Posts Tagged ‘Jeene Ki Raah (1969)’

Jeene Ki Raah (1969)

April 12, 2010

I have always loved this film’s music. Laxmikant-Pyarelal had won Best Music Director filmfare award and Lata, the Best Playback Singer  for Aap mujhe achhe lagne lage. I had only two Jeetendra movies – this and Palkon Ki Chhaon Mein, so I decided to watch this first on the occasion of his birthday.

After completing his post graduation (M.Sc) in first class, Mohan (Jeetendra) returns back to his village.

He boards a bullock-cart at the station to go home, but then sees an old lady looking for a conveyance to go to some other village with little kids, so he leaves the cart for them and walks home singing Aane se uski aaye bahaar on the way.

His sister Sudha (Meena T) spots him first and runs to the house to give the news of his arrival to Shobha bhabhi (Anjali Kadam).

Mohan is married to Shobha and has a daughter, Guddi (Baby Gayatri).

Apart from Sudha, he has three little sibblings – Raju, Birju and Bindu. When he doesn’t see them around he enquires about them and his mother, Janki (Durga Khote) and soon learns that they have been toiling to sustain the family – mother in a rice mill and his siblings in a tobacco factory.

He also finds that the ancestral house is heavily mortgaged and his greedy cousin Durga (Bela Bose ) holds Janki responsible for all the problems. Durga, her husband, Ram Das (Roopesh Kumar) and their son, Munna (Master Ripple) also live with them.

He feels ashamed of himself – with a jawaan and educated beta at home, his old widowed mother is working and so are his tiny brothers and sister. He feels it’s his responsibility to support his extended family and decides to go to Bombay in search of a job. But is very frustrated when nobody takes him, inspite of his first class degree in M.Sc – they need recommendations, not degrees.

Exhausted and full of despair, he wanders aimlessly along the street and is almost run over by an ambulance. Out comes Dr. Manohar (Sanjeev Kumar) and scolds him for being so careless, only to recognize the person as Mohan, his friend. He takes him home and gets him introduced to his brother, Naren (Sudhir Kumar…isn’t this guy Naren the guy who played Mohan, the blind guy in Dosti? imdb lists him as Karan Dewan who I feel played Dr. Shekhar and not Naren), a sculptor, who’s deaf and dumb by birth.

He grooms a village boy Mohan to a suited-booted Mohan. Manohar himself decides to go abroad to do a research on a cardiac problem but before that he gets Mohan introduced to his circle of friends in the city during his farewell party.

Mr. Rai (Manmohan Krishna), one of Manohar’s guests is impressed with Mohan and invites him to his house one evening. Mr. Rai is looking for a Personal Secretary but given the nature of work (which according to him is going to be 24X7)needs someone who’s single. Desparate as he is to get a job, Mohan lies to him that he’s single and gets employed.

He soon proves to be an ideal employee and a personal favourite of Mr. Rai as well, much to the dismay of his business partner, Sunder (Jagdeep) and his associate, Ranjan (Ram Mohan).

Dr. Shekhar informs Mr. Rai that his daughter, Radha (Tanuja) is coming from Switzerland.

Mr. Rai is worried that her coming back to India may not be a great idea. He loves his daughter but is worried for her….she’s still in a state of shock, ever since her  mother’s death an year ago – has a heart problem and is bound to wheel chair. At the mention of her mother, she gets an attack and turns blue. But Dr. Shekhar assures him that she’ll be fine provided she’s kept happy.

It’s her birthday the following day. One of the guests mentions her mother in front of Radha and she gets an attack. Mohan sings Aane se uske aaye bahaar to cheer her up. And by the end of the song she even makes an attempt to leave her wheelchair behind and stand on her own feet (literally).

Mohan sends money home but Durga keeps it for herself and doesn’t give it to the family. When the rest of the family learn this, they decide to leave Ram Nagar and go to Bombay to Mohan. They don’t even have his address, they just set out – this was so foolish of them! And yes, as expected, they end up on the streets searching for Mohan.

Dr. Shekhar and Mr. Rai are glad with the progress in Radha’s condition. Dr. Shekhar suggests that Radha be taken to some hill-station for a few days – the change in atmosphere will do her good.

She’s also happy about it and says she’ll complete her painting there. Her friends also come along. They go sight-seeing during the day, where Radha also makes her painting. Her friends tease her and she goes running behind them. Mohan tries to stop her from running – she is just recovering and has started walking, he’s scared running too much might take a toll on her health but she doesn’t listen and after a while, exhausted she almost falls and he goes to give her a support – her friends click a pic of Radha in Mohan’s arms.

The natives invite them for a program in the night and they dance to Aa meri humjoli aa, where Radha imagines herself and Mohan in the act. By the end of the song, she’s dancing herself and Mr. Rai is delighted that his daughter is finally coming back to normal.

They come back to Bombay and Radha is head over heels in love with Mohan. He, being  a married man, tries to keep distance from her. One evening she comes to him and asks him to take her out but he refuses. She throws tantrums but he doesn’t give much attention.

Just then he hears some children sing Chanda ko dhoondne on the road (since that’s his family song – as in he used to sing it to his siblings, daughter and nephew), he rushes down to who’s singing it (he has no clue that they have come to the city) but Radha assumes that he has left his work and come to take her out. When this dawns on him, he just tells her that it’s such a beautiful song and goes back to work, tries looking down from his office window, but doesn’t see anybody.

Sudha falls ill and when Janki goes out in search of a vehicle in the night to take her to a hospital, Mohan spots her on the road. The family is finally reunited. He takes them to Manohar’s house. Durga and Ramdas, along with Munna are forced to leave the house in Ram Nagar and they end up in Bombay as well. They first land in Sundar’s house but later Ram Das plays a trick to make Durga realize her faults and also manages to convince her to work hard and earn a living. Mohan sees them working as labourers at a construction site and brings them home too.

There’s a party on the 25th Anniversary of Mr. Rai’s business. And Mohan is requested to sing a song –  Ek banjara gaye.

Shobha takes Guddi and goes shopping. At the store, Guddi asks Shobha to buy her a dress but the one that Guddi wants is too expensive for Shobha to afford and she explains it to her. After a while she settles down for something else. Radha, who witnesses all these feels bad for Guddi and offers to buy her few dresses. Though Shobha refuses, Radha buys lots of stuff for Guddi. They soon become friends and Shobha takes her home to meet her family.

Mohan sees Radha come to his house with Shobha just in time and manages to hide this time but is tired of leading a double life – hididng the truth about Radha to his family and vice versa.

Raghunandan (Vijay Khote) and his father Dubey ( C.S Dubey) come to ask for Sudha’s hand. Janki is more than happy at the thought of getting her young daughter married. Mohan tries to oppose this relation when they ask for dowry but Janki doesn’t listen to him and fixes the wedding.

Mohan’s well aware of Radha’s feelings for him but he can’t even reveal the truth to her for the fear that she might get back into a depression again. On the eve of her birthday she sings Aap mujhe achche lagne lage and Mr. Rai confides in him that he’s going to announce his engagement with Radha at her birthday party. He tries to tell the truth to Mr. Rai but he just doesn’t let Mohan speak. Mr. Rai even gives 2 Lakh rupees to Mohan to deposit in his account so that he doesnt have an excuse to refuse this relationship on the account of him being a poor man.

Mohan is in a dilemma…he doesn’t know what to do – if he accepts the money and agrees to get married to Radha, his family’s financial problems will be solved, but if he decides to tell Mr. Rai the truth he might not only lose his job but it might also drive Radha into a depression.

What will he choose? Will Janki ever see the scheme that cunning Dubey is plotting by getting Raghunandan married to Sudha? Will Sunder ever be able to convey his feelings for Radha? What happens to Manohar and Naren?

Music is definitely great but I found the movie on the whole just average.

Sanjeev Kumar with shayarana andaaz was dashing –

Tanuja, gorgeous as always, not at the beginning as she makes her entry though –

And Jeetu looked so cute and innocent –

Few parts were irritating and emotional toture but on the whole quite an entertaining movie – I would rate it 5/10.

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Ten of my Favourite Jeetendra Songs

April 9, 2010

I am not a big Jeetu fan, but like Nasir saysthere’s neither anything great about him nor a larger than life charisma, but there’s something about him, something  that just can’t be ignored. And some of his songs are truly awesome, be it Rafi or Kishore singing for him, they are just amazing! Here’s wishing him a very happy (belated) birthday and here is a list of songs through which he dances, flirts, jumps, romances, dances,  jumps and dances over and over again.

1. Baar baar din  yeh aaye (Farz, 1967) : I actually love all the songs from this movie, like  Tumse o haseena, Mast baharon ka, Hum toh tere aashiq hai, Dekho dekho ji  better but since it was his birthday yesterday and this one’s  one of the best birthday party songs, this is a special  dedication to him.


2. Musafir hoon yaaron (Parichay, 1972) : One of my favourite movies and surprisingly this song marks my introduction to the Jumping Jack  – this is the first movie of his that I saw. Guess that’s one of the main reasons why I like him still even after watching him in all the other not-so-good movies.


3. Rukh se zara naquaab (Mere Huzoor, 1968) : What do I say about this song…I adore this song for every possible reason – music, lyrics, Rafi’s voice, picturisation…it’s all so lovely. I came home late from work last night and put the tv on just in time to see this song on B4U music and that’s what prompted me to do this post.


4.  Saat ajoobe is duniya mein  (Dharam Veer, 1977) : Garam dharam in minis and Jeetu in such flashy outfits….and as though that’s not enough – it has an added advantage of Zeenat’s and Indrani Mukherjee’s  presence, glimpse of Jeevan and lots of other royal pleasantness. Just this song itself is so spicy – a true representation of 70’s masala movies.


5. Dhal gaya din (Humjoli, 1970) :  Here comes Jeetu in his trademark White Trousers and shoes combo romancing Leena over a game of badminton followed by lots of other goodies. I had seen this movie ages ago but still remember the entire story. This movie had some very catchy dance numbers –  rain dance in Haye re haye, Jeetu shaking a leg with gorgeous Mumtaz in  Tik tik tik mera dil dole.

6. Chadhti jawaani teri chaal mastaani (Caravan, 1971) : Talk about catchy numbers and here comes another movie full of them – Piya tu ab toh aaja, Chadti jawani teri chaal mastaani, Daiyya main yeh kahan aa fassi, Ab jo miley hai, Dilbar dil se pyaare, Kitna pyaara vaadha, Goriya kahan tera desh re….to choose just one song from this movie is so tough – all the songs are ek-se-badkar-ek, RDB at his best. I like Kitna pyaara vaadha a lot, it’s a very cute romantic number but with Aruna looking the way she is in Chadhti jawaani, I had to choose this one.


7. Tere haathon mein pehnake  (Jaani Dushman, 1979): If the other songs are catchy and foot-tapping, I would rate this as a shoulder-shaking song in addition to being catchy, peppy and playful! Jeetu’s energy level, Neetu’s bubbly-ness, cheerful lyrics, perfect rendition and great choreography – this song gives a different dimension to this otherwise mysteriously bride-disappearing saga and distracts viewers for a while from what is inevitable.

8. Tera saath hai toh (Pyaasa Saawan, 1981) : I don’t remember much of the movie except for the fact that Jeetu is playing a double role (father and son) in this, but I love the songs – Tera saath hai toh and Megha re megha re. It’s such a highly romantic number.

9. Tere sang pyaar main (Nagin, 1976) : It’s so nice to see Jeetu jumping around a little gracefully, though his steps (esp the hand movements) look so feminine, but provided that he’s a Naag, I guess that’s ok. I remember watching this movie as a kid and had thoroughly enjoyed it. I think I should give it a try again – feisty Reena seeking vengeance and some good songs doesn’t sound all that bad. Reena and Jeetu share a very good chemistry here and both their costumes are  very sexy.


10. Aa meri humjoli aa (Jeene Ki Raah, 1969) : One of the best hide-n-seek songs ever – it’s such a cute song. I like Tanuja’s reaction to the song –  the way she suddenly jumps up from her seat (love the blue saari that Tanuja’s wearing). The other songs –  Aap mujhe achhe lagne lage, Aane se uski, Ek banjara gaye  are nice as well.

As always, I’ve already reached ten songs and there are still so many more playing through my mind : Ke hum tum chori se (Dharti Kahe Pukar Ke), Raat suhani jaag rahi hai (Jigri Dost), Yeh mulaquat ek bahana hai (Khandaan), Tere khayalon mein hum (Geet Gaya Pathharon Ne), Dil ki baatein dil hi jaane (Roop Tera Mastaana), Pal do pal ka (The Burning Train), Meri saanson ko jo (Badalte Rishte), Kab tak huzoor roothe rahoge (Aulad), Kisi raah mein kisi md par (Mere Humsafar)  – to name a few

Ok…now I think I like Jeetendra a little more than what I have admitted at the beginning of this post – “Tumse o deewane kabhi mohabbat na maine karni thi, magar mere dil ne mujhe dhoka de diya” 😉