us ghar mein jaa kar kya karogi? Ladki toh parayi hoti hai. Aur yeh tumhare gharwale bhi jaante hai. Ab maan bhi jao. Tum mujhe chahe boora samjho ya achha samjho maine yeh sab tumhara pyaar jitne ke liye kiya. Yeh na kisi gareeb ka pyaar hai na kisi ameer ka, yeh ek insaan ka pyaar hai jisne tumhe apne dil se pyaar kiya (What will you do going to that house? You will anyways have to get married and leave it someday. Whether you think good of me or bad of me, I did all this to win your  love. This is neither a rich man’s love nor a poor man’s love, it’s true love and I love you from the bottom of my heart).
They sing Oh jaanewale sun zara yeh dil ka maajra and everything is settled between them.

Both their families are happy about the alliance. Sethji even engages himself  in selecting jewelleries and sarees for his bahu.
I wish the film had ended here. It was so delightful till here. But a Hindi film of 60’s just couldn’t happen without any conflict and it couldn’t end here, right? There has to be a twist. Especially when the hero has finally wooed the heroine and all is well and none of their families opposes to it, there has to be some twist to separate the two of them.
Ashok leaves for Shyamnagar to attend a friend’s wedding. Ashok and few other friends pull Shekhar’s (the groom) leg and keep worrying him. But just when the wedding ceremonies are about to begin, Shekhar’s dad takes him and leaves – the wedding is cancelled. No, it’s not for dowry. He discovers that the bride had earlier run away with someone and he feels it will be a disgrace to accept her as his daughter-in-law now. Ashok begs with Shekhar not to dishonour the girl’s family. He tries to reason with him saying everybody makes a mistake, that doesn’t mean that you behave this way and ruin somebody’s life for one mistake. But all his efforts go in vain.

Seeing the state in which bride’s father and mother are in, he offers to marry their daughter. He gets married without even seeing the girl and then takes her home and goes. But Sethji isn’t very pleased with him for what he has done. He kicks him out of the house. So Ashok goes back to the garage and lives there with his wife, Sheila (Parveen Choudhary).


Sharda and Jijaji are shocked to hear the news. Kavita blames him for cheating on her. Ashok wanders along singing Main bewafa nahin hoon tere pyaar ki kasam. But Jijaji tells her it’s not fair to reach a conclusion without knowing the entire truth.So she sets out to find the truth. She goes to Ashok’s house and meets Sheila.  And the poor soul pours her heart out  to her.

 Kavita feels guilty for accusing Ashok of infidelity. She sings O maine mana mere meet.

Kavita still loves Ashok (after finding out the truth) but Ashok comes in terms with his life. He accepts that it was not in his fate to marry Kavita and is content with what he has got. He tries his best to forget his past and to start his life afresh with Sheila. Even her past doesn’t bother him. He doesn’t blame her for coming in between him and Kavita but accepts her whole-heartedly and does his best to be a good husband. So what next???

What happens to Kavita?  Ashok and Sheila are quite happily married. What will happen to this love triangle? Will Sethji finally accept Sheila as his daughter-in-law? Will Sharda ever forgive Ashok for what he has done to Kavita?

I loved the first half of the movie. It was truly amazing! It had comedy, emoshun, romance and beautiful songs. Second half wasn’t very necessary. I felt like it was just put to make the story longer. And to show that love is all about sacrifice.

On the whole I thoroughly enjoyed the movie, except for the end. Shammi Kapoor in his Black&White days is delicious! Saroja Devi is beautiful. Johney Walker and Minoo Mumtaz’s romance is cute. Parveen Choudhary, Nasir Hussain, Dhumaal and Shammi are all great. And whoever the man playing Jijaji is (Siddhu?), I totally loved him – he was so witty and his one liners were simply awesome! Kalyanji-Anandji’s music , assisted by Laxmikant-Pyarellal is fabulous. Songs were penned by Anand Bakshi, Qamar Jalalabadi, Gulshan Bawra and Indivar and were rendered by Lata Mangeshkar, Mohammed Rafi, and Kamal Barot. Great direction from S. Bannerjee!

I would rate it 7.5/10.

P.S : He looks familiar. I haven’t seen Ek Musafir Ek Haseena yet, but I think I have seen him somewhere, may be in Dil Deke Dekho.

Ten of my Favourite RD Burman Songs

June 26, 2010

This day, 27th June, marks the birth anniversary of Rahul Dev Burman, aka Pancham da. Here a special post in fond memories of Pancham da. 

He belonged to a genre that Indian music lovers were unaware of back then – he is credited with revolutionizing the filmi music in Hindi films, and his style and techniques continue to be followed by the composers of today. Burman also did playback in few movies he composed. He was famous for unique, grunting bass singing style. He also acted in the film Bhoot Bungla and Pyar Ka Mausam.

RD Burman was India’s most popular composer in 1970s, famous for his peppy tunes. Though Pancham Da is known for introducing western style in Bollywood music, he has some truly Indian classical compositions as well. These are some of my favourite  RD Burman songs, I am sure I will  miss out on some of the most popular songs of his, but these are the first songs that came to my mind. I have tried restricting one song per actor as much as possible but am not sure if I’ll be able to follow it till the end and except for Libaas, all the others from the movies that I have seen .

1. Aanke chali baanke chali  (Namkeen, 1982) : When Gulzar, R.D Burman and Sanjeev Kumar get together, they always have something different and something very beautiful to present. Namkeen is one such movie. Beautiful story, amazing performance laced with such colorful songs, each one very different from the other. Raah pe rehte hai is a beautiful number but I like this the best, because of the folk touch that it has.

2. Kya hua tera vaadha (Hum Kisi Se Kum Nahin, 1977) : This movie was a musical blockbuser where each song was better than the other. And it was extremely difficult to choose just one song but thanks to Rafi saaf, at least I could make up my mind about this song. This song is also known to mark Rafi-saab’s come-back. I personally don’t believe that Rafi ever needed a come-back – he has always been there. But Nasir, it would be interesting if you could throw some light on this.


3. Khamosh sa afsaana (Libaas, 1988 ) : I fell in love with this song the very first time I heard it on Vividh Bharati and have been searching for this movie ever since, but haven’t been able to find it yet. Beautiful lyrics blended with such soothing  music, that it creates a very sweet and subtle effect.

4. Tujhse naaraz nahin zindagi (Masoom, 1983) : Anup Ghoshal at his best!! One of my all-time favourites and I am sure I’m not the only one in the league. It’s such a touching song. In fact, the song says it all….I guess it’s the masoomiyat in it that makes it so beautiful. Be it  Lakdi ki kaanti  or Huzoor is kadar bhi, love all the songs!

5. A aa e ee master ji ki aa gayi chhitti (Kitaab, 1977) : An unusual film with a full-on masti song! Reminds me of my childhood days and all the classroom pranks. And oh how I miss those days now. Again Gulzar and RD at their best. RD had actually taken real  desks to the recording studio for the desk-tapping part. “VIP Underwear Baniyan”,   “Magarbatti-Agarbatti”, “sharmila cheetah”, and at the end, “center of gravity miss ho gaya tha!”- what an awesome lyrics! 😀

6. Aaja aaja main hoon pyaar tera (Teesri Manzil, 1966) : How could I do a post and not include a Shammi Kapoor number. Initially when I started with this post I had sat down with the intention of including songs that are not very popular…but I couldn’t really follow that. There are so many songs to choose from…This was Pancham Da’s first hit movie. Burman gave credit to lyricist Majrooh Sultanpuri for recommending him to Nasir Hussain, the producer and writer of Teesri Manzil.Vijay Anand also said that he had arranged a music session for him before Nasir Hussain. After hearing his music, Nasir Hussain made him the music director of Teesri Manzil. Nasir Hussain went on to sign RD Burman and lyricist Majrooh Sultanpuri for six of his films including Baharon Ke Sapne (1967), Pyar Ka Mausam (1969) and Yaadon Ki Baaraat (1973).

And as a kid I have fallen down so many times trying to imitate the steps in this dance…what energy level it has!

7. Is mod se jaate hai (Aandhi, 1975) : Another lovely movie with amazing music! Can’t imagine Aandhi without  Is mod se jaate ho, Tum aa gaye ho, Tere bina zindagi se koi. It has a strong story, not doubt about it but without the songs, I don’t think Aandhi would have been such a big hit and labelled a classic.

8. Piya tu ab toh aaja (Caravan, 1971) : This is another Pancham Da’s signature song, part of it in his own voice. This song is still a sensation, I can only imagine what rage it would have created back then. Sizzling Helen dancing to RD’s tunes and Asha Bhosle’s sensous voice…what a deadly combination!

9. Muthukodi Kawari Hada (Do Phool, 1973) : A catchy composition with South Indian flavour and it has Mehmood at his best. I actually wanted to include Padosan song but since I had already included Ek chatur naar in my Manna Dey special post, I changed my mind. I’m following mutually exclusive rule…so that I get to accomodate more songs that way. 😛

10. Meri soni meri tamanna (Yaadon Ki Baarat, 1973) : Meri soni meri tamanna, jhoot nahin hai mera pyaar, deewani se ho gayi galti jaane do yaar…I love you – this is all that I have to say to and about this song. This was another Nasir Hussain, RD Burman pairing and as expected a Musical blockbuster again. I actually saw a part of it on Set Max few minutes ago.

There I go again….I’m done even before I started, yet again! Few other songs I had in mind were Ruth na jaana tumse kahoon toh, Hume tumse pyaar kitna, Tera mujhse hai pehle ka naata, Raat kali ek khwab mein aayi, Kiska rasta dekhe, Aane wala pal jaane wala hai, Mere saamne wali khidki mein, Kali palak teri gori, Sun sun sun didi, Kasme vade nibhayenge hum, Ek din bik jayega, Mehbooba mehbooba, Ek ajnabee haseena se, Roop tera mastaana, Saagar kinare, O mere dil ki chain, Biti na biai raina, Kanchhi re kanchhi re, Bahon mein chale aao, Jaan-e-jaan dhoondta phir raha, Chingari koi bhadke….

Pancham was comfortable with all types of music, be it the romantic Raat kali from Buddha Mil Gaya, the sexy cabaret Piya tu ab toh aaja from Caravan, the ultimate hippie anthem Dum Maro Dum from Hare Rama Hare Krishna  or the classical Raina beeti jaaye. It is said that Dev Anand did not include the complete version of Dum Maro Dum in Hare Rama Hare Krishna, as he was worried the song would overshadow the film.  His most famous song as a singer was Mehbooba from Sholay.

Pancham Da was a very creative person. His percussion included a spoon against a glass (Chura liya hai from Yaadon Ki Baaraat), desks (Masterji ki aa gayee chitthee from Kitaab), a bamboo whistle with a balloon (Abdullah) and bottles filled with water at different levels (O maajhi re from Khushboo).

Kohinoor (1960)

December 15, 2009

It being Dilip Kumar’s birthday last week, I decided to watch a movie of his. Though I watched it on Saturday (12th Dec), I didnt have time to put it up here till now.

Dilip Kumar and Meena Kumari come together in this hilarious flick directed by S U Sunny- a true fairy-tale. There’s a prince, a princess, a villian and lots of fights. They both look so good throughout. Music by Naushad is very melodious. Dilip Kumar  went on to bag a filmfare ward for Best Actor once again for his role as Rajkumar Dhivendra Pratap Bahadur Chandrabhan.

Maharaj Dhiraj Rana Chandrabhan of Kailash Nagar is long dead and Deevan Veer Singh has been taking care of the kingdom all this while.

On the occasion of Holi, Deevan  addresses the crowd announcing the coronation of Rajkumar Dhivendra Pratap Bahadur Chandrabhan (Dilip Kumar) the following month.

Rajkumar, however, is not present during the announcement and Deewan mentions that he should have been there.  Also says that this is the last time he’s addressing the crowd. From now on, their would-be king would take over.

This is when our crown prince makes his entry carrying his pet mongoose on his shoulder.

On being asked by Deevan he says he was delayed because of his pet and goes on to add that animals are more loyal than humans.

Deewan’s wife, whom Rajkumar calls chachi (Leela Chitnis), is extremely fond of him and has brought him up like her own son, Surinder (on extreme right. I dont know what his real name is).

Everybody is happy about Rajkumar’s coronation and is busy cheering up for him when his mongoose, sets itself free and  runs away creating a havoc (must see the girls creaming and running, it’s very funny).

Chachi wants Rajkumar to get married to Rajkumari Chandramukhi (Meena Kumari) of Rajgarh and has sent her an invitation to come for Rajkumar’s coronation the following month. When Surinder tells Rajkumar about Chandramukhi he desont seem all that interested. But is smitten when he sees a picture of her and says he’s so happy that he actually feels like playing holi.

And there plays holi in Kailash Nagar and Chandramukhi plays in Rajgarh, singing the same song Tan ranglo ji. Her Senapati (Jeevan) likes her but she just cant stand him.

The Maharaja of Rajgarh is pleased about the  proposal from Kailashnagar. But he is ill himself and when Chandramukhi comes to give him his medicine, he tells her about the invitation for Rajkumar’s coronation and also about the proposal.

He shows her a picture of Rajkumar that chachi has sent and asks his daughter to set forth to Kailash Nagar. She falls in love with him almost immediately (and how could she not?).

Senapati says it’s not safe for her to go along and that he would accompany her but she refuses and starts for Kailash Nagar with the rest of the army.

In the meantime, there’s a murder being plotted  in Kailash Nagar. Deewan wants to kill Rajkumar, so that his son, Surinder can sit on the throne. He trains a very poisonous snake to kill him.

Every year artists come from various places to showcase their talents (singing, dancing). Rajlakshmi (Kumkum) is one of them. She comes from a village nearby.

She comes to a gathering headed by  Maharaj (that’s what everybody calls him, I guess he is the music guru)  to show her performance.

Rajlakshmi has come here to dance, so Maharaj tells the musicians present there to play music but they refuse saying they wont play for someone so young (as though it’s a disgrace).

Rajkumar comes forwards saying he would play as well as sing for her. Though reluctant at first, she agrees to dance to his tune after he challenges her. And finally we come to Madhuban mein radhika naache re . When Rajkumar is busy singing, Deewan’s people come and leave the snake there but before it can do anything, Rajkumar’s pet mongoose comes and kills the snake.

Chachi and Surinder are shocked to know that someone wants to kill Rajkumar and they ask him to be extra careful. Same night, Rajkumar is attacked again while he’s sleeping.

But he fights and they run away. He knows Deewan’s behind all these attacks. So he goes and confronts him. Deewan vehemently denies the accusations against him. And while he keeps Rajkumar occupied in a conversation, he signals his people to attack him again. Luckily Rajkumar sees them in the mirror and fights back. He finally tells Deewan that he’s leaving the kingdom and going. In his own words “Agar bhagwan ke ghar mein nyaya hai toh kisi din aap yehi taaj mere sar pe dekhenge” (if there’s  justice, then you’ll see this crown on me someday)

Deewan’s still not happy. He wants Rajkumar dead at any cost. So he sends his people  to kill Rajkumar and bring his deadbody back.  So they follow him. When they witness him falling off a cliff, they take it for granted he is dead and his deadbody cant be found. Thus, they return back to the palace.

Rajkumar manages to pull himself back and goes in search of a place to stay overnight. He finally finds a place and asks if he can spend the night there but is refused, reason being Rajkumari Chandramukhi, who’s  is halting there on her way to Kailash Nagar.

Knowing that Chandramukhi is there, he cant bring himself to leave the place without meeting her.

Next three screencaps will tell you all what he does next :

Yup, he chops Tuntun’s hair, makes a beard out of it and goes to Chandramukhi disguised as a Sadhu Maharaj!!! When Tuntun appears, terrified about losing her hair, Sadhu Maharaj says she must have committed some sin and that’s what she’s being punished for.  Not just that, he gives her the silliest remedy ever :

Sadhu Maharaj : Jao 6 mahine tak apne bache-khuse baalon mein kale ghode ki doom baandh ke rakho (Go and  tie a black horse’s tail to your hair for 6 months)

Chandramukhi : Safed ghode ki dum nahin chalegi, Maharaj? (Wont white horse’s tail do?)                                                                                                                                                                                                                                                                                                                                             Sadhu Maharaj : Nahin Rajkumari. Kale ghode ki dum mein jo kartavya hai woh safed ghode ki doom mein avashya nahin hai (whatever that’s supposed to mean!!! I cant even think of translating it ;-))

Anyways, he tells Chandramukhi that if she goes to a place that he tells her at a particular time, she’ll get to meet Rajkumar Dhivendra.

Excited about meeting her prince charming, she goes and they sing Do sitaron ka zameen par (it’s more of a hide-and-seek song, he tries to hide, conceal himself behind trees and bushes while she goes searching for him).

When they finally face each other at the end of the song (oh check the curls on her forehead), she goes running to her room and stands infront of a mirror (wonder if she was checking how she looked?)

But, alas, she hardly gets few seconds to admire herself, she’s abducted by her Senapati’s men. Hearing her scream Rajkumar follows them and manages to rescue her safe and sound singing Koi pyaar ki dekhe jaadugari.  This entires sequence of abduction, following and rescue is totally crazy and hilarious.

They are totally lost in each other when Senapati’s people attack them again.  They lock Rajkumar in a hut and set it on fire first, then take Chandramukhi and go.

His horse however saves him. Rajlakshmi finds him on the horseback, injured and unconscious. She nurses him back to good health and falls in love with him during the process 🙂

They both perform to Jaadugar qatil after he recovers.

He learns that Rajkumari Chandramukhi is held captive by Senapati in a fort. So he sets forth to set her free.

When Chandramukhi tries to kill herself,  Senapati decides to call people to sing and dance in order to entertain her. And our Sangeetkar Maharaj Kohinoor (Rajkumar Dhivendra in disguise, check out his beard) makes his entry into the fort singing Zara man ki kewadiya khol

After the initial qualms, finally when Chandramukhi recognizes him, she listens to him and follows his instructions. And when she sings Dil mein baji pyar ki shehnaiyan, Senapati beleives that Chandramukhi is slowly falling in love with him.

Check out her curls again!!! (no no I’m not obsessed with her curls, at least not yet 😉 ). To convince Senapati that Chandramukhi has totally forgotten Rajkumar, they sing a duet Chalenge teer jab dil par. But during all this drama, Sangeetkar Maharaj Kohinoor’s real identity is revealed and he’s is captured.

Held in chains, he’s blinded by a vengeful Rajlaxmi.

Chandramukhi, prisoned herself, sings Yeh kya zindagi hai . She’s left with no choice, either marry Senapati or witness the death of her blind Rajkumar.

What will she do? Will she marry Senapati to save Rajkumar’s life? And will Senapati leave him alive either ways? What are Rajlakshmi’s true intentions? And what happens to Kailash Nagar? Was it only Deevan plotting Rajkumar’s murder or was the entire family into it?

If for nothing else, at least for eye candy (both Dilip and Meena look amazing), the film’s worth watching! And trust me Dilip is at his mischievious best! First half is extremely entertaining. Second half is full of drama and sacrifices and a death. But it’s still fun and a must-watch.

Oops, I almost forgot this scene where Dilip becomes Jeevan’s mirror image – it’s a total laughter riot!