Rafi fest – Birthday Special (I)

December 27, 2011

Dharmendra (8th), Dilip Kumar (11th), Raj Kapoor (15th, 14th), Biswajeet (15th), Naushad (24th, 25th), Rafi (24th), Rajesh Khanna (29th) – This post and the ones that will follow are dedicated to all these birthday boys.

My initial plan was to do one song with lyrics per day, whole of this month. But work demanded more of me, so couldn’t stick to the original plan.

I wont say all the songs that I’m posting here today are the ones that I have come across recently. They are just relatively less heard of. And some of them are songs which I’ve heard pretty often but noticed only now.

1. Na jaane kyun hamare dil ko tumne dil nahin samjha (Mohabbat Zindagi Hai, 1966) : I had first heard this song long long ago (dont remember where exactly, either we had a cassette/LP record at home or had heard it on radio) but had first seen it’s video when I had read the review of this movie on memsaab’s blog. And then had completely forgotten about it until I heard it on radio couple of weeks back. And now all of a sudden it’s pouring in everywhere! I dont know how I could forget such a great song in the first place! Though I wouldn’t call the video great, the song itself is amazing -with all chhed-chhad, haseen gile-shikwe wala lyrics and music. S.H Bihari is the lyricist and O.P Nayyar the music director. And all the songs featuring here this month are sung by Rafi! So that doesn’t even need to be explicitly mentioned.
Totally love  Tumhi ne jaan le li aur tumhe qaatil nahin samjha – the way it’s sung and picturized!

2. Tumhari mulaquat se (Mohabbat Zindagi Hai, 1966) : A more subdued one but so highly romantic!  If Dharam was trying to force himself too much on her in the previous song, in this he appears to have fallen for her at the very first sight. It’s such a beautifully written song – The way it describes the realization of one’s own emotions on meeting someone is so sweet. And it has more of happiness and acceptance to it than awe, making not just Dharmendra but even the one watching the song feel so good about him finding his love. He’s following her everywhere, holding her handbag and even sandals! His antics are really cute and adorable :-)
Dharam looks even more garam in his shorts! Love Rafi’s restrained rendition inspite of all the paagalpan that goes on in the song, even the ‘hoye’ is sung with so much of control.

3. Yakeen karlo mujhe mohabbat hai tumse (Yakeen, 1969) : Sounds more like a Shammi Kapoor/Joy Mukherjee type song. This time around it’s our glam queen in shorts and uff her adas and nakhras! It’s as though Dharam is on patao-the-heroine spree. Watching the video makes me feel like they are playing catch-me-if-you-can!  But he does get lucky in this one towards the end. Like harvey mentioned, Dharmila jodi is so awesome! They share such a cute chemistry! Apart from being fun,  it’s such a catchy song. The magic of Rafi, Shankar-Jaikishan and Hasrat Jaipuri! I love the rise and fall of notes especially in ‘Tumhari tasveer hai nazar mein, charag jaise ho rehguzar mein‘…the way mein part suddenly drops down.

4. Baharon ki baarat aa gayi (Yakeen, 1969) : No, I wasn’t actually planning to do Ek Hi Film se, but it just sort of happened. Though I had heard both these songs before, I had never paid much attention to them. I heard Gar tum bhoola na doge from this movie on radio sometime back and then checked it out on youtube. I had no idea it was picturized on Dharmila. And I found these in the related links section. Surprisingly these two songs didnt gain the popularity of Gar tum bhoola na doge. This song does remind me of Kaun hai jo sapno mein aaya (Jhuk Gaya Aasmaan) and Chala jaata hoon kisi ki dhoon mein (Mere Jeevan Saathi). Must be the picturization but am wondering if Dharam too meets with an accident after the song. I didnt quite like this song when I saw  it the first time but it has grown on me. I really like the way ‘Suno toh mere dil, suno toh meri jaan, hothon pe dil ki baaaaaat aa gayi‘ is sung. The type puncture sequence is funny. The last antara is different in video and audio. Audio version has -
Honge muthi mein dono jahaan, jis ghadi main unhe paunga
Chaand suraj ke dole mein phir, apne ghar par unhe launga

5. Dil kahe ruk ja re ruk ja (Mann Ki Aankhen, 1970) : I heard this on radio few days ago and instantly fell in love with it. It wasn’t the first time I had heard it. I find it so strange that there are some songs which I have  heard all my life but never noticed. And one fine day, I hear it on radio and suddenly realize how good it is and get addicted to it. Wonder if the mood that I’m in has anything to do with it. But I saw the video for the first time last week. It reminded me a little of Suhana safar aur yeh mausam haseen and a little of Yeh kaun chitrakaar haiThis lovely song is written by Sahir and composed by Laxmikant-Pyarelal.
Ruk ja re ruk ja makes me want to stop doing whatever I’m doing and just let the song take over.

Songs picturized on other actors (birthday boys) will come up in a day or two, as and when time permits.

Rafi Fest – Tere aaghe bolna dushwaar ho gaya

December 7, 2011

Couldn’t have enough of Shammi Kapoor in yesterday’s post. So here’s one more song picturised on him.  Though I had heard this song a couple of times on radio, I saw it only recently when a friend had sent me the youtube link.

I find this song very entertaining! It’s so much fun to both listen and watch. Fast and lively music (OP Nayyar), fun-filled lyrics (Majrooh Sultanpuri), masti bhara andaaz of gaayeki and pehskash. Handsome Shammi, charming Nalini and Rafi’s addictive voice…what more could I ask for.

(Tere aaghe bolna dushwaar ho gaya
Haye mujhe pe pe pe pe pyaar ho gaya) – 2
Tere aaghe bolna dushwaar ho gaya

(Dil dhadakta hai kadam badhte nahin aaghe
Tu woh qatil hai ke aashiq door se bhaage) – 2
Ban gaye fande magar yeh zulf ke dhaage
Tere aaghe bolna dushwaar ho gaya
Haye mujhe pe pe pe pe pyaar ho gaya
Tere aaghe bolna dushwaar ho gaya…..

(Tere honthon ka yeh rass, aakhon ka yeh jaadoo
Oho yeh kya keh gaya main hoke bekaabu ) – 2
Ho bada achha agar kuch bhi na samjhe tu
Tere aaghe bolna dushwaar ho gaya
Haye mujhe pe pe pe pe pyaar ho gaya
Tere aaghe bolna dushwaar ho gaya…..

(De de dekho yeh haalat ho gayi ab toh
Qa qa qa qayamat ho gayi ab toh) – 2
Mo mo mo mohabbat ho gayi ab toh
Tere aaghe bolna dushwaar ho gaya
Haye mujhe pe pe pe pe pyaar ho gaya
Tere aaghe bolna dushwaar ho gaya…..

Tere aaghe bolna dushwaar ho gaya
Haye mujhe pppppyaar ho gaya
Tere aaghe bolna dushwaar ho gaya…..

Rafi fest – Ek nazar ek ada keemat-e-dil

December 6, 2011

I had mentioned about Rafi-Shammi jodi in yesterday’s post, so couldn’t resist posting one of their songs. But I had started this series to share some songs which are not very popular and the ones that I’ve come across only in the recent past.So, that rules out most of the famous Rafi-Shammi songs.

I came across this song just a few days ago on youtube. Though this song doesnt have the lethal effect that most of their other songs have,   it’s still a good song. Something with Rafi and Shammi in it can never be bad! (I cant vouch for the movie…but the songs, yes):-)

I find a striking resemblance in the picturisation of Yun toh humne lakh haseen dekhe hai and this, but it lacks the chemistry between the lead actors of the former and is not as spicy. There’s something missing in it, it feels incomplete. If only Jabeen Jaleel was little more expressive here and her response was a little karara….

It’s a great song to listen to and it’s always a pleasure to watch Shammi but  it’s picturisation fails to keep me glued to it. So, for me this one’s more of Rafi song than a Rafi-Shammi song.

When I first heard the prelude, I thought it was so OP Nayyarish, with the signature tonga beats and all. But checked and found out that it was Bipin-Babul’s composition. It was written by Vishwamitra Adil.

Shammi Kapoor rose to fame with Tumsa Nahin Dekha and most of his movies after that are very popular. It looks like this one just got lost somewhere. Since, it’s so rarely talked about, I always thought it was one of his pre-1957 films.

Aa ah ah ha ha ha ha ha ha ha ho ho ho
Ek nazzar ek ada, keemat-e- dil aur hai kya
Ha ha… ek nazar ek ada, keemat-e-dil aur hai kya
Ho ho ek nazar….

(Gaal surk hai, chup zubaan hai
Ho na ho koi meherbaan hai) – 2
Kaun hai woh kaho jaane jigar
Ha ha ek nazar ek ada, keemat dil aur hai kya
Ha ha ek nazzar….

Waha waha…

(Uljhi saans kyun dil pe haath kyun
Dil diya toh aisi baat kyun) – 2
Aankh ladegi toh hoga asar
Ek nazar ek ada, keemat-e- dil aur hai kya
Haan  ek nazar

Zulfon mein hai kya, arey gaal par hai kya
Kho  gayi hai jo, woh nazar hai kya
Ha ha ha ha ha ha…chhed chaad ka kaam kar gayi
Hoth khil gaye latt bikhar gayi
Lena ji ab zara apni khabar
Ek nazar ek ada, keemat-e-dil aur hai kya
Ha ha… ek nazar

(Chhodo in adaaon mein dum nahin
Tum haseen ho hum bhi kum nahin ) – 2
Ho na yahin (?) pe milao nazar
Haye…ek nazar ek ada, keemat-e-dil aur hai kya
Ha ha… ek nazar ek ada, keemat-e-dil aur hai kya

Rafi Fest – Abhi na phero nazar

December 5, 2011

I first came across this song when a friend had shared it’s link on facebook and was totally smitten. What a heavenly creation it is! *Sigh*!!!!

Superb lyrics, soothing and awesome music, divinely beautiful voice, great picturisation – everything’s  just so perfect about it. I dont know who the lyricist was but music’s by Chitragupta.   It’s from a 1966 film named Biradari. Though I’m a greater fan of Rafi-Shammi combination, I have to admit that Rafi and Shashi combination is equally lethal and intoxicating, especially in this one!

Aate ho satane ko, jaate ho rulane ko
Is aane ko kya kahiye, is jaane ko kya kahiye

Abhi na phero nazar zindagi sawaar toh le
Ke dil ke sheeshe mein hum aap ko utaar toh le
Abhi na phero nazar

Kareeb aake zara kismat jaga lene do – 2
Chamakte rukh se koi jalwa chura lene do
Ke hum bhi pyaar ke din jhoom ke guzaar toh le
Ke dil ke sheeshe mein hum aap ko utaar toh le
Abhi na phero nazar

Mere chaman mein koi aaya baaharein leke – 2
Jawan nazar mein mohabbat ke phuhare leke
Abhi baaharon se hum gulsitan nikhaar toh le
Ke dil ke sheeshe mein hum aap ko utaar toh le
Abhi na phero nazar

Tere deewane teri ulfat liye baithe hai – 2
Taraste dil mein yehi hasrat Iiye baithe hai
Ke ab na keh ke kabhi aapko pukar toh le
Ke dil ke sheeshe mein hum aap ko utaar toh le
Abhi na phero nazar zindagi sawaar toh le
Abhi na phero nazar

R.I.P Dev Anand

December 4, 2011

I went to office this morning, totally unaware of Dev Anand’s demise. I was little early today and only one of my teammates was in.  The conversation that followed was -
Me : Hi, Good Morning
Him : Good Morning. How was your weekend?
Me : It was great! Couldn’t have asked for a better one. How was yours?
Him : Was working both the days. Watched any movies? Saw Desi Boys?
Me : Nahhhh….I watch very selected new movies. I’m happier with my old black and white collection
Him : Is it?
Me : Yup and the next new movie I’m gonna watch is Don 2
Him : Ok…if you are so much into old films then there’s a sad news for you
Me : Sad news? What happened?
Him : Dev Anand is no more
Me : What? How can that be….When? How?
Him : I dont know the details

By then I had switched my laptop on and the first thing I did was to read the news. All that I could say was – this year’s been so unfortunate! Coming to think of it, they had turned old and fragile, were suffering and in pain. They’ve been relieved from all the worldly sufferings and have gone to be reunited with their old friends. But it’s not that easy to accept it, though we all know that death is the final destination, that all our lives come to an end someday. We’ve seen them and known all our lives,   ever since we can remember and all of a sudden we read that they are no more. It’s like losing a family member.

The only movie of Dev Anand that I have with me at the moment is Namoona but it was late by the time I got back home from work, so couldn’t watch it. May be some time later during the week…I had made a list of 10 songs but it’s already past midnight and it’ll take time to search for youtube links. So, keeping up the trend of last 3 days, here’s one song picturised on Dev sahab in Rafi’s voice.

I didn’t know that this song existed until I watched the movie and saw the song. And had completely forgotten about it until I heard it again on Vividh Bharati this afternoon on Dev Anand special Sadabahar Nagme. It has it’s own charm and it’s cute.

It’s from Love Marriage (1959), written by Shailendra, composed by Shankar Jaikishan, sung by Rafi and picturised on Dev Anand and Mala Sinha.

Lara lara la  
(Kahan jaa rahe the, kahan aa gaye hum – 2
Kisi ki nigahone se – 2
Takra gaye hum – 2) – 2

Kho chale saare nishan, main yahan dil hai kahan – 2
Soye hai ke jaage, chakra gaye hum – 2
Kisi ki nigahone se – 2
Takra gaye hum – 2
Kahan jaa rahe the

Lara lara la  ho ho ho….. Lara lara la  

Yeh subah masti bhari, yun hanse jaise pari – 2
Kismat ko shayad, yaad aa gaye hum – 2
Kisi ki nigahone se – 2
Takragaye hum – 2
Kahan jaa rahe the

Ajnabee apna hua, sach mera sapna hua – 2
Saare jahan pe, lo chha gaye hum – 2
Kisi ki nigahone se – 2
Takragaye hum – 2
(Kahan jaa rahe the, kahan aa gaye hum – 2
Kisi ki nigahone se – 2
Takra gaye hum – 2) – 2
Kahan jaa rahe the

Lara lara la  ho ho ho…..hmm hmm hmm….. Lara lara la  Lara lara la

You will live in our memories forever! RIP, Dev Anand!

Rafi Fest – Us paar iss deewar ke jo rehte hai

December 3, 2011

I was introduced to this song not as recently as the last two songs, but a couple of months ago. I saw and heard it first when Nasir saab had shared it on his wall on facebook. And for me it was love at first sight. I was completely floored by it! I must have listened to it non-stop for 10-15 times.

It’s from 1951 film Saiyan, composed by Sajjad Hussain and written by D.N Madhok. It’s picturized on Sajjan and Madhubala. Madhubala has a raw and rustic appeal, and she looks so beautiful, as always. But it’s Sajjan who steals the show!  I haven’t seen much of Sajjan in movies, but I instantly fell in love with him in this song.  His dance, expressions, the way he’s carried himself throughout the song….is just wow! The energy level, style and attitude in Rafi’s voice and Sajjan’s onscreen antics is simply superb!!!  Each word is crisp and to the point and unlike most of the songs where picturization doesn’t live upto the greatness of the song, this, I feel is one complete entertainment package – awesome lyrics, amazing music, flawless singing, beautifully picturized – over all,  very well delivered! Though I keep wondering what he’s upto at 1:54, it just adds to the craziness of the song.

And this song never fails to bring a smile on my face.

Us paar iss deewar ke jo rehte hai – 2
Koi kehde unse jaake jo hum kehte hai
Oh oh oh oh….

Us paar iss deewar ke jo rehte hai
Koi kehde unse jaake jo hum kehte hai
Oh oh oh oh….

Barbaad jawani na kijiye
Dil le lijiye dil de dijiye
Yeh din aur tanhayi haye – 2
Haye re kaun yeh samjhay
Nis rahi na rahe yeh jawani hum sach kehte hai

Koi kehde unse jaake jo hum kehte hai
Oh oh oh oh….

Us paar iss deewar ke jo rehte hai
Koi kehde unse jaake jo hum kehte hai
Oh oh oh oh…..

Aawaaz jawani deti hai
Dekho angdaai leti hai
Ghut ke mar jayenge armaan -2
Kahe ki jhijhak hai aao yahan
Nis rahi na rahe yeh jawani hum sach kehte hai
Koi kehde unse jaake jo hum kehte hai
Oh oh oh oh….

Us paar iss deewar ke jo rehte hai
Koi kehde unse jaake jo hum kehte hai
Oh oh oh oh…..

(Yeh husn diya jisne tumko
Poochega woh ek din yeh sunlo)  - 2
Bande pe mere kyun zulm kiya – 2
Ek jhalak dikhla ke maar diya
Lajja mein doob maroge hum sach kehte hai
Koi kehde unse jaake jo hum kehte hai
Oh oh oh oh….

Us paar iss deewar ke jo rehte hai
Koi kehde unse jaake jo hum kehte hai
Oh oh oh oh…..

Rafi Fest – Baharon ne chheda khushi ka taraana

December 3, 2011

This is one of those songs that I had randomly come across on youtube one fine day. The first time I heard it, it reminded me of Aaj unse pehle mulaqat hogi from Paraya Dhan. All thanks to the lyrics  – Meri aaj unse mulaquat hogi!

This song is from a movie named Majboori. And as per the discussion on hamaraforums and comments on youtube, it was released in 1985. There’s one link on youtube which says this song’s from an unreleased film called Aansoo. I have neither seen the movie nor the video of this song. So, I have no clue as to who it was picturized on or the situation in which it was sung. Tried searching on google about the film, but couldn’t find much. Anyways, who cares! Half the time videos of great songs turn out to be disasters. And at the moment I am just happy listening to the song.

It’s composed by Roshan Lal and penned by Aish Kanwal.  Music is catchy and lyrics is amusing but for me it’s Rafi who has woven  anticipation, anxiety and excitement of meeting someone so beautifully in the song.

Baharon ne chheda khushi ka taraana – 2
Meri aaj unse mulaquat hogi – 2
Baharon ne chheda khushi ka taraana

Salaam-e-mohabbat main unse kahoonga – 2
Tarana wafa ka sunake rahunga
Dil ko yakeen woh baat meri maan jaayenge – 2
Baharon ne chheda khushi ka taraana – 2

Mohabbat ki raahon mein jeene se pehle – 2
Lagaunga unko main seene se pehle
Woh pyaar ke ikraar ko pechchaan jayenge – 2
Baharon ne chheda khushi ka taraana – 2

Muqqadar se aaye mulaquat ke din…
Aha…
Muqqadar se aaye mulaquat ke din
Yeh din bhi hai unke inayat ke din
Hum aaj banke husn ke mehmaan jaayenge – 2

Baharon ne chheda khushi ka taraana – 2
Meri aaj unse mulaquat hogi – 2
Baharon ne chheda khushi ka taraana

Rafi Fest – Jinki tasveer nigahon mein liye phirta hoon

December 1, 2011

With Rafi’s Birth Anniversary going on, there’s Rafi fest going on everywhere – groups on facebook, Rafi Foundation Hyderabad Chapter.

I was listening to one song today, and found the lyrics so interesting that I thought of sharing it here. But with the fest already in air, I thought of starting a series here as well. I will post one song (along with it’s lyrics) by Rafi everyday whole of this month. It’s a herculean task to pick up just one song a day, but I’m restricting myself to songs that I’ve come across only in the recent past, songs which are new to me.

Though I mentioned about a song with funny lyrics above, it’ll feature sometime later here. For today, the song is Jinki tasveer nigahon mein liye phirta hoon from Husn Aur Ishq (1966).

How I came across it – I was listening to radio few weeks ago and heard Hum tere bin jee na sakenge sanam from Thakur Jarnail Singh composed by Ganesh. With all the posts on Shrota Biradari on lesser known composers and dustedoff’s post on Celebrating the Uncelebrated, I have started paying extra attention to lyricist and music composers while listening to songs these days. So, I started searching for all songs composed by Ganesh and came across this. Though Hum tere bin jee na sakenge sanam is quite popular and I had heard few songs from Smuggler, the other compositions of his were relatively new to me.

And ever since I’v heard and seen this song, it’s kind of stayed with me.  Be it Rafi’s ‘Haye’, Sanjeev Kumar’s mad act or it’s catchy tune – I just love it all!

This lovely song is penned by Ashad Bhopali, composed by Ganesh and picturised on Sanjeev Kumar and L.Vijayalakshmi.  It’s romantic, has little ‘Aawara’ quotient to it and is full of pyaar and masti. As always, Rafi has rendered it so beautifully, has put life and emotions to the lyrics. I  especially love the way ‘Dekho badli hawaein zamane ki and Dekho maangi dua jinhe paane ki‘ parts are sung.

So, here it goes -

Chal hatt  aawara kahin ka…

Jinki tasveer nigahon mein liye phirta hoon – 2
Woh yeh kehte hai aawaara hai, deewana hai
Jinki tasveer nigahon mein liye phirta hoon
Woh yeh kehte hai aawaara hai, deewana hai

Phoolon sa chehra hai, sharmili aankhen hai
Nukili palke, ‘haye’…..
Dil ko tarsi hai, bechain balkhai
Yeh kali zulfen
Dekho badli hawaein zamaane ki
Yeh sazaa hai suno dil lagaane ki

Jinki tasveer nigahon mein liye phirta hoon – 2
Woh yeh kehte hai aawaara hai, deewana hai

Dilruba, yeh haseen, chaand bhi dhal gaya
Yeh baahein tarse,
Saason ki garmi se, tan badan jal gaya
Yeh aankhen barse
Dekho maangi dua jinhe paane ki
Wohi baatein kare hai jalaane ki

Jinki tasveer nigahon mein liye phirta hoon – 2
Woh yeh kehte hai aawaara hai, deewana hai

Rockstar (2011)

November 18, 2011

At the beginning of this year, I had made up my mind to watch at least two films in theater – Rockstar and Don 2. Not that I didnt watch any other films in theater this year, in fact ended up watching lot more than I usually do. But when this film got released last week, I had to see it somehow and that too before somebody else could tell me the story. And I had more than one reason for watching this film – it’s Shammi Kapoor’s last film, has Ranbir Kapoor(though I almost committed suicide watching Anjaana Anjaani, I still love this guy) and is directed by Imtiaz Ali. So, I went hunting for a theater playing this film and watched it.

Movie begins with Jordan’s concert, and as the song begins, we are taken to the flashback -

Janardhan Jakhar aka JJ (Ranbir Kapoor) hails from a middle class joint family and studies in The Hindu college. He’s obsessed with music and he dreams of becoming a rockstar someday.

He plays guitar and sings songs in an attempt to entertain people at the bus stop but is dragged away by police. He complains to his friends that life’s not fair – There’s Jim Morrison who gets applauded for showing his middle finger to the crowd and there’s him, who almost gets caught just for playing music in public.

Mr. Khatana (Kumud Mishra), owner of their college canteen,  one day tells him that all great people – be it singers, musicians, writers, painters, poets have one thing in common – pain and tragedy! According to him – “toote hue dil se hi sangeet nikalta hai”, one has to endure great pain and loss in life. Only tragedy has the power of igniting that kind of dedication, passion and intensity towards something which sets them  apart from the rest of the people and makes them famous and successful.

JJ has neither fallen in love, nor got his heart broken, nor been kicked out of his house, has never been to prison either. He’s the biological son of his parents and both of them are still alive. In short, he has never encountered tragedy in life till now. So, according to Mr. Khatana he doesnt stand a chance of becoming famous and successful.


He attends few musical auditions in college but never gets selected. His friends feel he doesn’t have the style and attitude to get listeners hooked to him and that’s a very important trait for any performer. He tries to learn to be little stylish on stage but fails miserably.
One day he sees Heer Kaul (Nargis Fakhri) at a dance competition in college. His friends have an entire biography of hers and surprisingly he’s still ignorant of her. Heer – from Stephen’s college, who’s been winning all dance competitions so far and is now performing for one last time. She’s basically from Kashmir, is engaged to some guy, Jai (Moufid Aziz) who’s settled abroad and is getting married to him and going away. All this information about her is passed across to JJ when she’s dancing on stage. But the only thing that draws his attention is the fact that she’s a serial heart-breaker.  She’s popularly known as “dil todne wali machine”.  Janardhan who’s desparate to get his heart broken, so that he can become famous, sees a ray of hope and decides to try his luck with her. He walks up to her and proposes to her in a very funny style – the famous scene that’s been doing rounds in trailers : “Aye, Hi, I louve you. Girlfriend ban jaa meri. Tu aur main rrrrock karenge, bata raha hoon. Soch ke dekh.”


When she insults him infront of all her friends and sends him away he acts heartbroken and goes to Khatana’s canteen and orders for samosas to drown, rather swallow his sorrow. He tries a couple of times to woo her but she just doesnt give him a damn.
And when he realizes it’s not working, he gives up the hope of getting his heart broken and starts ignoring her. And this makes her curious as to what he’s upto. One fine day, she calls him to ask him what this is all about. He tells her the truth that he’s not really interested in her. He was pursuing her only because of her reputation. He says she’s pretty and “neat and clean” but he doesnt find her all that great. And when he walks away, she calls him from behind and says she’s going to watch a porn film named “Junglee Jawani” in one of the shabby local theaters. So much for her neat and clean and elegant image! He doesnt take her seriously in the beginning, thinks she’s kidding but when he realizes that she’s really going for the movie, he’s amazed at her and he goes along with her.  In fact, he takes her for the movie.  Once the ice is broken, they bond very well.
She tells him that she’s going to get married and go away. She’ll have to behave like a sophisticated lady then, so she has lots of things to do in a very short span of time, ie, before she gets married – like trying desi daaru, going to a cheap pub and dancing etc. Seeing her zeal for life, he promises her that he’ll help her fulfill all these wild dreams of hers. She makes a list of to-do things and he takes her to all these places. In the mean while music takes a back seat in his life.


He lies at home and goes to Kashmir for her wedding. He’s everywhere – helping people put up the lights, decorate the house, take her out for shopping. Almost reminded me of SRK in DDLJ. And when her friends come for the wedding, she introduces him as Jordan to them.
In between all these wedding preparations,  she falls for JJ. However, she gets married to Jai and off she goes to Prague. But before leaving, she invites JJ saying – pehle main jaati hoon, baad mein tu aa jaana. And poor thing he cant even pronounce Prague. He says Parag.

He goes back to Delhi and his family finds out about his Kashmir trip. They create a drama about it. But life goes on. He graduates and joins his family business. But there’s a robbery and he’s accused of it and thrown out of the house. He carries his guitar and sets off. He goes to Nizamuddin and lives there singing songs at the dargah for sometime.

That’s where Ustad Zameel Khan (Shammi Kapoor) first spots him and sees a great talent in him. After two months he lands up at Khatana’s door seeking shelter. With Khatana’s help, he attends few auditions but nothing seems to be working. Finally when Ustaad Zameel Khan puts in a word to Mr. Dhingra (Piyush Mehra),  the owner of a music company saying he feels JJ is very talented and he foresees a very bright and successful future for him, that Dhingra offers JJ a singing contract.

JJ, now Jordan, clicks with Indian public and his first musical album becomes a hit. He then goes on a Europe tour, which also includes a concert in Prague. He meets Heer in Prague, who now seems to have changed completly – the wild and full of life Heer has now turned into ‘living-just-for-the-heck-of-it’ Heer. She’s pale and has lost interest in everything in life and has developed some psychiatric problem as well. But once Jordan comes back into her life, and they start going around doing silly things like before, she gets back to normal.

This time around Jordan falls in love with her and they have a brief affair. Heer is torn between her husband who she’s guilty of cheating and Jordan who she finds totally irresistible. After Jordan’s concert in Prague, they sort of break up, as she finally makes up her mind to go back to her husband against Jordan’s will and they have a very bitter farewell. But Jordan cannot bring himself to leave the city on such a bitter note, so he sneaks into Jai’s house to meet Heer in the middle of the night, triggering the alarms and waking up everybody, unaware of the security system. He’s arrested for trespassing and unable to handle the stress and emotional turbulence Heer collapses. She’s later diagonised with a form of bone marrow cancer and is sent back to her parents in Kashmir.

Jordan’s brought back to India and put in prison. Amidst all this negative publicity, which Dhingra himself encourages, he decides to release Jordan’s next album which becomes an instant hit.
He’s released from prison. Inspite of all the negative publicity and the bad-guy image, he still manages to become very famous and is highly sought after. He continues doing concerts but he’s a changed man now, not the same old JJ who used to live for music and could die for music. He has terrible mood swings, throws tantrums and gets into fights at the drop of a hat, is forever angry and frustrated. He has all that he has ever dreamt of – he’s a rockstar now and is famous and popular but he’s not happy. It’s Sheena (Aditi Rao Hydari), a reporter whose major assignment has been to cover the journey of JJ to Jordan, who finally spells it out for him that he has everything he’s ever wanted in life but he doesnt have Heer with him. And it’s her absence in his life that’s left him hurt, burning with jealousy and feeling incomplete.

During one of his concerts, he meets Mandy (Heer’s sister) who informs him that Heer is suffering from terminal disease and is dying. He leaves all his assignments and rushes to Kashmir. Her parents are furious when they see him after all that happened in Prague but when they realize that Heer’s condition has started improving after his arrival, they kind of accept him. His contracts, assignments, concerts again become secondary in his life. He is fully focussed on Heer once again. That’s when Khatana arrives and tells him there
are serious charges against him for breaking contracts. Khatana and Heer finally convince him to complete his scheduled concerts. Heer even accompanies him for one of them where journalists and reporters accuse him of breaking Heer’s marriage, for stealing away somebody else’s wife and he loses his temper again and ends up creating a scene.

Heer’s condition begins deteriorating again and she goes into coma. He’s accused of almost killing Heer and he turns even more bitter. The movie abruptly ends when he sees Heer walk up to him during one of his concerts where he’s singing Nadaan parinde.

First half was very entertaining and enjoyable but somehow I failed to fathom the complexity  of the second half. I ended up asking myself -’was that really necessary’, in quite a lot of places. The way this movie was promoted, I guess I had too much of expectations from it. The tagline of the movie that said one person has the capability of making you and of destructing you didnt really fit in. The script didnt have that intensity to live up to the tagline, at least for me.

If you go and put your hand in the fire, knowing that you’ll get burnt, you cannot possibly blame and hate the world because you knowingly burnt yourself. I found all that anger and hatred in the second half kind of funny. The only reason JJ proposes to Heer initially is because he wants to get his heart broken so that he could become famous not because he actually was in love with her. Even later, when they subsequently becomes friends, she starts nurturing feelings for him but he’s not even sad or hurt when she gets married and goes (May be he’s in love with her but doesn’t realize it then. But she’s already married and gone, so what even if he realizes it now?).
And then after a year or more perhaps (because in the meantime, he finishes his studies, joins family business, gets thrown out of the house, spends time in dargah and finally comes back to Khatana, with whose help he becomes a singer) suddenly when he realizes that he’s not going to be the part of that Europe Tour, which includes a concert in Prague he goes hyper and becomes ready to go to any extent, to sign any contract, any bond just to be able to be a part of it. He has a desperate urge to see her, out of nowhere, just like that all of a sudden.  He falls in love and has an affair with her in Prague, both of them fully aware of the fact that she’s already married to somebody else. And then when he realizes that he cannot have her forever, he condemns the whole world, starts neglecting his career, and turns into a rebel. It’s not even the case of her betraying him. All this didnt make much sense to me. May be if you look at it from a guy’s perspective it would make more sense, might have something to do with  male ego. But for me, half of the hatred and anger in the second half looked forced.

Inspite of all this, I thought Ranbir was flawless in his performance. He was perfect as simpleton and silly Janardhan and rebellious Jordan. It was his movie all through, he was totally terrific!
Nargis was an eye candy, looked pretty and  shared a good chemistry with Ranbir but her dialogue delivery could have been better. And if she really wants to make a place in bollywood, then I think she should start working on her Hindi.
All the supporting actors were really great -
Kumud Mishra as Mr. Khatana was superb as JJ’s support system, who stood by his side till the end – during good times and bad times. Though he failed to comprehend JJ’s bheaviour half the time, he was always there when needed.
Aditi Rao Hydari makes her presence felt with her powerpacked performance as Sheena, in the small role that she has got.
Piyush Mehra was awesome in the role of an arrogant and cunning owner of a music company.
Moufid Aziz as Jai hardly had anything much to do but was pleasant to look at and portrayed his role very well. One of those few onscreen husbands who dont get hyper on learning that his wife’s been cheating on him.
Shernaz Patel and Mandy (dont know what her real name is) were great too as Heer’s mother and sister.
And coming to Shammi Kapoor…he lit up the screen with his presence. Wish he had a little longer presence. He had a very short role, though an important one. It’s because of him that the music company takes up JJ and turns him into a rockstar.  The only time my eyes turned moist while watching this movie was when he appeared on the screen for the first time, at dargah. I was filled with mixed emotions – sad that he’s no longer with us and happy at the same time that we at least get to see him on screen even now. May his soul rest in peace.

It’s a very well directed and beautifully shot film. Imtiaz Ali is a a wonderful director. Though I wouldnt call this his best film ( I still like Socha Na Tha and Jab We Met more), it’s still worth a watch. I didnt find the music very appealing though, not my interpretation of music for a movie named Rockstar. Musically speaking, it has great songs, with deep lyrics and fabulous music, but I wish there was at least one or two lively and peppy numbers. May be it’s also because I had not heard the songs before, they were not at all familar to me.  Over all, I would say it’s a well made movie and I did enjoy watching it. It’s for the first time in my life that I went to a theater all alone and watched a movie, and that too in a totally new place. So it was a different experience altogether.

(Since, I had watched the movie in theater, all the screencaps have been taken from youtube.)

Happy Birthday Mukesh!

July 22, 2011

When I had done a post on Mukesh last year for his death anniversary, I had listed some of his most popular songs. And though I had said I would be doing more posts on him, I’ve hardly had time to do any posts at all after that.

On this Birth Anniversary of his, I’m listing 3 not-so-very-popular (at least I had not heard them earlier until recently) songs that I have come to love immensely. I wish I had the time to do a longer post, but unfortunately I dont. So here goes my list -

1. Pukaro mujhe naam lekar pukaro (Bhool Na Jaana, 1965) : I’m addicted to this song ever since I discovered it. A friend of mine who’s a big-time Gulzar fan had posted this on his wall on facebook about a month ago. And hardly a day has passed without me listening to it since then. It’s the simplicity of this song that I like the most – beautiful lyrics by Gulzar, awesome music by Daan Singh (I’ve become very fond of this man these days) and superb and heart-felt rendition by Mukesh. As this movie was never released, I doubt if we will ever find out how this song was picturized. But the audio is just so perfect, I would rather settle down with it than have the song spoiled by some inappropriate caste or silly picturization (as is the case with some of the best songs).  At the moment, I find this song totally heavenly –  It’s so melodious and poetic and romantic that it’s combined effect makes me heady everytime I listen to it. And I just cant get enough of it -

(Pukaro mujhe naam lekar pukaro
Mujhe tumse apni khabar mil rahi hai) 2

(Kahin baar yoon bhi hua hai safar mein
Achanak se do ajnabee mil gaye ho) 2
Jinhe rooh pehchaanti ho azal se
Bhatakte bhatakte wohi mil gaye ho

Kunware labon ki kasam tod do tum
zara muskura kar baharein sanwaron

Pukaro mujhe naam lekar pukaro
Mujhe tumse apni khabar mil rahi hai

(Khayalon mein tumne bhi dekhi toh hongi
Kabhi mere khwabon ki dhundhlee lakeeren) 2
Tumhari hatheli se milti hai jaakar
mere haath ki yeh adhoori lakeeren

Badi sar chadhi hai yeh zulfen tumhari
Yeh zulfen meri baazuon mein utaaro

Pukaro mujhe naam lekar pukaro
Mujhe tumse apni khabar mil rahi hai

*Azal  means from the beginning of creation.

2. Hiya jarat rahat din rain (Godaan, 1963) : This song has such a rustic feel to it. I  love the prelude- the sitar and the flute. It sets such a happy note to it, even visually – a cow and a calf tied to a tree infront of the house, a hen pecking on something on the ground. A kid with a mother goat, puppies sucking milk, chics following the mother hen – all marking a new life coming into existence, spreading happiness and Raj Kumar savouring the sight around him. When the mukhda begins, in Bhojpuri, it just add to the rustic-ness that’s already set by the prelude .  Raj Kumar looks very convincing as a farmer and seems to be in a total bliss with his life and surroundings. But even admist all these, there’s an impending sadness in Mukesh’s voice, which reaches it’s peak in the last antara where a decaying skeleton is shown depicting death – Aas adhoori, pyaasi umariya…I had always loved the audio of this song. Saw the video today for the first time and must say I’m impressed with it. Hats off to Pandit Ravi Shankar for this wonderful composition, Anjaan for lovely lyrics and Mukesh for completing the traingle with his soulful rendition.

(Hiyaa jarat rahat din rain
O rama, jarat rahat din rain)2

(Ambuwa ki daali pe koyal bole) 2
Tanik na aawat chain
O rama, jarat rahat din rain

(Baswaree mein madhur sur baaje) 2
Birahee papihara bolan lage
Madhure madhura madhu bain,
O rama, jarat rahat din rain

(Aas adhuri, pyaasi umariya) 2
Chhaye andhera sooni dagariya
(Darat jiya bechain)2
O rama, jarat rahat din rain

Hiyaa jarat rahat din rain
O rama, jarat rahat din rain

3. Kaise manaaun piyava (Char Diwari, 1961) : Haunting is the word that comes to my mind when I think of this song. When I had first heard this song, I thought it was too sad for my liking but there still was something very hauntingly beautiful and intriguing about it. And then I saw it’s video and I was mesmerized. From the lyrics I could make out that it had something to do with newly weds and probably the girl was in love with somebody else before she got married to this guy. In such situations, it’s usually just the song playing in the background, if it’s not sung by the people involved – ie the guy or the girl or the betrayed lover singing out all his wrath on bewafai. But the fact that it’s a third person singing this song and the husband confirming that it’s a kashti-waala who often sings this song as he sails across the river outside their house is what I found very interesting. I haven’t seen the movie, so I’m not sure who exactly the person singing it is, could be Nanda’s ex-lover. But I started liking this song  more after I saw it’s video. If only the sound in the video was little clearer.

The emotions are so beautifully described and rendered – the anxiety (ghabraana), shyness (sharmaana), short conversation in between and the confusion (or rather fear of not being able to accept or love the person). The last antara leaves the song on quite mysterious note.

The folk touch to the lyrics with words like “piyawa”, “ekhu” gives the song a desi feel. Everytime I listen to it I keep wondering what context is “Goon mere ekhu naahin” referring to. Whether it’s because she was in a relationship with somebody else before getting married and thinks she’s not worth all that she’s getting now. Also, the second antara that goes -

 

Saajan mere aaye, dhadkan badhti jaaye
Naina jhukte jaayein , ghunghat dhalta jaaye
Khudse hi sharmaaye, aaj teri parchhaayin

Though the first two lines have a romantic note to it, is the third line in continuation to that or is it something about her being ashamed of herself? I have to get hold of this movie somehow and watch it soon.

Salil Da’s music is awesome and so are Shailendra’s words. Heart-rending singing by Mukesh and must say a very well picturized song!

Kaise manaaun piyava
Goon mere ekhu naahin
Kaise manaaun piyava 

Kaise manaaun piyava
Goon mere ekhu naahin

Aayi milan ki bela
Ghabraaun mann maahin
Kaise manaaun piyava
Goon mere ekhu naahin

Kaise manaaun piyava 

(Saajan mere aaye
Dhadkan badhti jaaye) 2
Naina jhukte jaayein
Ghunghat dhalta jaaye
Khudse hi sharmaaye
Aaj teri parchhaayin
Kaise manaaun piyava
Goon mere ekhu naahin

(Main anjaani paraayi
Dwaar tihaare aayi) 2
Tune mujhe apnaya
Preet ki reet nibhayi
Haye re mann ki kaliyaan
Phir bhi khil na paayin
Kaise manaaun piyava
Goon mere ekhu naahin

Kaise manaaun piyava

A heart-felt thanks to all these maestros for creating such classic gems. Wonder what and how our lives would haven been without these vintage songs. Like the dialogue from Anand – “Anand mara nahiAnand marta nahin”, all these people are immortal. They’ll live forever in the hearts of millions of people. We have loved you and we will always love you. Happy Birthday Mukesh!



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