Posts Tagged ‘Joy Mukherjee’

Ten of my Favourite Saira Banu Songs

August 23, 2010

Here’s wishing Saira Banu a very very Happy Birthday! (23rd August). I am not a big Saira Banu fan. I find Saira Banu very screechy most of the time – but that doesn’t mean I don’t like her at all or don’t watch her movies. I liked her in movies like Shagird, Aayi Milan Ki Bela, Jhuk Gaya Aasmaan etc. And she has some great songs picturised on her….such good songs that I couldn’t resist myself from doing this post (knowing that it’s her Birthday).

So, here are few songs of hers that I like the most, not in any particular order.It’s a random list of first 10 or rather 15 songs that came into my mind.

One more thing before I start with the songs. How could I not mention Vividh Bharati? I was listening to VB in the afternoon and they played all Saira Banu’s songs in one of their programs. It was then I checked and confirmed her birthday.

1. Aap naraaz khuda khair (Pyaar Mohabbat, 1966) : This is one of my all time favourites and I love everything about this song. Rafi’s singing goes without saying. Shankar-Jaikishan’s music is amazing. Dev Anand is great but it’s Saira who steals the show for me. She looks very beautiful, charming and elegant. Her expressions are simply awesome!


2. Main chali main chali (Padosan, 1968) :  Rendered by Lata and Asha, this is a very masti-bhara number! It has something very refreshing and carefree about it. Rajendra Krishan’s lyrics and R.D’s music is very very cheerful and pleasing. Bhai batur is another typical Saira Banu song, in her signature style. And I really like it but there’s another signature song coming up next. So this was showcasing a different mood of Saira. I like her chilled out character here – that carefree  and eco-friendly attitude.

3.  Unse mili nazar (Jhuk Gaya Aasman, 1968) : This is what I call Saira Banu’s signature style. Penned by Hasrat Jaipuri, composed by Shankar-Jaikishan, sung by Lata and picturised on our B’day girl, this is one of my all-time favourite songs. It’s such a catchy song – everything about it is lovely – the tune, lyrics, singing and Saira looks gorgeous. Picturisation is very very cute, romantic and sensuous. Saira’s expressions of self-confession are so innocent and sweet. I find this and Bhai batur pretty similar – picturisation wise.

4. Kanha kanha (Shagird, 1967): This has Saira in a different avtaar altogether. I initially thought of including my favourite number from this musical blockbuster – Woh hai zara khafa khafa, but felt Dil vil pyar vyar and Ruk ja aye hawa are more like typical Saira Banu songs. But this one is different from other songs of hers, spiritual and magical at the same time. I find her extremly beautiful here. Lata is terrific and Laxmikant-Pyarelal’s music is fantastic!

5. Kashmir ki kali hoon main (Junglee, 1961) : My favourite song from this movie is Ehsaan tera hoga mujh par, but I like the Rafi version more than Lata version. Saira’s expresssions are not all that great in it. It’s Rafi’s voice topped with Shammi Kapoor’s expressions and eyes that has made the song what it is. Ja ja ja mere bachpan is sweet but it’s Saira, looking like a Kashmiri doll in Kashmir ki kali hoon main that makes it to this list – her looks, the Kashmiri attire, angry and khadoos look of Shammi Kapoor (with a pout)…everything about this song is so lovely in a typical Hindi Film style. Again, this song reminds me a bit of O mere sona re from Teesri Manzil.


6. O sanam tere ho gaye hum (Aayee Milan Ki Bela,  1964) : Another musical blockbuster. Each and every song in this film is a masterpiece. I had thought of including Tum kamseen ho first and then realized that I hadn’t put a duet (with a male singer) yet and I’m already half-way through. And also, I have already included a paean to her above and there will be few more by the time I reach the end of this post. So here goes one of my favourite Lata-Rafi romantic duets. Lovely tune from SJ camp and highly romantic lyrics by Hasrat Jaipuri. I like Rajendra Kumar-Saira Banu pairing, they look good together and they share a good chemistry. And I love everything about this song, including Rajendra Kumar’s dance 😀


7. Unki pehli nazar kya asar kar gayi (April Fool, 1964) : Talking about musical blockbuster, here’s one more. After battling between Tumhe pyaar karte hai, Mera naam rita chirstina and Unki pehli naazar ka, I chose this over the other two – Tumhe pyaar karte hai is a lovely song, no doubt about it but didn’t want to put two romantic duets in a row (if that can be called an excuse). Mera naam rita christina – everytime I see this song, I keep wishing  it had Helen in it. It definitely portrays Saira in a different avtaar again but I like this song better.  It does sound like a sober and more Bolly-Bharatiya-Naari version of Unse mili nazar. Lata is mindblowing in it and so is Saira. Truly amazing song!


8. Tum akele toh kabhi baag mein (Aao Pyaar Karen, 1964) : I find songs and movies more charming and fascinating when they are in Black & White than in color. May be because all the people whom I like so much looked much better in B&W days. Both Joy Mukherjee and Saira look so gorgeous in this one. This movie again has some lovely songs – be it Tum akele toh kabhi, Dil ki aaine mein, Yeh jhuki jhuki or Tammannao ko khilne do. Tum akele toh is very entertaining. Hats off to the lyricist for penning down this duet – a true battle of words. Usha Khanna’s music as always is lively and peppy. Lata and Rafi are at their best. Saira looks very young and pretty. Though the set looks artificial, I love the song. It’s such a lovely song and with Joy and Saira on screen, I just can’t complain about anything. The full song’s video is not on youtube yet. The link above has only half of the song. However, the audio is available.


9.  Hum bhi agar bachche hote (Door Ki Awaaz, 1964) : I almost put Husn se chaand bhi sharmaya hai but as this is a Birthday special post and it’s Saira’s birthday, here’s this all-time favourite birthday song dedicated to her. Not a great movie, but Joy-Saira pairing always promised some great songs.

10. Husn chala kuch aisi chaal (Bluffmaster, 1963) : Not a movie that I remember fondly, except for few songs and this happens to be one of them. What an eye-candy! Now that I have seen Shammi Kapoor in his true Shammiesque style, (unlike the one in Kashmir ki kali hoon main, though he looks cute there as well) I can sleep peacefully. Ok, I shouldn’t be changing focus. Saira looks very pretty and like I keep saying, B&W movies have a different charm. With Shammi on screen, it’s difficult to concentrate on somebody else. So I better end it here.

Here’s wishing the lady a great year and a healthy life ahead!

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Ziddi (1964)

May 29, 2010

Ashok (Joy Mukherjee), is the youngest son in the family of Judge Sachin Shankar (Ulhas) and Mumtaz Begum.

He has two brothers and a younger sister (Lata Sinha). Both his brothers  are married and one of his sisters-in-law is Bela Bose. She hardly makes an appearance for 2 mins, what a waste of character!

Sachin is a pretty strict parent who wants everybody at breakfast table by 8 AM and expects all his sons to go to work and earn their living. The other two are great sons as per him who are professionally and financially settled in life and his only complain is about Ashok, who’s still in bed when everybody else has already gathered for breakfast. And he’s also not happy about Ashok wanting to become a writer.

Ashok goes to meet a publisher (Murad), who also doesn’t approve of his choice of profession because he thinks Ashok doesn’t look like a writer!!! (Now what’s that supposed to mean?)

Mr. Chaterjee (Asit Sen) makes an entry here and the publisher tells him that he has been summoned to Ooty by Thakur Mahendra Singh (Raj Mehra) as the Manager of his Tea Estate. And apart from looking after the Tea Estate his job would also include keeping an eye on Asha (Asha Parekh), Thakur’s daughter. He gives Mr. Chaterjee Asha’s photo, where she’s posing beside an elephant with a gun and gives him a brief introduction saying – “Yeh Thakur saab ki beti hai, Asha. Aur uski teen hi shauk hai zindagi mein – Sheron ki shikar, haati aur ghodon ki sawari and aadmi ke kapde pehena aur unko neecha dikhana” (This is Thakur’s daughter, Asha and she lives just for three things – to kill tigers, to ride horses and elephants and to wear men’s outfit and to make them feel inferior).

Ashok also sees Asha’s pic and is totally smitten. He has a feeling that if he gets to meet her he can come up with a story that would establish him as an Author. He takes her pic and goes on the road singing Teri surat se nahin milti kisi ki surat . Judge spots him singing by the swimming pool and takes him back home. Finding Ashok’s behaviour weird, he feels Ashok must be suffering from some illness and calls a Doctor. Doctor says he’s fine, it’s just that he’s suffering from loneliness –  which he finds all the more weird – lonely in a house full of peaople?! Doctor then goes on to explain that they should get Ashok married. At this, the entire family literally runs out of the house in search of a girl, leaving bewildered Ashok behind.

Ashok runs away from his house and goes to Ooty.

Judge is furious to find Ashok gone and is all the more angry when he discovers Ashok’s note that says :  “Zindagi bhar gadha na reh jaun, isi liye romance aur adventure ki talaash mein jaa raha hoon” (I don’t want to remain a fool all my life, that’s why I am off in search of Adventure and Romance).

He’s almost robbed off his belongings in the train by Mohan Choti while he’s asleep – And this scene is hilarious…Ashok’s dreaming about Asha and is blabbering in his sleep. That’s when Mohan Choti enters his compartment and what follows is very funny – extremely situational monologue from Ashok and Mohan’s expressions just perfect to blend with the scene. This is once of my favourite scenes in the film.

When Ashok finally wakes up and realizes that his suitcase is nowhere around, he follows Mohan and jumps out of the train behind him. Just then they hear a gunshot and Mohan drops Ashok’s suitcase and runs away. Ashok then spots Asha with a gun and she screams at him for scaring her prey away – according to her, the tiger she was about to shoot ran away because of Ashok 😛

She takes her jeep and drives away. Ashok retrieves his belongings and starts walking towards some civilization from the jungle he is in. Back at Thakur’s (Raj Mehra) house, everybody’s searching for the jeep. The new Manager was arriving and Mahesh (Mehmood), their driver was supposed to go to the station to receive him but both the Jeep and the driver are missing.

Seema (Nazima), Asha’s sister is sure that Asha must have taken the Jeep and Thakur is very angry about the whole affair and promises to scold Asha when she gets back. Lakshmi (Sulochna), Thakur’s wife, is hurt that Seema isn’t very fond of her sister and keeps complaining about her. And both Thakur and Lakshmi are busy blaming each other for spoiling Asha. In between this, Asha drives in complaining that somebody scared her prey away. And on being asked about Mahesh, she tells her pet, Majnu (an elephant) to bring him back. Poor soul was put in a drum and kept under Majnu’s invigilation.

Both her parents are extremely fond of her and they easily forgive her for all the pranks she’s upto and overlook them. As a result, Asha is such a spoilt brat, stubborn to the core and quite irritating as well.

Mahesh is then sent to the station to bring the Manager. On his way he sees Ashok walking with a suitcase and assumes him to be the new Manager. So he brings him home and introduces Ashok to everybody as the new Manager of Mahendra tea State.

Asha is furious to see him home and tries all the possible pranks to get him kicked out. She isn’t very successfull in doing so but she doesn’t give up.

 As a punishment for taking the Jeep in the morning, Thakur prohibits her from going to the Jalsa (a local fete) that night. And Ashok is instructed to keep an eye on her and make sure that she doesn’t even step out of the house.

Stubborn and bent on proving how inefficient Ashok is, she sneaks out of the house and in a hurry mounts an untamed horse and sets off. When Ashok realizes this, he goes behind on another horse, saves her and brings her back home, literally drops her on her bed and locks her room from outside. But she calls Majnu below her balcony, jumps on her back and goes to the Jalsa and dances to Raat ka samaa jhume chandrama.

Ramdas (Dhumal), is the Supervisor of the Tea Estates. He has a very pretty daughter Sheela (Shubha Khote) who’s madly in love with Mahesh. But Ramdas doesn’t approve of their romance and picks up a quarrel with Mahesh for the silliest of reasons.

Ashok takes up his job as the new Manager the following day. It’s almost 12:30 in the afternoon, he tells Ramdas to break for lunch at 1 and heads home for lunch himself.

Mahesh also takes a break saying he’s going to meet Sheela. On his way, Ashok sees Asha perched on a tree branch chewing Sugarcane, he flirts a little with her and she instructs Majnu to pick him up and throw him in the well, which Majnu obediently follows.

Mahesh sees Sheela getting lunch for her father and walking towards the Tea Estate. He asks her for some food and they climb the clock tower where she feeds him. He sets the time to 11insh hoping to spend some more time with her. Ramdas is hungry and keeps waiting for his daughter who doesn’t turn up. When he glances up to the clock tower to see the time, he is surprised  and figures out that something’s wrong.  So he sets out to investigate. When Mahesh sees him, he runs away at such a speed and without even looking around that he also ends up in the same well as Ashok. They somehow manage to get out.

 And now, Ashok feels it’s time to do something to tame Asha. But he has to get across Majnu before reaching Asha. So he prepares himself for the mission.

He manages to make friends with Majnu. And with his help, he sort of kidnaps Asha and sings Pyaar ki manzil mast safar. Now that Majnu is on Ashok’s side, Asha decides to sell the disloyal Elephant. She sits on Majnu and begins the auction. Ashok comes disguised as an Arabic and buys the Elephant for a huge amount. When she dismounts after the deal is done, he jokes with her saying, he had bought the entire package for that much, ie the elephant along with her on his back!

There’s a lot of drama in between. Ashok comes across a letter sent by Mr. Chatterjee, the original supposedly new Manager of the estate – who has written saying he fell ill and couldn’t come on time but now that he has recovered, he would be arriving soon. It’s just because Mahesh thought he was the Manager, he was brought to the house and given the job. He’s worried and thinks of going back home. When Mahesh learns the truth he decides to help Ashok. They both go to receive Mr. Chatterjee, who comes marching to the background score of “So he’s a jolly good fellow”. They take him to a fake graveyard haunted by Sheela clad in a black saree and they tell him that all the people killed by Asha are burried in this graveyard.

She hates Managers and there’s a slot especially reserved for Managers. At this Mr. Chatterjee runs away from there and is never heard of again.

Seema was out of town all this while and Ashok had never met her. One evening he’s sitting in his room typing his story and reciting some lines (he has quite a shayarana andaaz, the way he flirts around with Asha, the lines he uses –  they are very poetic and very very romantic), a dog happens to sneak in and Seema comes following the dog. He’s pleasantly surprised to discover another pretty lady in the house. And she’s a very sweet girl and they get along very well from the very beginning. When he notices Asha observing them, he makes fun of Asha and she walks away in a rage.

At the Jalsa, when Mahesh spots Ramdas sitting with Ashok, he drapes a dupatta over him and Sheela introduces him as Roopmati, her widowed friend to Ramdas. Ramdas falls madly in love with Roopmati. He continues pretending to be Roopmati at few more occassions.

 At one of them he flirts with Ramdas as Roopmati and then fools him and sneaks out of the house with Sheela singing Main tere pyaar mein kya kya na bana and at another Roopmati agrees to marry him provided that he gets Sheela married first. But some Astrologer had told Ramdas that he would die if Sheela gets married and has a child. When Mahesh discovers this, he confides in Ashok about it. And Ashok decides to help Mahesh,  disguised as a Sadhu baba, he  tells Ramdas to get his daughter married within seven days or else he’ll die. Ramdas’s in a dilemma now…one astroger told him that he’ll die if he gets Sheela married and now another is telling him that he would die if he doesn’t get her married.

Asha happens to cross by just then and Ashok, disguised as Sadhu baba, takes advantage of the situation, tells her few things about her at which she’s shocked (a Sadhu who knows so much about her) then tells her that she should dress properly…she’s a girl and should behave like one, mustn’t go around hunting tigers all the time…blah blah and at the end he says if she goes on this way, Ashok might choose Seema over her.

She goes back home and sits infront of the mirror, tries on a little make up and even wears a saree. The she goes down hoping Ashok would see her.

She gets mad at Ashok when she sees him sitting and talking so sweetly to Seema.

Seema is going for a picnic with her friends and invites Ashok to join them. He happily accepts the invitation and asks Asha if she would like to come along as well….

Asha : Jahannum mein jao! (Go to hell!)

Ashok : Akele jaane mein mazaa nahina ayega, aap bhi chaliye na (it won’t be fun going alone, why don’t u come along as well)

At the picnic, Ashok and Seema are busy with their sheron-shayari when her friends ask him to sing a song. He says : “If I knew how to sing, wouldn’t I have become an actor?” And then he hears Majnu and realizes that Asha is somewhere around. So he jumps around singing Janu kya mera dil ab kahan kho gaya.

By the end of the song, Asha ties some balloons to the basket in which Seema’s doggy is sitting and the basket flies away. Seema gets all hysteric seeing her doggy so helpless up in the air.

 Ashok scolds Asha and she replies saying : “Badla lena hai na, toh mere Majnu ko gubbare se bandhke suraj pe bhejde. Kutta bahut romantic ho raha tha isi liye maine usse chand pe bhej diya romance karne” ( Take revenge , do the same thing with my Majnu, tie balloons to him and send him to the sun. Your dog was getting very romantic, that’s why I sent him to the moon to romance).

Ramdas gives in and gets Sheela married to Mahesh.

Ashok continues flirting with Seema, even more when Asha is around, just to make her feel jealous. But Seema, unaware of Ashok’s intention, takes everything he says seriously and actually falls in love with him.  They go out one day and Asha sees Seema very happy with Ashok. At this sight, Asha loses her control and shoots Ashok. He falls down in the lake.

He doesn’t appear on the surface….it’s then that she realizes what she has done. Full of regret, she goes running back to the place where she had met Sadhu baba to seek his help. When she deosn’t find him there, she confesses her love for Ashok and starts talking to herself. Ashok, knowing she would come there, swims out and comes right there. For a while he converses with her from behind the bush as the Sadhu baba but after a while he comes out of his hiding and they declare their love for each other and sing Champakali dekho chhu ke jaadu kiya mere pyaar ne.

Ashok writes to his parents about Asha and asks them to come over. Thakur Mahendra Singh and his wife also find out that they are in love with each other and they readily accept Ashok into their family. Only Seema is heart-broken.

Just after Mahesh and Sheela get married, the first Astrologer comes and scolds Ramdas for not listening to him. He tells him the Sadhu who told him to get Sheela married was a fake. Ramdas gets very scared and doesn’t even let Mahesh touch Sheila. Mahesh is so sad –  Pyaar ki aag mein tan badan jal gaya.

Ashok’s family comes over to Ooty and all is well….

 …but how can we have such a simple and smooth climax, right?….So here comes the twist – Judge sees a photo hung on the wall of Thakur Mahendra Singh’s house and that triggers a lot of memories – he immediately refuses to get Ashok married to Asha as he knows of Asha’s parentage –  a father who is an escaped convict, in jail for murder, and a mother whose profession was: prostition. And then everybody is surprised to see Asha drunk – singing and dancing to Yeh meri zindagi ek pagal hawa at a party.

And in between all this, Moti (Madan Puri) makes an entry.

Who is Moti? What’s the secret behind Asha’s family? How will Seema react to all this? Will she take revenge? What happens to Mahesh and Sheela? Does Ramlal ever get to know the truth behind Roopmati?

Not a hard ending to guess at all 🙂

I really like Joy Mukherjee and it’s Rafi’s songs and Joy that made me watch this movie. If you are not very fond of Joy Mukherjee, be content listening to or watching the songs on Youtube for Rafi. Well, I am not scaring anybody away….but there’s nothing much in the movie to like. I did like few things like the scene between Ashok and Mohan Choti in the train, Ashok flirting with both the sisters but it wasn’t right of him to play with Seema’s emotions the way he did, Mahesh and Sheela’s romance which was very cute ( I really like this couple and it wasn’t irritatingly OTT), can’t say the same about Ashok and Asha though, it was too short. Ashok spent more than half the movie pursuing Asha, the rich, spoilt-brat. Everybody looked good, so that was one consolation but other than that, I didn’t find the movie all that great. It was average and one time watchable, but I don’t see myself watching this movie again.

I do adore Asha Parekh but in this movie she was very screechy and irritating. Missed the Love in Tokyo chemistry. But Nazima made up for that, she was very cute and sweet. Wonder how and why Joy didn’t fall for her. I hardly said anything good about the movie….it isn’t all that bad either and I don’t regret watching it. I would rate it 6 (only 5 for the story, extra point for all the other things I liked about the movie. Had Asha been better, it would definitely have scored 7 + for me).