I watched this movie on Valentines day, but was too occupied to put it up here. I truly adore the lead pair of Nutan and Dev Anand, and this movie has some nice songs…these two reasons were more than enough for me. But I had no idea as to what the story would be like. Fortunately or unfortunately, internet was down that day, so I couldn’t even read the review before watching it. But now, I’m glad I didn’t because the review on imdb is not quite true and if I had read it I would have never watched this movie on that day.
Before I start with the story, this movie has nothing to do with Baarish…and if I remember correctly, there was not even a single rain/baarish scene in the entire movie (at least in what I saw, don’t know if there was anything in the deleted/edited parts). But it does begin with this statement –
Translation : Just like how the rain washes away the dirt and brings along new hopes, honesty and sincerity wipes away crime. The story of Baarish begins and is set against a village backdrop where crime is a way of living.
Gopal (Nana Palsikar) works for Boss (Jagdish Sethi?).
On an errand for Boss, Gopal flees leaving the maal behind when police turn up and goes into a hiding. Ramu (Dev Anand), Gopal’s brother is pretty bossy with the other guys in the chawl. After a petty clash with some guys, where he’s rescued by Mohan (Anwar Hussain), he goes singing Dane dane pe likha hai . Don’t know why but Ramu is obsessed with Kabootar (Dove). He even has a pair of them sticking out of his pockets ;-)
He doesn’t know for sure what his brother does, but he knows that he works for Boss and has a hunch that Boss is upto no good.Gopal comes home after a few days. Ramu, who was pretty worried about Gopal’s disappearance, is delighted to see him and the brothers sit down to have dinner.
But before they finish, two of Boss’s men come with a message for Gopal. Gopal goes to meet Boss, who’s furious with him for messing up the deal. Gopal tells him that he’s fed up of such work and doesn’t want to work for him any more. He wants to leave the world of crime and do something legal to earn a living.
But Boss gets him killed. Ramu sees a person stabbing Gopal and feels that Boss is behind Gopal’s death and goes to tell him that he’ll take revenge.
Boss, orders Mohan, one of his employees and Ramu’s best friend, to talk Ramu out of it or else he will have to kill him as well.
He goes to meet Ramu and tries to calm him down. Mohan get s aletter from home. He shows it to Ramu but since Ramu can’t read or write (yes, inspite of being city bred, he’s an illitrate) Mohan reads it himself and tells Ramu that his father is ill and they owe lots of money to villagers. As he’s busy himself and can’t make it, he asks Ramu for a favour – to go to the village and give some money to his parents. Ramu refuses at first but at the end he agrees to do as Mohan says and he sets out for his village.
And the moment he enters the village, there are lots of village belles hitting on him and there’s a little broad-daylight teasing.
Unable to locate Mohan’s house, and with all those girls worrying him, he gets frustrated. And that’s when Chanda (Nutan) calls him from a tree top.
He ignores her and keeps walking. There’s a fun song Yeh muh aur daal masoor ki (love the faces that Chanda makes in this song). He loses his patience by the time the song ends and they both get into a fight. A passer-by comes and helps him by showing him the way to Mohan’s house. But Chanda hears him asking for Mohan’s address and tries to divert him. She is none other than Mohan’s sister and thinking it’s someone who they owe money to, she goes home and scribbles “Sab Kaashi gaye hai, saal bhar baad lautenge” (All have gone to Kaashi and will return back only after a year) on the wall of their house. Then she locks the door from outside, goes into the house (don’t know how she manages to do that) and waits for Ramu to leave.
But Ramu doesn’t know how to read or write, he tries hard to figure out what’s written but in vain and at the end he concludes that it has to be – “Mohan Lal ke pita Girdhari Lal ka makaan” (Mohan La’l’s father Girdhari Lal’s house). So he sits at the doorstep waiting for someone to come home.
He hears a Kabootar cooing and that brings a broad smile on his face.
He climbs the wall to catch the Kabootar. It flies aways but he discovers something else.
It doesn’t take long for him to figure out what Chanda has been upto. Furious, he breaks the door open and enters the house just in time to see Girdhari Lal passing away. But just before he dies, assuming that it’s his son Mohan, Girdhari makes him promise that he’ll look after his wife and daughter. Delirious as he is, he can’t even recognize that it’s not Mohan.
But Ramu has no intention of taking up their responsibility. He’s all set to return to the city when Maa (Lalita Pawar) insists on coming with him. She emotionally blackmails him saying that Mohan is all they have now and if only he could take them to Mohan, they would never trouble him again. He agrees to this on a condition that Chanda stays away from him or else he would kill her and not even be sorry for it.
After coming back, he first goes to Mohan’s house but soon finds out that he has been arrested for a theft. He goes to meet him at the prison.
He goes and pleads the inspector to lock him up instead and let Mohan go! But that doesn’t seem to work. Also, Mohan doesn’t want his mother and sister to know what he’s been upto. So, unwilligly Ramu lies that Mohan is out of town and takes them to his house.
Chanda keeps cribbing so much – the house is so small and untidy, if her brother had been there she would have lived like a princess etc etc…Ramu gets so irritated and they keep fighting all the time (but their fights are cute). Inquisitive neighbours peep in to ask Ramu who they are and where they’ve come from, if he’s married to the girl and their questions just go on and on…
When Ramu goes out to buy grocery, Chanda goes out to get water and the other guys in the neighbourhood worry her and sing Zulf hai (quite a funny picturisation). He returns just as the song gets over and when he sees what’s going on, holds her hand and drags her to the house. And yes, she keeps screaming and telling him to keep away from him.
I don’t know what happens in between – how they reconcile. In the next scene they are sitting on the terrace singing praises and admitting their love for each other followed by a song Kehte hai pyaar jisko.
As expected, people around start gossiping all the more after they see the two of them singing and dancing on the terrace. Maa and Chanda both feel that the only way to end all this is to get Chanda married to Ramu.
But Ramu refuses to marry her. He feels he’s illitrate and jobless and that Chanda deserves someone better. At this, the mother-daughter duo decide to leave the house and go back to their village. Ramu tries to stop them but they just don’t listen to him. Finally, this is what he says to stop them from going back (can’t help laughing thinking of Chanda’s expression).
Boss tells Ramu that he would sponsor his wedding – so what if Gopal is not there, he’s always seen Ramu as his own brother and as long as he’s around Ramu will never have to worry about anything. Ramu is very grateful and promises Boss that he would do anything for him in return for this favour.
Chanda and Ramu get married, but just as the ceremony gets over, Ramu is summoned by Boss.
Boss and Harya (Madan Puri), his assistant, have setup a trap to kill Ramu.
When Chanda hears of Ramu’s death there’s a sad version of Kehte hai pyaar jisko. And she goes to commit suicide herself.
Will Ramu survive the attack? What happens to Chanda and Maa? Will Mohan ever be released from Prison? Will Boss get caught for all his misdeeds?
On the whole it’s a nice movie. Loved Chanda-Ramu fights and their romance. And the songs, Kehte hai pyaar jisko and Phir wohi chaand. It was nice to see Dev Anand roaming around shirtless/ with his shirt unbuttoned even when we was wearing one ;-) (Now I know where Salman Khan got his inspiration from). I had read somewhere that he was a big sensation in those days, one of the most good looking stars and women went gaga over him. Wonder what effect this had on them.
The supporting cast included quite a lot of actors but sad that they hardly had anything to do –
Lots of people and that too people with potential but all these people were hardly used. Lalita Pawar in such a bechari role (forget bechari, there’s hardly any substance in her role) , I somehow couldn’t digest; same with Madan Puri. Kumkum and Mehmood just make an appearance in 2 scenes, Helen in one dance, Nana Palsikar for around 5 mins.
One thing that’s given lots of importance is Kabootar :-)
It’s neither very evil nor very preachy. It’s pretty entertaining and if I had to rate it, I would give it 6.5 on 10.
Tags: Anwar Hussain, Baarish (1957), Baarish (1957) Plot, Dane dane pe likha, Dev Anand, Director Shankar Mukherjee, Helen, Hum toh jaani pyaar karega, Jagdish Sethi, Kehte hai pyaar jisko, Kumkum, Lalita Pawar, Madan Puri, Mehmood, Mr. Jhon ya baba khan, Music by C Ramachandra, Nana Plasikar, Nutan, Phir wohi chaand, Yeh muh aur daal masoor ki, Zulf hai