Posts Tagged ‘Dev Anand’

R.I.P Dev Anand

December 4, 2011

I went to office this morning, totally unaware of Dev Anand’s demise. I was little early today and only one of my teammates was in.  The conversation that followed was –
Me : Hi, Good Morning
Him : Good Morning. How was your weekend?
Me : It was great! Couldn’t have asked for a better one. How was yours?
Him : Was working both the days. Watched any movies? Saw Desi Boys?
Me : Nahhhh….I watch very selected new movies. I’m happier with my old black and white collection
Him : Is it?
Me : Yup and the next new movie I’m gonna watch is Don 2
Him : Ok…if you are so much into old films then there’s a sad news for you
Me : Sad news? What happened?
Him : Dev Anand is no more
Me : What? How can that be….When? How?
Him : I dont know the details

By then I had switched my laptop on and the first thing I did was to read the news. All that I could say was – this year’s been so unfortunate! Coming to think of it, they had turned old and fragile, were suffering and in pain. They’ve been relieved from all the worldly sufferings and have gone to be reunited with their old friends. But it’s not that easy to accept it, though we all know that death is the final destination, that all our lives come to an end someday. We’ve seen them and known all our lives,   ever since we can remember and all of a sudden we read that they are no more. It’s like losing a family member.

The only movie of Dev Anand that I have with me at the moment is Namoona but it was late by the time I got back home from work, so couldn’t watch it. May be some time later during the week…I had made a list of 10 songs but it’s already past midnight and it’ll take time to search for youtube links. So, keeping up the trend of last 3 days, here’s one song picturised on Dev sahab in Rafi’s voice.

I didn’t know that this song existed until I watched the movie and saw the song. And had completely forgotten about it until I heard it again on Vividh Bharati this afternoon on Dev Anand special Sadabahar Nagme. It has it’s own charm and it’s cute.

It’s from Love Marriage (1959), written by Shailendra, composed by Shankar Jaikishan, sung by Rafi and picturised on Dev Anand and Mala Sinha.

Lara lara la  
(Kahan jaa rahe the, kahan aa gaye hum – 2
Kisi ki nigahone se – 2
Takra gaye hum – 2) – 2

Kho chale saare nishan, main yahan dil hai kahan – 2
Soye hai ke jaage, chakra gaye hum – 2
Kisi ki nigahone se – 2
Takra gaye hum – 2
Kahan jaa rahe the

Lara lara la  ho ho ho….. Lara lara la  

Yeh subah masti bhari, yun hanse jaise pari – 2
Kismat ko shayad, yaad aa gaye hum – 2
Kisi ki nigahone se – 2
Takragaye hum – 2
Kahan jaa rahe the

Ajnabee apna hua, sach mera sapna hua – 2
Saare jahan pe, lo chha gaye hum – 2
Kisi ki nigahone se – 2
Takragaye hum – 2
(Kahan jaa rahe the, kahan aa gaye hum – 2
Kisi ki nigahone se – 2
Takra gaye hum – 2) – 2
Kahan jaa rahe the

Lara lara la  ho ho ho…..hmm hmm hmm….. Lara lara la  Lara lara la

You will live in our memories forever! RIP, Dev Anand!

Ten of my Favourite Saira Banu Songs

August 23, 2010

Here’s wishing Saira Banu a very very Happy Birthday! (23rd August). I am not a big Saira Banu fan. I find Saira Banu very screechy most of the time – but that doesn’t mean I don’t like her at all or don’t watch her movies. I liked her in movies like Shagird, Aayi Milan Ki Bela, Jhuk Gaya Aasmaan etc. And she has some great songs picturised on her….such good songs that I couldn’t resist myself from doing this post (knowing that it’s her Birthday).

So, here are few songs of hers that I like the most, not in any particular order.It’s a random list of first 10 or rather 15 songs that came into my mind.

One more thing before I start with the songs. How could I not mention Vividh Bharati? I was listening to VB in the afternoon and they played all Saira Banu’s songs in one of their programs. It was then I checked and confirmed her birthday.

1. Aap naraaz khuda khair (Pyaar Mohabbat, 1966) : This is one of my all time favourites and I love everything about this song. Rafi’s singing goes without saying. Shankar-Jaikishan’s music is amazing. Dev Anand is great but it’s Saira who steals the show for me. She looks very beautiful, charming and elegant. Her expressions are simply awesome!


2. Main chali main chali (Padosan, 1968) :  Rendered by Lata and Asha, this is a very masti-bhara number! It has something very refreshing and carefree about it. Rajendra Krishan’s lyrics and R.D’s music is very very cheerful and pleasing. Bhai batur is another typical Saira Banu song, in her signature style. And I really like it but there’s another signature song coming up next. So this was showcasing a different mood of Saira. I like her chilled out character here – that carefree  and eco-friendly attitude.

3.  Unse mili nazar (Jhuk Gaya Aasman, 1968) : This is what I call Saira Banu’s signature style. Penned by Hasrat Jaipuri, composed by Shankar-Jaikishan, sung by Lata and picturised on our B’day girl, this is one of my all-time favourite songs. It’s such a catchy song – everything about it is lovely – the tune, lyrics, singing and Saira looks gorgeous. Picturisation is very very cute, romantic and sensuous. Saira’s expressions of self-confession are so innocent and sweet. I find this and Bhai batur pretty similar – picturisation wise.

4. Kanha kanha (Shagird, 1967): This has Saira in a different avtaar altogether. I initially thought of including my favourite number from this musical blockbuster – Woh hai zara khafa khafa, but felt Dil vil pyar vyar and Ruk ja aye hawa are more like typical Saira Banu songs. But this one is different from other songs of hers, spiritual and magical at the same time. I find her extremly beautiful here. Lata is terrific and Laxmikant-Pyarelal’s music is fantastic!

5. Kashmir ki kali hoon main (Junglee, 1961) : My favourite song from this movie is Ehsaan tera hoga mujh par, but I like the Rafi version more than Lata version. Saira’s expresssions are not all that great in it. It’s Rafi’s voice topped with Shammi Kapoor’s expressions and eyes that has made the song what it is. Ja ja ja mere bachpan is sweet but it’s Saira, looking like a Kashmiri doll in Kashmir ki kali hoon main that makes it to this list – her looks, the Kashmiri attire, angry and khadoos look of Shammi Kapoor (with a pout)…everything about this song is so lovely in a typical Hindi Film style. Again, this song reminds me a bit of O mere sona re from Teesri Manzil.


6. O sanam tere ho gaye hum (Aayee Milan Ki Bela,  1964) : Another musical blockbuster. Each and every song in this film is a masterpiece. I had thought of including Tum kamseen ho first and then realized that I hadn’t put a duet (with a male singer) yet and I’m already half-way through. And also, I have already included a paean to her above and there will be few more by the time I reach the end of this post. So here goes one of my favourite Lata-Rafi romantic duets. Lovely tune from SJ camp and highly romantic lyrics by Hasrat Jaipuri. I like Rajendra Kumar-Saira Banu pairing, they look good together and they share a good chemistry. And I love everything about this song, including Rajendra Kumar’s dance 😀


7. Unki pehli nazar kya asar kar gayi (April Fool, 1964) : Talking about musical blockbuster, here’s one more. After battling between Tumhe pyaar karte hai, Mera naam rita chirstina and Unki pehli naazar ka, I chose this over the other two – Tumhe pyaar karte hai is a lovely song, no doubt about it but didn’t want to put two romantic duets in a row (if that can be called an excuse). Mera naam rita christina – everytime I see this song, I keep wishing  it had Helen in it. It definitely portrays Saira in a different avtaar again but I like this song better.  It does sound like a sober and more Bolly-Bharatiya-Naari version of Unse mili nazar. Lata is mindblowing in it and so is Saira. Truly amazing song!


8. Tum akele toh kabhi baag mein (Aao Pyaar Karen, 1964) : I find songs and movies more charming and fascinating when they are in Black & White than in color. May be because all the people whom I like so much looked much better in B&W days. Both Joy Mukherjee and Saira look so gorgeous in this one. This movie again has some lovely songs – be it Tum akele toh kabhi, Dil ki aaine mein, Yeh jhuki jhuki or Tammannao ko khilne do. Tum akele toh is very entertaining. Hats off to the lyricist for penning down this duet – a true battle of words. Usha Khanna’s music as always is lively and peppy. Lata and Rafi are at their best. Saira looks very young and pretty. Though the set looks artificial, I love the song. It’s such a lovely song and with Joy and Saira on screen, I just can’t complain about anything. The full song’s video is not on youtube yet. The link above has only half of the song. However, the audio is available.


9.  Hum bhi agar bachche hote (Door Ki Awaaz, 1964) : I almost put Husn se chaand bhi sharmaya hai but as this is a Birthday special post and it’s Saira’s birthday, here’s this all-time favourite birthday song dedicated to her. Not a great movie, but Joy-Saira pairing always promised some great songs.

10. Husn chala kuch aisi chaal (Bluffmaster, 1963) : Not a movie that I remember fondly, except for few songs and this happens to be one of them. What an eye-candy! Now that I have seen Shammi Kapoor in his true Shammiesque style, (unlike the one in Kashmir ki kali hoon main, though he looks cute there as well) I can sleep peacefully. Ok, I shouldn’t be changing focus. Saira looks very pretty and like I keep saying, B&W movies have a different charm. With Shammi on screen, it’s difficult to concentrate on somebody else. So I better end it here.

Here’s wishing the lady a great year and a healthy life ahead!

My tribute to Rafi Saab – The A to Z of Mohammed Rafi

August 3, 2010

I started this post on 31st, as I was listening to Rafi marathon on Vividh Bharati but with such lovely songs playing I couldn’t concentrate on the post. I had listed the songs even before that, but still it took me so long to complete it. I kept getting lost in the songs in between that I forgot I had to come back here and finish this 🙂

After an extremely hectic week, the best thing I could ask for is a day full of Rafi saab’s songs. Not that I didn’t listen to his songs the rest of the week. Not even a single day of mine passes without listening to him. Thanks to Vividh Bharati for that. The first thing I do every morning after I get up is to put the radio on. And they play a minimum of one Rafi song in every program of theirs. Then my collection of hundreds of his songs in my cell phone which I listen to everyday on my way to work. Other people get frustrated with the traffic and I feel good about it. The longer it takes me to reach office, the more number of songs I get to listen to and I reach office more refreshed. And when I am not in meetings and am not reading something, I continue listening to music in office as well. A big thank you to Nasir and Venkat for sharing all those rare gems…you guys have introduced me to so many songs that I had never thought even existed. And a big big thank you to entire team of Vividh Bharati – Kamal Sharma, Renu Bansal, Mamta Singh, Nimmi Mishra, Yunus Khan, Amarkant Dubey, Rajendra Tripathi, Shehnaz Akhtari and to everybody else. Had it not been for you all I wouldn’t have known even half of these songs! I owe my filmi and musical knowledge to you all!

I missed out the programs on Vividh Bharti in the morning on 31st as I got up late. But ever since I got up I was been hooked to it. They played non-stop Rafi songs. And do I even need to say that each song of his is songs is a masterpiece!

So much is written about Rafi (1924-1980) that I don’t quite know where to begin and what new to say really.  Rafi was one of the most versatile singers…From the doleful Jugnu  to the patriotic Shaheed  to the classical Baiju Bawra to the effervescent Mr. and Mrs. 55  to the regal Raj Hath to the poetic Pyaasa  to the meltingly romantic Barsaat Ki Raat – phew! the list is endless—Rafi sang them all. And more.

The whole week I’ve been thinking of something special to post as a tribute to this legend. It’s just impossible to list out my 10 favourite Rafi songs. I’m in love with every song that he has sung. But at the same time I couldn’t even sit without doing a post. After sifting through numerous options like – listing down some songs of Rafi alphabetically, listing out human emotions and associating a song against each emotion, defining the 7 stages of human life through his songs….but I realized that I just couldn’t move beyond the first letter.

I started thinking of his songs that start with ‘A’ and the list was so long that I could break it into 2-3 separate posts. Then I tried with the emotions. Within no time I realized that there were too many of them for instance Anger, Anxiety, Anguish, Astonishment, Attraction, Amusement, Affection, Agony. And this is just the beginning. Next I shifted to the stages of human life. I opened Shakespear’s poem and started mapping Rafi’s songs against each of the stages. But 7 were too few and then realized that I would end up counting almost everyday as a different stage! So that wasn’t much help either.

So I came up with this rule for this post…I would include –
1. Not very popular songs of Rafi as in, not the songs that would feature in every top 10 or top 20. I’m promoting some rare gems of this mastreo.
2. One song per actor and preferrably picturised on a lesser known actor (at least I’ll try avoiding the supserstars as much as possible). There are bound to be few exceptions though. But don’t be surprised if you don’t see even a single Shammi kapoor song here! (As I am doing a series of Rafi sings for Shammi, I’m trying to leave out Shammi Kapoor songs so that other songs would get a chance).
3. For a change I’m including songs from movies that I haven’t seen as well.

A : Abhi na jao chhod kar (Hum Dono, 1961) – Absolutely awesome romantic duet, superbly rendered by Rafi & Asha and so convincingly picturised on Dev Anand and Sadhna.  The charming couple, the excellent rendition, Jaidev’s superb music, Sahir Ludhyanvi’s  thoughtful and yet so simple lyrics  and the beautiful depiction of two lovers unwilling to separate leave you wanting to fall in love – this is without doubt one of the best romantic song ever recorded.   When I  hear this song I feel like I am in another world, the feeling of the song is simply awesome. What a treat this is!  And for once I wished ‘A’ was the last letter of English Alphabet. Putting this song at the end would have made much more sense.

A : Ankhinyan milake zara baat karo ji (Pardes, 1950) : Striking the earlier song as I couldn’t think of any other song starting from ‘F’ other than Falsafa pyaar ka tum kya jano, picturised on Dev Anand. In his earlier years, before he had fully come into his own, Rafi sang for Ghulam Mohammed (Naushad’s protégé) a lovely duet with Lata. This one is picturised on Rehman and Madhubala and I love this  for lots of reasons: Madhubala’s striking beauty, Rafi’s deep, powerful rendition, peppy music and young and dashing Rehman!

 B : Bahut haseen hai tumhari aankhen (Aadhi Raat Ke Baad, 1965) : Very cute song…not very popular but sweet and very romantic nevertheless. Rafi and Suman Kalyanpur come together in this lovely track picturised on Sailesh Kumar and Ragini who playfully flirt and tease each other. Chitragupt’s music is soothing and pleasant.

C : Chhupa kar meri aankhon ko (Bhabhi, 1957) : My initial choice was Chal ud jaa re panchhi but couldn’t find the Balraj Sahni version of it  on youtube. I had once heard in an interview that Balraj was so sad after shooting the song. He felt he could have done it much better! It’s such a divine song. But guess I’ll go with the flow – romance and move ahead with this infectiously romantic duet featuring Jawahar Kaul and Shyama. Rafi teams up with Lata here and the rendition is magical. This is one of my all time favourite Lata-Rafi duets. I had first heard this song on Vividh Bharati years ago and always felt that it must be picturised on Meena Kumari. I somehow related the feel of the song and the name of the movie itself to Meena Kumari. But was pleasantly surprised to discover Shyama in it. I saw this film just because of it’s songs. Not a movie I am very fond of, but give me its music anyday and I would be more than happy. It has a variety of songs – Chal ud ja re panchhi, Chali chali  re patang meri chali re, Chhupa kar meri aankhon ko, Jawaan ho ya budiya, Kaa re kaa re baajra…Coming back to this song, Chitragupt’s music, Rajender Krishan’s lyrics, Lata and Rafi’s rendition is truly amazing. And check out Shyama’s expressions, esp when she lip-synchs “tumhari is adaa par bhi hamare dil ko pyaar aaye“. Haye…I just love this song!


D : Dil ki tamanna (Ghyarah Hazar Ladkiyan, 1962) : It’s Vividh Bharati again where I first heard this song. And the first thing I did after the song was over is to rush to search for it on google/youtube. Initially, I could just find the audio version of it, Rafi’s solo. And I have listened to it continuously for days, non-stop. What an intoxicating voice and there’s so much feel to it. I didn’t even know who it was picturised on then but just wished whoever it was – may his dil ki  tamanna come true! I’ve been looking for the cd/dvd of this movie ever since but with no luck. Rafi and Asha sing  Majrooh Sultanpoori’s lyrics for Bharat Bhushan and Mala Sinha, under the music direction of N. Dutta. It’s a classic composition.

D :  Dil mein chhupa ke pyaar ka ( Aan, 1952) : Striking Dil ki tamanna because I just confirmed that Ghar se toh cut chuka patta is picturised on Bharat Bhushan, though it doesn’t have a video, I don’t want to break my rule.. Here’s another lovely Rafi number featuring two actors whom I like a lot – Dilip Kumar and Nadira. Shakil Badayuni penned the lyrics for this lovely song and Naushad Ali composed the music. Rafi is heavenly and so is Dilip Kumar. There’s a color version of this video. But I find the B&W version more enchanting.  


 E : Ek tera saath hum ko (Waapas, 1969) :  Exteremely romantic song. Music is by Laxmikant Pyarelal and  lyrics  by Majrooh Sultanpuri. It is a duet sung by Rafi and Lata picturised on a newly married couple (Alka and Shekhar Purohit? Ajay?) pledging undying love and devotion to each other. I feel the essence is somehow missing in the picturisation, but just listen to it and it’s magical, such a treat to the ears!

F : Falsafaa pyaar ka tum kya jano (Duniya, 1968) : A terrific song by Rafi, composed by Shankar-Jaikishan and picturised on Dev Anand and Vyjayanthimala. “How would you grasp the philosophy of loving when you have never fallen in love before” – for once I kind of like the translation of the mukhda. I almost played around with Phoolon se dosti kaanton se yaari (Foolon se) but when I had a song starting with ‘F’, I thought I would rather go with it. Though Dev Anand looks wierd with that hair-cut and this song has the flavours of Badan pe sitare lapete hue, I  still love this number…it’s so intoxicating. This is what I call a quintessential Rafi song!

G : Ghar se toh cut chuka apna patta (Kal Hamara Hai, 1959) : I heard this song on radio last week and instantly fell in love with it. Unfortunately I couldn’t find the video.  Though imdb lists Bharat Bhushan as the lead in this film, I somehow don’t feel this song is  picturised on him. It sounds so much like a Johnny Walker kind of a song and I sincerely hope that it is. Something very catchy and lively about this song. Music is once again by Chitragupt. (P.S : I just confirmed that it is indeed picturised on Bharat Bhushan, so much for my guess work).


H : Hum toh hai tum par (Bewaqoof, 1960) – This is one very cute song rendered superbly by Rafi for I.S Johar. This movie was written and directed by I.S Johar himself. Majrooh’s lyrics and S.D Burman’s composition is beautiful. And it was R.D Burman on the Mouth Organ. The modulations in Rafi’s voice match I.S Johar’s antics so perfectly. There’s something very Shammi-sque quality to this song.

I : Itni badi duniya jahan itna bada mela (Toofan Mein Pyar Kahan ,1966) : Rafi sings this for Ashok Kumar. It’s so tender and so beautiful. There’s a softness to Rafi’s voice here which is just brilliant. “Versatile Rafi commendably modulates his voice to suit the great natural actor, Ashok Kumar, while singing on the pangs of loneliness” (Thanks Nasir for describing the song so beautifully).  Check out the picturisation for Guzre dino ka dhundla nishaan hai baanki, dil toh bujha kab se hai abh dhuaan baanki – the smoky effect is so amazing. Prem Dhawan’s melancholy lyrics, Chitragupt’s excellent music, Rafi’s magical rendition and Ashok Kumar’s brilliant performance – this couldn’t have got any better. My initial choice for a song beginning with ‘I’ was Itna haseen saathi itni haseen manzil from Aatma Aur Parmatma but couldn’t find a video to it. So settled for this one – another favourite of mine. Though not as romantic as I would have liked it to be, it’s a very beautiful song.

J : Jo baat tujh mein hai (Taj Mahal, 1963) : A timeless gem…one of my favourite songs. This one’s picturised on Pradeep Kumar. The lyrics by Sahir Ludhianvi, music by Roshan and Rafi’s velvety voice is beyond this world – truly sublime!  I so very badly wanted to post Jab se hum tum baharon mein from Main Shadi Karne Chala but it’s such an irony that we don’t have videos of such lovely melodies on youtube yet. And since the basic filter criteria here is one song per actor, I don’t want to go on posting just the audios. Hopefully, somebody will upload the video soon.


K : Kahin ek masoom nazuk si ladki (Shankar Hussain, 1977) : For once, I am not relating a song to Vividh Bharati. I first heard this bollywoodondemand.com, an online radio station couple of years ago. Back then AIR, Vividh Bharati didn’t have online sites. I accidentally came across bollywoodondemand.com and I used to listen to it very regularly at work. One fine day, I heard this song and googled for it but couldn’t find it. Then, I came across the audio version of it after few months and finally found the video last year. I was rather surprised to discover Kanwaljit in it. Used to watch him in serials during my school days, Family No. 1 on Sony used to be quite popular then. Kamal Amrohi’s lyrics, Khhayyam’s music and Rafi’s rendition – it’s all so heavenly. Something very dreamy, fairy-tale like about this song. But the video somehow spoilt this for me. I love the song, can’t help not loving such a magnificient number but the picturisation is a spoiler. Chalo khat likhe jee mein aata toh hoga, magar ungliyan kap kapati toh hongi, kalam haath se chhut jaata toh hoga, umange kalam phir uthathi toh hongi, mera naam apni kitaabon pe likh kar, woh daanton mein ungli dabati toh hogi….kabhi subah ko shaam kehti toh hogi, kabhi raat ko din batati toh hogi…what an imagination! It’s so beautifully written!! I used to imagine this scene while listening to this song, but the video didn’t have any of it! Audio version didn’t have the last antarra. I heard it for the first time when I saw the video on youtube. And it took me some time to figure out what Palate is …Palate kabhi toot jaati toh hogi….


L : Le chala jidhar yeh dil chal pade (Miss Bombay, 1957) : This is Rafi singing for Ajit. in the good old days before he turned into a villian on screen. Bombay—that teeming metropolis, teeming then in the 1950s just as it is teeming today—the land of opportunities, sapno ka shehar—was masterfully captured by lyricist Prem Dhawan to composer Hansraj Behl’s tune. I had only heard this song on Bhoole Bisre geet on Vividh Bharati. Saw the video for the first time today. Half the time I kept imagining Ajit saying “Mona Darling” in between the song. 🙂 Ajit was quite a handsome man and smart too…he realized early in his career that it’s more fun being the villian than a hero!

M : Main toh tere haseen khayalon mein kho gaya (Sangram, 1965) :  My my my dear from Nagina was my first choice. I didn’t want to list Mujhe dard-e-dil ka pata na tha and Madhuban mein radhika nache re. Though I love both these songs, they have already featured many times in this blog.  And thanks to Richard for including all these songs in his list. I’m not feeling guilty about skipping them. So here I come with this lovely track from Sangram picturized on Randhawa (Dara Singh’s brother) and Swarna Kumari. I am so glad I decided to do songs from the movies that I haven’t watched. I had heard this song so many times on radio but it’s for the first time I am seeing it’s video and am so happy to discover Randhawa in it! Lala Asar Sattar music is very melodious and Rafi is fantastic in it!


N : Na kisi ki aankh ka noor hoon (Laal Quila, 1960) : I almost included Nu tu hindu banega na musalmaan banega but realized I had this song in one of my earlier posts. And this divine composition by S.N Tripathi in Laal Quila came to my mind. It’s a timeless classic, a stunning nazm. Such deeply moving lyrics! Rafi’s booming voice magnificiently amplifies the poignancy and grief expressed by Bahadurshah Zafar. Truly unforgettable!


O : O phirki wali (Raja Aur Runk, 1968) : This song takes me back to my school days. We had a cassette, Best of Mohd. Rafi volume 2 which had this song. And there was a time when I was in 9-10th when I used to listen to this song at least 2-3 times a day. It’s such a masti-bhara song that it fills my heart with happiness when I listen to it. I somehow had always imagined it to be picturised on Shammi Kapoor or Dharmendra, mainly due to the fun quotient. I was pleasantly surprised to see Sanjeev Kumar singing it to Nazima. I was listening to this after so long today and I still remember each and every word of it. I’m so pleased with myself. That’s Rafi’s magic! Laxmikant-Pyarelal’s foot-tapping music, Anand Bakshi’s fun-filled lyrics and Rafi’s flirtatious rendition topped with Sanjeev Kumar’s awesome performance makes this song immortal. I love the way Rafi sings Jubaan se and Jarra beimaan si


P : Phir milogi kabhi (Yeh Raat Phir Na Aayegi, 1966) : Biswajeet was one lucky actor when it came to songs. He got to feature in some of the best songs ever. I am not fond of him as an actor, but his songs, each one is a masterpiece! Rafi and Asha are singing for Biswajeet and Sharmila in this 1966 thriller. O.P Nayyar’s music, S.H Bihari’s lyrics and Asha-Rafi rendition, it’s picturization…everything about this song  is mesmerizing. I feel captivated everytime I listen to this and never want it to end. 


Q : Quismat ke likhe ko hum mita na sake (Duniya, 1949) : This is a lovely Rafi-Surraiya duet composed by C. Ramachandra. It has Surraiya, Karan Dewan, Yakum, Shakeela in the leading role. I don’t know who it’s actually picturised on. I have only heard this song on Radio and couldn’t find a video as well. Listen to Rafi’s young voice…it’s so gentle and soft. Amazing song!!!

R : Roshan tumhi se duniya (Parasmani, 1963) : This time it’s Rafi singing for Mahipal in Parasmani, which marks the debut of Laxmikant-Pyarelal as Music Directors. Rafi at one of his romantic bests, extremely melodious number penned by Ashad Bhopali. Such an apt song in praise of a princess! What awesome lyrics, equally amazing music and Rafi’s voice is subhan-allah!!! One can feel the emotion and depth in his voice…the way he sings “Haye”, the aalap in between and the accompanying tabla and sitar is just mindblowing. Even Mahipal and Geetanjali have expressed well. One more speciality about this film is that it’s partially color. The first half is in Black&White and the second half (if you remember, Hansta hua noorani chehra) is in color. Movie is total bakwaas but it has lovely songs.

S : Sau baar banakar maalik ne (Ek Raat, 1967) : I don’t know who this song is picturized on. Spent quite sometime searching for the video but couldn’t find. There’s hardly anything about this movie available. But I love this song so much that I just couldn’t leave it out. I was addicted to it when I heard it for the first time. Have been searching for the video for quite sometime now. It usually happens that the songs that I so desparately want to see are not as good as expected. So for the time being I am content just listening to it. Yogesh’s lyrics, Usha Khanna’s music and Rafi’s divine rendition…I get so lost in this song. Till I heard this song, I thought Chaudhvai ka chaand, Roshan tumhi se duniya, Tareef karun kya uski etc were the ultimatum when it came to praising the girl’s beauty. But now, there’s one more to the list.

T : Tum toh pyar ho (Sehra, 1963) : Ideal song on Rafi’s death anniversary would have been Tum mujhe yun bhoola na paaoge but that’s too popular and has already been discussed in this blog before. Then I thought of Tum akele toh kabhi baag mein jaaya na karo from Aao Pyaar Karein.  But again, even that doesn’t have a video available. So the next I could think of was this lovely duet by Lata and Rafi picturised on Sandhya and Prashanth. Hasrat jaipuri’s lyrics tuned beautifully by Ramlal, this is a gem of a song. And the depth in Rafi’s and Lata’s voice has taken it to a different level altogether! What a romantic duet it is!


U : Unse rippy tippy ho gayi (Agra Road, 1957) :  I discovered this song few months ago and fell in love it it. It’s such a cute and fun filled number sung by Rafi and Geeta Dutt. I was actually planning to include this is Geeta Dutt special post but I reached 10 before this could come up then. So here it goes! Picturised on Vijay Anand (this is his debut film as a hero) and Shakeela. He does resemble Dev Anand a bit, esp when he’s sulking. Yoddling is a quality that we generally associate with Kishore da. Felt good to hear Rafi yoddling for a change! There are few lines in Gujarati and few in Punjabi in between. Geeta and Rafi yoddling away to Roshan’s music and Prem Dhawan’s lyrics is very delightful.


V : Vo jo chahane wale hain tere (Duniya Rang Rangili, 1957) : I couldn’t figure out who was singing this song on screen…but who cares, as long as it’s sung by Rafi in real. It’s  sweet number written by Jan Nisar Akhtar and composed by O.P Nayyar. Check out Rajendra Kumar, he looks so young and handsome.  Is the girl Chaand Usmaani?

W : Woh hum na the woh tum na the (Cha Cha Cha, 1964)  : Rafi here sings for Chandrashekhar. He is so dull,  doughy and expresssionless. I don’t like him, every time I see him I keep wondering how he became an actor. Hence I am putting Helen’s picture below. Lets forget about the movie and the actor…coming to the song, it’s an excellent track. Penned by Neeraj and composed by Iqbal Quereshi, this is a touching song brilliantly rendered by Rafi.  

X : Phir aane laga yaad wohi (Yeh Dil Kisko Doon, 1963) : Ok, so this song doesnt begin with “X” – but then, how many songs do? I will just use this letter to insert another lovely song. And this song is specially dedicated to Nasir and Richard. We had a long discussion about this song sometime back. But due to my usual restriction of not including songs from the movies that I haven’t seen, I had left this one out in Shashi Kapoor special post. But since that’s not the case this time, here it goes to you both for reminding me of this song. Shashi Kapoor’s image below is for bollyviewer. This is one of the most melodious song, beautifully picturised. Ragini’s moves are so graceful and elegant. Shashi is a darling. Rafi is magical, Qamar Jalalabadi’s lyrics and  Iqbal Qureshi’s composition is so mystical with Usha Khanna chanting those simple syllables Pyaar ka aalam, it infuses so much feel to the song.

 
Y : Yeh teri saadgi yeh tera baankpan (Shabnam, 1964) : This post has been one hell of a revelation to me! I never knew Rafi had sung this song for Mehmood! Usha Khanna’s composition and Javed Anwar’s lyrics are simple and sweet. And Rafi as usual is outstanding! He could convincingly slip under the skin of characters that were poles apart: he sang for the brooding Dilip Kumar in Deedar with the same ease with which he lent his voice to a frolicking Johnny Walker in C.I.D.  And it is so difficult for the listener to decide where Rafi excels more and who his voice suits the best!

Z : Zara ruk jaa (Sitaron Se Aaghe, 1958) : I was feeling sad that I couldn’t include a song picturised on Johnny Walker so far. So am more than happy now for being able to do so. Apart from Rafi, I remember this song for Johnny Bhai’s cycle stunt and his friends going around puncturing everybody else’s cycle tyres. Rafi and Johnny share an amazing chemistry. Each song of this combo is special and tailor-made for them – the sync between Rafi’s voice and Johnny’s acting is always so perfect! I have a broad smile on my face everytime I see Johnny perched on a tree (he looks so comfortable there) and jumping down singing Zara ruk ja

Rafi saab was the most versatile and probably had the most mellifluous voice. His voice reflected the great energy and smartness of youth and exuded great skill and craftiness. He could sing slow, fast , semi classical, Bhajans, Qawalis, taranas, Geet, romantic numbers, sad songs – just about anything with equal zest and gusto.

Also, when I began listening to  songs of Rafi, I realized one thing – he enriched the compoistions that he sang for. Now this is quite  exceptional and rare because he did not require a great composition to create a a great song.

I feel like Kahin bekhayal hokar choo liya kisi ne when I listen to his songs. This is one song that I really missed putting up here along with Jo unki tamanna ho, Woh din yaad karo, Yeh jhuke jhuke naina and many more!!! Be it any song of his, even if I am listening to it for the very first time, I feel a sense of familiarity towards it.

I came across this blog while searching for few songs and since what was written there exactly described the songs and how I felt about them, I couldn’t help copying them. And I must admit that it did save a lot of time. Writing up about these songs do take a lot of time. And it gets quite distracting as well – I search for one song on youtube, see some other song on related link section and that leads to another song and so on (as it’s too much of a temptation to resist). So when I find few lines already written up about the song, it’s god-sent! 🙂 A big thank you to Cinema Corridor and all other fellow bloggers for all your contributions and wikipedia for providing me with so much of information always! I had acknowledged everybody in my earlier post on Shammi Kapoor but somehow I forgot about this one. Could be because it took me couple of days to finish this post and by the time I reached the end, I was just happy that I had completed the post and was in a hurry to publish it.

Love you Rafi saab!!! May your soul rest in peace.

Kishore Da’s songs coming up next. I should have done that today, but first things first. And that reminds me I still have my Mukesh special post pending!

Love Marriage (1959)

March 15, 2010

No, it’s not the IPL fever, at least not yet. I was off today and took out few VCDs to watch. It was tough to decide which one to watch first – Dil Deke Dekho being my all time favourite and Anupama has been on the top of my must watch list for quite some time now.

I had a tough time just deciding between these two. I then made up my mind to get up early tomorrow and watch both the movies. 🙂 Among the other three, I randomly picked one and it turned out to be Fashionable Wife.  I was actually looking forward to seeing it (just to check out how silly it is), esp after Spy in Rome – it’s also made by the same person. 😛 But fortunately or unfortunately, there was some problem with the cd.

Rishte Naate – the title itself sounded so emotional and sentimental (most of the times I simply end up buying movies without even thinking if I’ll ever watch them). And I was in no mood of seeing something depressing today. That  left me with only one option – Love Marriage!

A Cricket match in progress and that too with such a good looking batsman, I was more than happy just looking at him hitting fours and sixes.

After winning the match, he celebrates his victory with his friends at Sporting Club of Jhansi.

Scared that he might get caught by his brother, he sneaks into the house, with his shoes in his hands only to find his Bhabhi, Uma (Pranoti Ghosh) and his nephew, Munna (Master Anwar) waiting for him to hear the result of the match.

Just then his brother, Anil Kumar (Abhi Bhattacharya) comes back home from work, and all of them get back to their duties – the entire household is scared of him, including their pet dog, who quietly gets back into his basket for the night the moment he senses Anil’s arrival, signalling the others too.

Few obvious things – Sunil Kumar (Dev Anand) or Sonu, as his Bhabhi calls him, is extremely fond of his Bhabhi and nephew. He adores his brother, but is scared of him as well. Anil, on the other hand, is tired of Sonu’s kiddish ways and feels it’s high time he starts taking his life seriously.

The next morning Anil receives a letter from Mr. Choglekar. He had spoken to Mr. Choglekar regarding a job for Sunil, who’s a first class BA graduate. And Mr. Choglekar mentions in his letter that there’s a vacancy in Bombay and that Sunil should apply for it ASAP.

Bhabhi is all worried about having to send her brother-in-law away. But Anil is adamant about sending Sonu to Bombay. When Bhabhi does his packing and makes other necessary arrangements, he goes to the Sporting Club to meet his friends.

He finds one of his friends missing. One asking he finds out that he’s been too busy visiting Neelam, a kothewali bai. And all are worried that he’ll ruin his life at this rate. So they all set out to rescue him.

Sonu literally drags his friend out of there. Now Neelam takes this as a personal insult and vows to destroy Sonu and his family.

Sonu leaves for Bombay and he goes directly to his Mamaji, Naren Babu’s house, only to find it locked. On asking his neighbours he finds out that Mamaji has left for Jhansi.

With no place to stay in Bombay, he’s pretty worried. When he sees an ad in newspaper announcing an availability of a room, he goes to see it.


He manages to drive away all the other people who’ve come with the same purpose and finally goes to meet the owner but Geeta (Mala Sinha) refuses to share her flat with a guy. She wants a female flat-mate!

He meets Mr. Shampi, Geeta’s neighbour, on his way out, who narrates Geeta’s history to him – that she’s an orphan and is looked after by her Chacha-Chachi. She was studying in Bombay but started working to support the family after her Chacha passed away. And now she wants to share her flat so that she doesn’t have to pay the entire rent.

Now, it happens that Mr. Shampi knows Anil. When he learns that Sonu, aka Sunil is Anil’s brother, he decides to help him and convinces Geeta to give the room to him.

Sunil then sets out to meet Mr. Choglekar, who’s very worried about the Cricket Match the following morning because his team doesn’t have a proper batsman.

Sunil offers to help him out and after hesitating for a while he lets Sunil bat for his team. Geeta is a huge Cricket fan – she even has pictures of lots of cricketers stuck on her wall. So it’s only obvious that she’s on her way to see the match the next morning. Sunil asks her for direction to the stadium and she’s rather surprised.

She doesn’t believe that he can play – the way he behaves she thinks he’s an illiterate and good for nothing. Anyways, she takes him to the stadium with her.

Sunil not only wins the match but manages win Geeta’s heart as well. Here’s a scene from the game followed by She ne khela he se aaj cricket match.

Next day’s newspapers are flooded with Sunil’s photos and tales on how Choglekar’s team won the match because of Sunil. Sunil goes to Geeta’s room to show her that he’s not all that bad and what he witnesses there leaves him rather surprised – he sees Geeta cutting his picture from the newspaper and talking to herself about him. Pleased he runs back to his room and after checking himself in the mirror continues to the terrace to sing Kahan jaa rahe the kahan aa gaye hum.

Geeta looks so lovely here listening to him singing.

Both fall in love but are unable to express their feelings to each other.

Choglekar throws a party to celebrate his team’s victory and Sunil invites Geeta to it. Celebration and party implies that there’s one more song here. But I found this song somehow out of place, it would be more apt in a Manoj Kumar movie. But I love the dance preceding the song, no matter what Sunil says about it – Tin kanastar peet peet .

Sunil finally gets the job he had come for and better still he gets posted to Jhansi! But he’s not very happy about it because he doesn’t want to leave Geeta and go. But is delighted to learn that Geeta has quit her job and is leaving for Deolali, which falls on the way to Jhansi, where her Chachi lives. They leave by the same train the following morning.

This time Sunil is determined to tell Geeta that he’s in love with her.  And he even partially succeeds in doing so 😛

A little after Geeta arrives home, Champa, Chachi’s house maid informs her that some Sunil Babu has come to meet Chachi. This Chachi-Sunil encounter is hilarious, followed by Hum jaan gaye sarkar tum lakh karo inkaar.

Chachi is not all that well and her last wish is to see Geeta married. When she has an attack, she makes Sunil promise that he’ll marry Geeta right away. He’s little hesitant about the idea of getting married without informing his Bhaiya and Bhabhi but seeing Chachi ji’s condition, he gives in and gets married to Geeta.

He feels that he should go home first and inform his family then send for Geeta, but Chachi remains adamant that a girl, after marriage,  should follow her husband whereever he goes. So they both leave for Jhansi.

He’s so tensed that he doesn’t even know how to face his family, esp his brother.

Scared, he jumps off the rickshaw and sends Geeta alone to handle his Bhaiya and Bhabhi – to break the news of their wedding to them.  She does manage to impress Bhabhi.

Anil and Uma are more than happy with the news and they both adore Geeta. They celebrate the occasion and my wait for Helen finally ended when she came to dance to Dil se dil takaraye (the title track) – beautiful and graceful as ever.

All’s well and everybody is happy but as expected that doesn’t last forever.

Remember, Neelam and her vow to ruin the family? When I had just started wondering what happened to her, she made an entry.

Sunil ends up visiting her regularly and takes to drinking – Kareeb aao na tadpao

When Geeta learns this, she demands for a divorce!!!!

What happens to Sunil and Geeta? What leads Sunil to Neelam in the first place? Will things ever be the same again?

It was a delightful watch. I thoroughly enjoyed watching it –  lovely starcast, great performances, wonderful songs and a good story. Inspite of the twist with Neelam, and little bit of emotional atyachar towards the end (luckily it wasn’t very long), it was good.

Both Dev and Mala were loud at times, but given the storyline, I didn’t mind much. With some one like them on screen, and not to forget those lovely songs, I hardly had the time to complain about anything.

Baarish (1957)

February 25, 2010

I watched this movie on Valentines day, but was too occupied to put it up here. I truly adore the lead pair of Nutan and Dev Anand, and this movie has some nice songs…these two reasons were more than enough for me. But I had no idea as to what the story would be like. Fortunately or unfortunately, internet was down that day, so I couldn’t even read the review before watching it. But now, I’m glad I didn’t because the review on imdb is not quite true and if I had read it I would have never watched this movie on that day.

Before I start with the story, this movie has nothing to do with Baarish…and if I remember correctly, there was not even a single rain/baarish scene in the entire movie (at least in what I saw, don’t know if there was anything in the deleted/edited parts). But it does begin with this statement –

Translation : Just like how the rain washes away the dirt and brings along new hopes, honesty and sincerity wipes away crime. The story of Baarish begins and is  set against a village backdrop where crime is a way of living.

Gopal (Nana Palsikar) works for Boss (Jagdish Sethi?).

On an errand for Boss, Gopal flees leaving the maal behind when police turn up and goes into a hiding. Ramu (Dev Anand), Gopal’s brother is pretty bossy with the other guys in the chawl. After a petty clash with some guys, where he’s rescued by Mohan (Anwar Hussain), he goes singing Dane dane pe likha hai . Don’t know why but Ramu is obsessed with Kabootar (Dove). He even has a pair of them sticking out of his pockets 😉

He doesn’t know for sure what his brother does, but he knows that he works for Boss and has a hunch that Boss is upto no good.Gopal comes home after a few days. Ramu, who was pretty worried about Gopal’s disappearance, is delighted to see him and the brothers sit down to have dinner.

But before they finish, two of Boss’s men come with a message for Gopal. Gopal goes to meet Boss, who’s furious with him for messing up the deal. Gopal tells him that he’s fed up of such work and doesn’t want to work for him any more. He wants to leave the world of crime and do something legal to earn a living.

But Boss gets him killed. Ramu sees a person stabbing Gopal and feels that Boss is behind Gopal’s death and goes to tell him that he’ll take revenge.

Boss, orders Mohan, one of his employees and Ramu’s best friend, to talk Ramu out of it or else he will have to kill him as well.

He goes to meet Ramu and tries to calm him down. Mohan get s aletter from home. He shows it to Ramu but since Ramu can’t read or write (yes, inspite of being city bred, he’s an illitrate) Mohan reads it himself and tells Ramu that his father is ill and they owe lots of money to villagers. As he’s busy himself and can’t make it, he asks Ramu for a favour – to go to the village and give some money to his parents. Ramu refuses at first but at the end he agrees to do as Mohan says and he sets out for his village.

And the moment he enters the village, there are lots of village belles hitting on him and there’s a little broad-daylight teasing.

Unable to locate Mohan’s house, and with all those girls worrying him, he gets frustrated. And that’s when Chanda (Nutan) calls him from a tree top.

He ignores her and keeps walking. There’s a fun song Yeh muh aur daal masoor ki (love the faces that Chanda makes in this song). He loses his patience by the time the song ends and they both get into a fight. A passer-by comes and helps him by showing him the way to Mohan’s house. But Chanda hears him asking for Mohan’s address and tries to divert him. She is none other than Mohan’s sister and thinking it’s someone who they owe money to, she goes home and scribbles “Sab Kaashi gaye hai, saal bhar baad lautenge” (All have gone to Kaashi and will return back only after a year) on the wall of their house. Then she locks the door from outside, goes into the house (don’t know how she manages to do that) and waits for Ramu to leave.

 But Ramu doesn’t know how to read or write, he tries hard to figure out what’s written but in vain and at the end he concludes that it has to be – “Mohan Lal ke pita Girdhari Lal ka makaan” (Mohan La’l’s father Girdhari Lal’s house). So he sits at the doorstep waiting for someone to come home.

He hears a Kabootar cooing and that brings a broad smile on his face.

He climbs the wall to catch the Kabootar. It flies aways but he discovers something else.

It doesn’t take long for him to figure out what Chanda has been upto. Furious, he breaks the door open and enters the house just in time to see  Girdhari Lal passing away. But just before he dies, assuming that it’s his son Mohan, Girdhari makes him promise that he’ll look after his wife and daughter. Delirious as he is, he can’t even recognize that it’s not Mohan.

But Ramu has no intention of taking up their responsibility. He’s all set to return to the city when Maa (Lalita Pawar) insists on coming with him. She emotionally blackmails him saying that Mohan is all they have now and if only he could take them to Mohan, they would never trouble him again. He agrees to this on a condition that Chanda stays away from him or else he would kill her and not even be sorry for it.

After coming back, he first goes to Mohan’s house but soon finds out that he has been arrested for a theft. He goes to meet him at the prison.

He goes and pleads the inspector to lock him up instead and let Mohan go! But that doesn’t seem to work. Also, Mohan doesn’t want his mother and sister to know what he’s been upto. So, unwilligly Ramu lies that Mohan is out of town and takes them to his house.

Chanda keeps cribbing so much – the house is so small and untidy, if her brother had been there she would have lived like a princess etc etc…Ramu gets so irritated and they keep fighting all the time (but their fights are cute).  Inquisitive neighbours peep in to ask Ramu who they are and where they’ve come from, if he’s married to the girl and their questions just go on and on…

When Ramu goes out to buy grocery, Chanda goes out to get water and the other guys in the neighbourhood worry her and sing Zulf hai (quite a funny picturisation). He returns just as the song gets over and when he sees what’s going on, holds her hand and drags her to the house. And yes, she keeps screaming and telling him to keep away from him.

I don’t know what happens in between –  how they reconcile. In the next scene they are sitting on the terrace singing praises and admitting their love for each other followed by a song Kehte hai pyaar jisko.

As expected, people around start gossiping all the more after they see the two of them singing and dancing on the terrace. Maa and Chanda both feel that the only way to end all this is to get Chanda married to Ramu.

But Ramu refuses to marry her. He feels he’s illitrate and jobless and that Chanda deserves someone better. At this, the mother-daughter duo decide to leave the house and go back to their village. Ramu tries to stop them but they just don’t listen to him. Finally, this is what he says to stop them from going back (can’t help laughing thinking of Chanda’s expression).

Boss tells Ramu that he would sponsor his wedding – so what if Gopal is not there, he’s always seen Ramu as his own brother and as long as he’s around Ramu will never have to worry about anything. Ramu is very  grateful and promises Boss that he would do anything for him in return for this favour.

Chanda and Ramu get married, but just as the ceremony gets over, Ramu is summoned by Boss.

Boss and Harya (Madan Puri), his assistant,  have setup a trap to kill Ramu.

When Chanda hears of Ramu’s death there’s a sad version of Kehte hai pyaar jisko.  And she goes to commit suicide herself.

Will Ramu survive the attack? What happens to Chanda and Maa? Will Mohan ever be released from Prison? Will Boss get caught for all his misdeeds?

On the whole it’s a nice movie. Loved Chanda-Ramu fights and their romance. And the songs, Kehte hai pyaar jisko and Phir wohi chaand. It was nice to see Dev Anand roaming around shirtless/ with his shirt unbuttoned even when we was wearing one 😉 (Now I know where Salman Khan got his inspiration from). I had read somewhere that he was a big sensation in those days, one of the most good looking stars and women went gaga over him. Wonder what effect this had on them.

There were couple of other songs in the movie : Hum toh jaani pyaar karega and Mr. John ya Baba Khan ya lala Roshanadan.

The supporting cast included quite a lot of actors but sad that they hardly had anything to do –

Lots of people and that too people with potential but all these people were hardly used. Lalita Pawar in such a bechari role (forget bechari, there’s hardly any substance in her role) , I somehow couldn’t digest; same with Madan Puri. Kumkum and Mehmood just make an appearance in 2 scenes, Helen in one dance, Nana Palsikar for around 5 mins.

One thing that’s given lots of importance is Kabootar 🙂

It’s neither very evil nor very preachy. It’s pretty entertaining and if I had to rate it, I would give it 6.5 on 10.

10 of my Favorite Waheeda Rehman Songs

February 3, 2010

Waheeda Rehman, one of the most beautiful and versatile actresses , was born on this day. Here’s wishing her a very very Happy Birthday! Here are few songs of hers which I truly love :

1. Chaudhavin ka chaand (Chaudhavin Ka Chand, 1960) : The song says it all! One of my all time favourites, amazing composition, beautiful picturization and lovely Waheeda.

2.  Zara nazron se kehdo ji (Bees Saal Baad, 1962) : What expressions! The gait with which she walks, the faces she makes, the way she leans against a tree branch chewing the sugarcane, the way she gets up after falling down from the swing (again, the first thing she does is to pick up the sugarcane!), her smile, her attitude, her innocence – an ‘ada’ of her own.  There’s something very very cute about this song.  Everytime I hear this song (which is almost everyday), I have a broad smile on my face, esp  when ‘Yeh bholapan tumhara, yeh shararat aur yeh shaukhee, zaroorat kya tumhe talwar ki, teeron ki, khanjar ki…nazar bhar ke jise tum dekhlo woh khud hi mar jaye’ comes. And last but not the least what an amazing usage of the prop – sugarcane!!!


3.  Khuda bhi aasman se jab (Dharti, 1970) : Should I say everything about this song is heavenly? (except for Rajendra Kumar’s shirt ;-)) Great poetry, fabulous rendition and ever”green” Waheeda.

4. Na tum hamen jaano (Baat Ek raat Ki, 1962) : Both Hemant da’s (Naa tum hamen jaano) and Suman Kalyanpur’s version of this song are great. I chose Sumanji’s rendition here because Waheeda looks better in this one. I had actually thought of making a list of ten songs in male voice, but couldn’t help including this  one.

5. Kaanton se kheench ke yeh aanchal (Guide, 1965) : My dad used to watch Rangoli on DD when I was a kid. And I always used to get confused as to who is who…esp the actresses – back then, they all looked the same to me. This song was pretty popular and used to come very often. It was through this song that I started recognizing Waheeda. And it was this song that led me to watch this movie.  I love Piya tose naina lage re as well,  but Kaanton se kheench ke yeh aanchal holds a more special place in my heart.

5. Paan khaye sainyaan hamaro (Teesri Kasam, 1966) :  I’ve always liked this song – it’s so simple and so sweet. And post dustedoff’s comment, I think of this song as a dessert in the ‘musical menu’ of bollywood songs.

6. Raat bhi hai kuch bheegi bheegi (Mujhe Jeene Do, 1963) : This  is such an expressive performance…simple and yet sensuous.  Beautiful, in every way – lyrics, music, Lataji’s voice and Waheedaji’s grace.

7.  Bhanwra bada naadaan hai (Sahib Bibi aur Ghulam, 1962) :  Simply love the way Waheeda scratches her head and sticks her tongue out. 🙂 Very innocently picturised and it’s its simplicity that adds to it beauty.

8.  Waqt ne kiya kya haseen sitam (Kaagaz ke Phool, 1959) : This is such a hauntingly melodious song – so beautifully sung and portrayed.

9. Jaane kya tune kahi (Pyaasa, 1957) : She looks so young and so pretty in this song. Terrific combo of Geeta Dutt’s voice and Waheeda’s screen presence.

10.  Kahin pe nigahen kahin pe nishaana (C.I.D, 1956) : Innocence and beauty personified, though her role has a grey shade in the movie, not all that innocent.

Like I said earlier, I had initially thought of listing all 10 songs in male voice but suddenly thought of Guide and all the other songs just followed. There’s quite a lot I want to write but am too tied up with work at the moment. Lots of things to be added and updated here but I want to publish this post before the day ends.  So, will update it as and when I get time.

The original list had –  Woh shaam kuch ajeeb thi,   Yeh nayan dare dare , Apni toh har aah, Phoolon ke rang se, Parbaton ke pedon par (she shares the screen with her husband),  Gaata rahe mera dil (one of the most popular duets featuring Waheeda).

It wasn’t possible to include all her songs here and I know I have missed quite a lot of her popular songs.